AVA Festival

Music Insider: Sarah McBriar

Sarah McBriar | Photo Credit: Sarah Ellis (TellYourMumITookPhotos)

Sarah McBriar is the Founder & Creative Director of AVA & UP Productions, specializing in large-scale festival and conference creation, production design, and programming across the audio-visual arts (AVA) sector. Her extensive experience spans over 12 years across live entertainment, events, and cultural sectors.

Sarah's achievements include partnering with high-profile brands like the BBC, Avant Arte, Boiler Room, and Broadwick Live. She's been nominated for the title of ‘Underground Hero’ in DJ Mag’s Best of British Awards for championing grassroots UK music communities.

Sarah's notable projects include pioneering and project managing a large-scale tourism development project for Manchester City FC between 2012-2015, securing international investment and achieving leading attraction status in the city. She has also collaborated with Glastonbury's Block 9, the Manchester International Festival, and the Warehouse Project in Greater Manchester.

Recognized for her innovative and bold approach, Sarah was the first creative producer to receive the CET (Commercial Enterprise Trust) award. She's a guest lecturer at the Central School of Speech and Drama, where she developed the University’s first online Creative Producing course. Additionally, Sarah is a member of the Belfast Music Steering Group that secured UNESCO City of Music Status for Belfast in 2021. She actively lobbied for government support for the music and events industry during the pandemic.

In 2020, Sarah became one of 16 newly appointed Creative Entrepreneur Experts at the Säid Business School, University of Oxford, where she mentors MBA students and small businesses.

How did you get your start in music?

My first experience in music was helping friends run parties, then I got an artist liaison volunteer role at the Warehouse Project in Manchester then a volunteer role at MIF, Manchester International Festival which really opened my eyes to collaboration, commission and boundary pushing art and music. After this experience, I started an MA in Creative Producing, and did a placement with Block9 at Glastonbury for 6 months, where I learnt a lot, and this opened my eyes to the scale & detail needed in running a music festival.

How did you grow AVA from its beginnings in Belfast to hosting events in multiple cities?

Developing relationships with other promoters in London, Glasgow, Dublin, Amsterdam and the many other cities we have taken it to. This was through attending events, speaking at summits and conferences, hosting promoters and other partners at our festival in Belfast. We also developed our International reputation, from the early years of AVA through our broadcasts, our programming and our campaigns. This led to international cities and promoters approaching us too.

Sarah McBriar | Photo Credit: Sarah Ellis (TellYourMumITookPhotos)

Describe a day in your life as a Founder & Creative Director at AVA/Up Productions?

Few days are the same. I usually get up around 6.30/7am, work out, have a coffee, go to the office, and then do emails, meetings, meet with partners, potentially clients, visit new venues, design work, do more emails and meetings, and then finish around 6-7pm. During the event period my time will be split between on-site and office work, discussing exciting projects and the programme with the media, and promoting everything that we are doing! When I go on holiday, I really try to switch off. Recently I have gotten into Surfing, as it is a form of meditation and beautiful focus whilst in the water, you have no option to think about anything else but the waves and the water! You surrender to the sea, and I love that.

From your diverse career journey, spanning roles in arts production, academia,project management etc, what core principles or values have consistently guided your decision-making process?

The quality of the work is essential. Paying close attention to the content, the presentation, the design, and building relationships with artists and industry professionals all leads to great work. I think the biggest lesson I have learnt along my career, spanning all facets, is that it takes time. We live in a very instant world, where expectations aren't really aligned with the reality of how long it takes to build relationships, a reputation and reach a point where you can deliver a project of scale. If you understand this principle, and work on building the right relationships and reputation, then you can almost guarantee you will reach the point you want to reach, if you continue down the right path, building each step with integrity and respect.

How does it feel to reflect on the journey of AVA as it celebrates its 10-year anniversary?

It feels great and strange in equal measures. I can’t really believe that it is 10 years. It doesn’t feel like it. Reflecting on the journey I feel proud to have played a role in shaping culture and promoting and developing talent, and enabling artists particularly in Northern Ireland to reach for the stars and obtain what some may have felt unattainable.

What do you see as the most significant milestones or achievements during this decade-long journey?

Surviving Covid, and delivering one of our best Festival’s to date out the other side.

Surviving three major site changes, and settling in at the Titanic Slipways.

Surviving licensing challenges.

Growing an incredible team, and watching them develop.

Reaching ten years of AVA.

What's something about your work that fills you with joy and excitement, and conversely, what's something you find less enjoyable or challenging?

Joy & Excitement > Creative Collaborations, commissioning or debuting new work, seeing new artists break through the barriers and rise up, and helping to support them.

Less Enjoyable > Writing funding reports, working on audits, social media in general (not my bag, so I do much less of that now)

One piece of advice you'd give your younger self

For every 10+ fails, there will come a win. Celebrate the wins, and accept the failures, it is part of it. Every ‘wrong turn’ usually leads you to somewhere you are meant to be, so go with it!

Tips for anyone who wants to get into your industry

Put yourself out there, get jobs and experience as much as possible. Building your reputation and relationships are the most important thing you can do, focus on that, and your craft & the direction you want to go in.


