DJ Mix

shesaid.so Mix 050: Bae Blade

The shesaid.so mix series aims to spotlight the diverse artists within our community. We’re committed to championing underrepresented voices from around the world, focusing on female, non-binary, trans and queer individuals. Our monthly mix series allows our contributing selectors to showcase their unique backgrounds and inspirations by creating exclusive, 30-minute live recorded soundscapes.

This month, we have the German DJ/producer Bae Blade, whose unique, genre-blending sound - a modern style that oscillates between electro, breaks, house, and techno with hip-hop influences - has garnered her a fervent following in the underground.

With a background in photography and only recently starting music during the lockdown in 2020, Bae Blade is a multifaceted artist whose intuitive skills have led her to become a regular at Berlin’s renowned HÖR radio station, a resident at RINSE FM, and an internationally touring DJ.

On the heels of these accomplishments, released her EP Mutual Pleasure earlier this month - a full-on onslaught of hard-edged, hyperfast techno/breakbeat/trance spiked with catchy hooks from other genres.

What inspired you to start the Bae Blade project during lockdown?

During the lockdown, I finally had the time to dedicate myself to projects I had envisioned for a while. The scene in North Rhine-Westphalia, where I'm from, felt too monotonous, and I wanted to play music that diverged from techno, allowing for more hip movement and incorporating more vocals.

How would you compare German electronic music culture to scenes from other countries?

It's a tough question and depends on where you are. I can only speak from the region I come from. In the western part of Germany, it's slowly starting to open up to other genres besides techno. In Berlin, where it's a major hub, it's a different story. I think it depends on the area, I believe there isn't just that one scene in Germany.

You have a background as a music photographer- do you feel like there were skills you picked up in photography that you've transferred over to making music?

It doesn't always have to be the most expensive equipment to achieve fantastic results.

Your new debut EP, Mixed Feelings, is an exploration of multiple underground dance music genres. What is the main connecting thread / overarching theme of the project?

The essence of the EP is simply to introduce myself via the facets that interest me within the genres. The EP is essentially a condensed set of me. With the EP title, I wanted to convey that one cannot narrow oneself down to just one thing, both as a person and in their art / as an artist.

Where is your dream place/venue to play?

Kyle Richards' White Party.

shesaid.so Mix 049: Maude Vôs

The shesaid.so mix series aims to spotlight the diverse artists within our community. We’re committed to championing underrepresented voices from around the world, focusing on female, non-binary, trans and queer individuals. Our monthly mix series allows our contributing selectors to showcase their unique backgrounds and inspirations by creating exclusive, 30-minute live recorded soundscapes.

This month, we have the Los Angeles-based DJ/producer Maude Vôs, a consummate experimentalist with a distinct musical voice that is brought to bear in both the studio and on dark underground dancefloors. 

Maude Vôs has built a top reputation in the LA-underground electronic scene through Delusional Records, the record label founded with Marie Nyx to uplift underrepresented artists and create a community around change and visibility within the electronic music industry. The label has been nominated for Best Breakthrough Label by DJ Mag, and has released 35 different artists over 16 releases (85% identifying as LGBTQIA+) since 2021. 

Maude Vôs was also recently featured in the book Patch and Tweak with Korg (a deep-dive into Korg synthesizers). Catch Maude giving educational workshops within their community, releasing music, and playing infectious DJ sets at festivals such as CRSSD Festival and Reform Festival, where a psychedelic techno sound is placed on display as rooted in atonal production and found sound experimentation.

What’s your top advice for young people wanting to become music producers/DJs/run a record label.

  1. Know your vision and why you do what you do; ethos & intention go a long way. Integrity is everything in this industry! Know who you are aligning yourself with and decide if your values are similar. 

  2. How you communicate and represent yourself is so important, be professional, I’m not “your homie or bro.” 

  3. Do your homework, from the labels you reach out to, to the roots of the electronic music culture, to where you are choosing to take up space. 

  4. I don’t care how big you are, entitlement isn’t cute. 

  5. Stay humble, stay curious and stay sober when you're working, this is a job. 

  6. Collaborate, sit in the studio with fellow producers, keep creating. The reality is you’re going to make a ton of bad art, and it's 100% part of the process. The more you can create your toolbox the better you’re going to get at production. 

  7. Youtube University is my favorite! 

How do you stay grounded and focused?