AVA Festival runs from Friday 31st May – Saturday 1st June at the Titanic Slipways in Belfast.


Member Spotlight #7: Sarah McBriar

Sarah’s work is a no-brainer for her. After traveling the world and working/learning with others in the festival industry she identified a need, channeled her passion and created her own version. Sarah’s audio, visual and arts festival, AVA Festival, will be in it’s third year this June.

The multifaceted structure and creative energy that pours from the festival comes from the best origin story there is: a group of friends coming together to do what they love and know best. Talking to Sarah, you get a real sense of confidence and willingness to dive in no matter the challenge. Passion is the driver, the rest will fall in line…

By: Zoe M

What was your experience like starting off in your career? Were you anxious, passionate, confident?

Sarah McBriar: When I started I had a lot of fun! I have always cared a lot about my work — so being passionate about what I do is really important to me. Like anything, the unknown is fun, and slightly scary but that’s what gets you really into it!

You’re coming up on the third edition of your Northern Ireland audio, visual and arts festival — AVA Festival… can you compare your first year of the festival with this latest edition? How have you grown and what have you learned since you first started up?

The Festival has grown a lot. When we started back in 2015, it was really all mates, both the DJs and attendees. Now — going into year 3, we are really honoured to continue to grow and invite International artists such as Jeff Mills and Marcel Dettmann, and continue to book the best emerging talent and established talent in Ireland.

What inspired you to start your own festival? How does AVA set itself apart or what is the overall goal of the festival?

I had worked on festivals in mainland UK, at Glastonbury, Block 9, MIF (Manchester International Festival) and Warehouse Project. I had travelled to many in Europe too, Sonar etc. I wanted to create a truly creative electronic music festival, merging the music with the visual art. I didn’t think that one existed in Northern Ireland, and I wanted to create a platform for all of the incredible talent coming out of Ireland, as there was so much — for those within Northern Ireland and those who had left but were doing great things elsewhere… a reason to come back and showcase their work. So AVA was a response to wanting to create this.

Working in the festival circuit, there obviously comes that time of the year when a festival is nearing its start-date and things get particularly crazy — what are some things you to do keep your wits about you?

Exercise. Chocolate. Yoga & meditation (need to do more of that!) Laughing with my Girlfriends.

How have the positions you held in the past set you up for success in running AVA Festival and/or starting your own festival?

My previous experience has played a huge part in setting me up. I worked for the Block 9 team for 6 months on Glastonbury which in my opinion is the best festival in the world, it’s a mini city set up for 5 days — it’s incredible. I supported the core team and assisted the producer, working on the pre-production, understanding the level of detail required and the time it takes, along with on-site experience. I also worked for MIF [mentioned above] which is such an incredible event, across 3 weeks — across the city, a combination of interesting spaces, arts & music and International debuts of work! It really is one of the best. I worked across a series of events on the operation side in a voluntary capacity and again learnt from the scale and variation of the projects and sites.
Similarly, I was part of a team who developed a tourism project within City in Manchester, which grew across 4 years. I learnt a lot about teamwork, marketing, staff and operations and the business side of things which really taught me the other side of running a festival — and the major challenge of staying within budget.
I have also lived in a number of cities… Belfast, Manchester, London, Barcelona and Vancouver — learning lots about different cultures and art forms, and about tourism; all areas which really feed into developing a festival!

What are the most important takeaways you’ve been able to transfer from these past experiences to running the AVA Fest?

1. Have a core ethos, both in how you programme and how you manage — and keep to it! It is what you are and what you will be long-term!
2. Develop strong relationships that last long term — value you them, they stick with you.
3. You have to watch your budget every day.
4. Enjoy it. If it doesn’t make you happy — something isn’t right!

If you could pick one — what artist, that you’re featuring at the festival, are you particularly excited about?

Jeff Mills [also mentioned above] — he is debuting a lighting and live project with the incredible Parisian lighting designer Guillaume Marmin — I can’t wait to see this.
… Also Fatima Yamaha and New Jackson!

What are some lesser-known, but equally amazing festivals out there that we should know about?

Sacred Ground in Berlin, Field Maneueuvres and Love International!

Why do you think we’ve seen the popularity of festivals rise on the recently? Do you think it has to do with the live music aspect? Brand partnerships? What’s your insight/take on this?

I think the whole industry has grown. I think people love to experience music in a live capacity, as music is so easily and readily downloaded, people seek the live experience now. The growth of the sector, the opportunities there are for festivals, interesting spaces and live acts has all led to the growth of festivals.

What are you currently listening to on repeat?

Hammer’s latest track: MANAKA
New Jackson’s latest track: ANYAS PIANO

Who/what gives you strength?

Great vibes, great music, a class team, amazing friends!

What else should we know about you or what you’re currently working on?

The AVA emerging talent competitions are super special. Since starting in 2015, we have found some serious talent!
PLUME is a collaborative project I work on with Oisin O’Brien where we create art directed, high impact visuals, installation amongst other things- it’s super exciting work and was born out of working together on the festival.

The AVA Festival runs for June 2–3 in Belfast.

Tickets here | Lineup here | Watch the AVA highlights of 2016 here