Personally: Believing in the work I'm doing is always a huge piece of the focus puzzle for me. At times, It’s actually quite hard for me to pull myself away from my work because my soul is so intertwined. On the other side of that coin, knowing you can’t do everything (gigs, interviews, remixes etc), it’s so important to know when to say no to things that don’t serve your bigger picture goals. That being said, feeding your soul and finding a balance. For me that looks like nature, nourishment, spa time, massage, reading, podcasts, yoga, ritual and therapy.  I moved out of the city a year ago and my nervous system is the happiest it's been thus far. Living in the mountains is very grounding and connective for me. 

Label wise, working as a team with Marie Nyx is extremely helpful. We have very defined roles so we do not have to take on the entire load of running a label, although the two of us do the jobs of a four person team at times. Lastly, remembering a career, making a record, starting a label, can not be built in a day; managing expectations and regulating oneself is really important.  

And then the little things…papers calendar, setting alarms, lists & timeboxing tasks. 

3 things you can't live without in your bag.

My Pucci sunnies, my AirPods, a roll on jasmine essential oil. 

Your label, Delusional Records, has been making waves in the industry. How do you and Marie Nyx approach the curation process for your releases?

Artist wise we reach out to many of the artists we want to work with. It’s very intentional and we want to mindfully bring together artists that we feel our audience would appreciate. We really like curating remix EP’s or VA Comps that bring together an array of artists, all with a unique sound and story. Personally, making music can be extremely lonely so I revel in collaboration and creating community. As for our solo artist EP’s we have decided to do less solo EP's each year (like we did for the first year and a half) and release larger bodies of work that we find compelling and invest in marketing these projects. More specifically, I do creative direction for releases(art, assets, visual direction) and handle working with our mastering engineer, while Marie Nyx handles distribution and A&R, together we create the release and campaign timeline and do the socials. 

Forthcoming in the fall, we have an EP by Seattle DJ and producer Mirin Doja. I have loved her sound for a few years now, so I reached out to her about potentially working together, and then signed her EP.  All of us then worked together to curate an amazing remix compilation featuring QRTR, Bored Lord, Mars Kasai, Aria Bare, Trovarsi and myself. 

What has been the most rewarding moment in your journey so far?

There were 2 poignant moments, one being going to audio school and being the only non-man in my graduating class. There I received two degrees, one in recording technology and one in media music. Next, quitting my 9-5 studio tech job in 2019 to pursue music full time after producing and DJing for over a decade at that point! This allowed me so much more time to hone my sound design techniques, conceptualize the label, and truly focus on my art. My world opened up after I took the initial jump. I’m also not nearly as tired and am much more present with my work. 


Tracklist: 

Terminal - Gilles Renneson

Diatoms - Jossy Mitsu

Temple - Bambounou

Sonar Chant - Neida

Sun Dog- Danny Goliger (unreleased) 

Day One - Pilo & Duce Heart(Maude Vôs & Marie Nyx Remix) (unreleased) 

Delirio - Bitter Babe & Nick Leon

Permutations- Alec Pace

AHE- Amor Satyr & Siu Mata 

Maiden of the Matrix ft. Kita Komodo - Maude Vôs

Backwards - Swimful 

Connect with Maude on Instagram

shesaid.so Mix 048: Cristina Lazic

The shesaid.so mix series aims to spotlight the diverse artists within our community. We’re committed to championing underrepresented voices from around the world, focusing on female, non-binary, trans and queer individuals. Our monthly mix series allows our contributing selectors to showcase their unique backgrounds and inspirations by creating exclusive, 30-minute live recorded soundscapes.

This month, we have the Italian DJ/producer Cristina Lazic, whose vibrant minimal tech productions and staunch support for women and mothers in dance music have catapulted her career over the past half-decade. 

Music has always been a big part of Lazic’s life. As a child, she learned how to play piano before composing her own music as a teenager. In 2016, she picked up DJing while on maternity leave; in the past few years, she’s learned how to produce, growing her skills exponentially by incorporating her knowledge of music theory into her groovy soundscapes. 

Lazic’s kinetic DJ and production style have led to releases on labels such as Crosstown Rebels’ Rebellion, Bondage Music, TBX, and Creature Records, as well as performances at iconic international clubs and festivals such as Exit, Get Lost Miami, Unum, Koko, Magazzini Generali, and at Hi Ibiza in support of renowned selector Damian Lazarus. 

She also recently released her first NFT - an audio/visual asset featuring her song “Meteor” and 3D visual art Crazy Panda. You can buy one for a chance to win a production lesson from Lazic.

What first inspired you to start making electronic music?

I have always been a big fan of electronic music, and music in general. I grew up during my childhood years learning to play the piano from my grandmother, who was a piano teacher. I started composing music during my teenage years, and at 18 I moved to London, the city where I started developing a strong love for electronic music.

Since then, I have been a big electronic music fan, traveling all around the the world to listen to my favorite producers. However, it wasn’t until 10 years later, during my maternity, that I approached the world of DJing myself. While I wasn’t working looking after my 6-month-old, I wanted to find a hobby to accompany the milk and nappies. A friend approached me to join her for some DJ courses, and that’s how I started playing. 

That was in 2016 - fast forward 4 years, my music career started picking up, even if it was still a side business. But then Covid happened, and I was based in Italy then where they had very strict lockdowns. I took this opportunity to improve my music profile and started producing. 

I already had Ableton installed on my computer, but a lack of bandwidth (full time job and daughter) to actually use it… so I took the time afforded to me by Covid to finally start studying the program, attending remote classes and watching tutorials on Youtube.

I always wanted to learn to produce, as I felt this would make me more of a complete artist. I’m glad that I was able to find an opportunity during a moment of frustration. Now, production has changed my music career and I can definitely say it has given me a professional boost I neve would have achieved by DJing alone. 

What’s your favorite part about producing and DJing?

I am a very creative person, and I feel that with music production I can bring to life all my ideas in the form of music, my true passion. I personally enjoy applying the things I learned as a child through my grandma and piano lessons, concepts such as harmony, to my music productions. 

When it comes to DJing, I love to share my energy with the audience. I just simply enjoy improvising and taking the dance floor on a musical journey, always with the mission to make them dance and have a memorable time.

Why is it important to you to support women in the music industry?

For me this is of paramount importance, as the electronic music scene has been male dominated for a long time. Things are changing now, and there are more women in music, but in my opinion there is still much work to be done. In my genre, for example, deep tech / minimal, only 2% of producers are women. I think it’s important to support each other and create awareness of the fact that, even if you see many women who are DJs now, the road to gender equality is still a long one. I am quite happy about the progress that I have seen in the last years though, and this is thanks to initiatives and communities like shesaid.so. However, I believe that it’s necessary to constantly remind people of the importance of having gender equality in the industry - therefore the support among women, and among women and men, is something that has to be continued throughout time.

What can the music world do to create a better environment for artists and their children?

First of all, there is a big need to build awareness of the fact that there is a problem in the industry: it’s not family friendly. More initiatives have to be done to help artists, and music professionals in general, with kids. For example, I loved seeing Rhianna pregnant on the Super Bowl stage; this was a great way to show that parenthood is something normal, and can cohabit with your professional career. I’d love to see more of that, but also more events, panels and initiatives that talk about parenthood in music. Secondly, I think more support is needed for parents in music. That’s why with shesaid.so, we are looking into bringing to life a helpline that parents can call 24/7 to receive mental health support. 

And last but not least, events should become more family friendly. For example, I dream of attending a festival with a kids friendly area, or the normalization being a dj and a mum; that’s why, in my rider, I have included a note where I mention that I often travel with my family and I ask promoters to support that, by providing a triple room so that my husband and daughter can feel welcome. In the future, I hope to be able to also request a child care service during the slot of my performances. 

Talk to us about your recent NFT project.

A couple of weeks ago I attended the Polkadot Decoded festival in Copenhagen, and this was the perfect occasion for me to drop my first NFT: an audio + video asset featuring my track “Meteor” and beautiful visuals by 3D art studio Crazy Panda. We dropped the NFT during my DJ set at Polkadot Decoded, via a music web3 platform called Public Pressure.  Among those who will support this project by buying a copy, 3 lucky winners will receive mentoring sessions with me. Many people have been reaching out to ask me to mentor them lately, so I thought of extending this opportunity to the wider public. As of today, I mentor several junior artists, and during my previous career in tech while working for Apple and Google, I was mentoring junior colleagues. I really enjoy helping others build self confidence, plan their development and take action to achieve their goals; but so far I have been mainly mentoring men, especially when it comes to music, and I hope that moving forward I’ll be able to help more women.

You can find the link to the NFT here: https://app.publicpressure.io/nft/0x049f362a5d5b4b77fb1a150528d3997b3e8a71cb?blockchain=moonbeam

Where’s your favorite place to play? 

Hi Ibiza is one of a kind. I was lucky enough to play there last year in Damian Lazarus’ Club Room during Saturdays with Black Coffee, and I will play there again in a few weeks, opening for Damian Lazarus and Dubfire. The club is just amazing, with an excellent organization, sound system and crowd. It definitely feels special to play at the best club in the world and share the decks with some of the best DJs on the globe!

Tracklist

shesaid.so Mix 047: Jessica Skye

The shesaid.so mix series aims to spotlight the diverse artists within our community. We’re committed to championing underrepresented voices from around the world, focusing on female, non-binary, trans and queer individuals. Our monthly mix series allows our contributing selectors to showcase their unique backgrounds and inspirations by creating exclusive, 30-minute live recorded soundscapes.

This month, we have the Los Angeles-based DJ/producer Jessica Skye, whose artistic identity mixes free-flowing, ethereal productions with a dedication to health and wellness.

Jessica Skye has played iconic venues around the globe such as Ministry Of Sound, Creamfields, Lovebox, Parklife, Snowbombing, and supported the likes of Groove Armada, Nightmares on Wax, Dave Lee and Todd Terry, She’s also run worldwide focused yoga retreats, classes, and events from the top of glaciers and sunny sunny rooftops to countless festivals and sandy beaches. 

With an airy, kaleidoscopic sound, Jessica Skye perfectly melds her musical vision with a tranquil, serene lifestyle - a holistic creative approach that establishes a safe space for people to unwind, move to the music, and find a sense of flow. 

In addition to becoming an Apple Fitness+ trainer where she curates and leads yoga workouts, mindful cooldowns and mediations, Jessica Skye recently released her album Fluō State 001 - a collection of melodic, downtempo tracks inspired by the ebb and flow of the energy of a yoga class.

Check out her guest mix with us and take a read of our interview with her below.

You’re a yoga teacher and a DJ - tell us about the crossover between these two worlds?

JS: For me, there is so much synergy between the two worlds and the thread that weaves it all together is music.

In both scenarios I’m holding a space for people to enjoy themselves, create some escapism as well as find a sense of flow. My duty is to read the room as well as carry the energy of it. When the balance is right there’s the most amazing exchange and feeling of connection.

How does being in the wellness scene influence your sound as an artist?

JS: This is actually how my album Fluō State 001 (Fluō is Latin for slow) came into existence.

When I got back into the music studio after a two year break, I was really drawn towards making chilled and downtempo tunes. It’s something I’ve always wanted to do and loved the idea of creating a body of work I could teach yoga to.

I wanted to create a sonic journey that ebbed and flowed the same way the arc of energy would in a yoga practice. So my starting point was to imagine the yoga session. I pictured the setting, the lighting and the mood, with hundreds of people sat in front of me ready for their practice. From that point everything flowed really organically...

Every track on the album is really intentional in its design. I knew how I would want to open a yoga space, how I wanted the arrangement to build in energy to it’s peak with Virgo Rising, then slowly bring the energy back down ending with the wave-like soundscape AlphaBeta III.

You perform around the world - what's your favorite venue/festival to play?

JS: One of the best and most memorable gigs I’ve ever played was back in July 2019 at Feel Festival which takes place just outside of Berlin.

I felt like everyone was there for the right reason... To dance and connect with the people around them. The energy of the event was palpable from the moment I arrived on site. My set was 4 hours long... And I honestly could have played for 10.

It’s a safe, fun and welcoming space with creative installations all set around a gorgeous lake. Everything about it was so thoughtful and intentional in it’s design. Most importantly, it was inclusive and welcoming of everyone, with a very clear zero tolerance for low vibrational behavior.

Is there a theme to your mix? What can listeners expect to hear?

JS: A deep and melodic situation. Opening with the lead track from Fluō State 001, Virgo Rising. I hope you enjoy :)

What's up next for Jessica Skye?

After a 3 year break from live gigs, so I’m excited to jump back behind the decks this summer. I want to keep finding ways to bridge the gap between wellness and music and I’m already starting to plan out Fluō State 002.