Six Questions with Sofia Kourtesis

Photo Credit: Dan Medhurst

Peruvian producer and DJ Sofia Kourtesis draws constant inspiration from her family. Her 2021 breakthrough single, La Perla, honored her late father, blending a flowing melody with voice recordings that capture her sense of longing for home from Berlin.

After remixing tracks for Caroline Polachek and Jungle, Kourtesis released her debut album. Madres in October 2023, dedicated to her mother and the neurosurgeon who performed life-saving cancer surgery on her.

The album features 10 tracks showcasing her emotive approach to electronic production and blends Sofia’s Peruvian roots and Berlin club influences, exploring both personal resilience and community.

Kourtesis answered six quick questions before her performance at Desert Air Festival.

If you had to describe your music using three words, what would they be

Playful, happy, and nostalgic. I aim to evoke those emotions and take listeners on a journey through sound.

What’s your best networking tip?

I believe in making genuine connections. Look people in the eye, engage in natural conversations, and be yourself. Focus on building authentic relationships with those who share your passions—it's all about creating bonds that matter.

What's your favorite/least favorite thing about making music?

My favorite part of making music is the freedom to express myself and connect with others through sound. However, there are moments that can be tough, like dealing with creative blocks or the pressures of the industry. Despite these challenges, I choose to focus on the joy and fulfillment that music brings me, as it's a dream I've always wanted to pursue.

3 things you can't live without in your bag

My passport, phone, and my Venlafaxine antidepressant pills. These essentials keep me connected and grounded, especially when traveling or managing daily life.

What’s your favorite way to unwind when you’re not making music?

There’s something liberating about stepping outside my routine and experiencing life in the moment.

What are you listening to at the moment?

Right now, I’m really into Floating Points, Caribou—who has been a great mentor to me—and Arca. Their unique sounds inspire me and keep my creativity flowing.


PALM SPRINGS AIR MUSEUM • NOVEMBER 15-16, 2024

Desert Air is a 2-day music festival taking place on Friday, November 15th and Saturday, November 16th, 2024 at the Palm Springs Air Museum.

A weekend dance floor destination in the desert, hosting two stages of international selectors.  

2-Day & Single Day Passes On Sale Now!


Friedberg's Hardcore Workout Queen

Friedberg - Photo Credit: Lewis Vorn

Friedberg is an all-female four-piece bringing a hypnotic mix of dance-punk, indie, and guitar pop to every show.

They’ve been gaining momentum and even caught the eye of AnnenMayKantereit, who invited them to support their German stadium tour last summer. Recently, Friedberg wrapped up a U.S. tour with Giant Rooks after a strong showing at SXSW.

In May, they played the Jazz Café in London, opening for Big Special, and later that summer, they joined Placebo on their UK tour. This added to an impressive list of shows, which includes past tours with Hot Chip in both the UK - the band played a headline show at London’s iconic 100 Club on November 4 - and the U.S.

Their latest singles, released through Clouds Hill, are gaining attention and airplay on BBC 6 Music, Radio 1, and Radio X. Their upcoming album ‘Hardcore Workout Queen’ produced by Oli Bayston, is set to be released on November 8.

In this Q&A, the singer-songwriter and frontwoman for Friedberg Anna Wappel speaks about their album Hardcore Workout Queen, their creative process, and what’s next.

Your album Hardcore Workout Queen has such an intriguing title, what’s the story behind it?

Hardcore Workout Queen is a song on the album that I wrote in a really lazy mood, when I woke up one morning and everyone was running past my house for the third time while I was busy making my third breakfast. I was cheering for all the hardcore workout Queens, but I just couldn't participate. It's kind of a funny look on the whole self optimization obsession, but also in a loving way. It's a song for everyone, no matter if you're on the gym or if you're late in the sofa at home.

If you had to choose one song from your album to introduce people to your music, which one would it be and why?

I think maybe ‘Hardcore Workout Queen’ because I like the lyrics and the drive it has got, but as I can never ever decide, I would also like everyone to listen to 100Times too, because it is such a vibe

How has touring with bands like Placebo and Hot Chip been?

Both were super fun. The U.S. tour with Hot Chip was truly unforgettable! I think a few more dance beats snuck into our album after touring with them. And I’ve also worked in the studio on some new tunes with them which was amazing. The downside: I’ve realised that being a support band on tour is insanely fun, but also ridiculously expensive. I really wish there were more grants for touring musicians.

You’ve built a lot of momentum since forming in 2019. What advice would you give to new artists trying to grow and find their place in the music industry?

Trusting your gut. Trusting your gut. Trusting your gut. Learn to delegate, so you’ll get more time to actually do music. (That’s mainly an advice for myself haha)

What’s your best networking tip? 

Be curious to meet people. Don’t be scared to ask a lot of questions.

What's your favorite/least favorite thing about making music?  

The moment when you go to a studio with someone - with a producer, a friend or a bandmate - and you just go in there with nothing, completely blank, and you start to have a jam, and then write or make something up in the moment. It's super scary, but I like the thrill of it and I like to go home in the evening with something we’ve created. That’s my favorite thing.

My least favorite thing is finishing stuff. I find it really hard to make decisions, and the feeling of committing to a final thing, “this is it now, you can't do any more changes”… I love to have all the options, but then I also can't make decisions. So, I find finishing stuff really hard.

Friedberg - Photo Credit: Lewis Vorn

What’s your favorite way to unwind when you’re not making music?

Playing football. I started a football team in Hackney Wick, and we play once a week. It’s the only time I can truly switch off my brain—just chasing that stupid ball around!

If you had to describe your music using three words, what would they be?

Pop, dance, punk

What are you listening to at the moment?

Just discovered Joshua Idehen’s track “Mum Does the Washing“, when I was a guest at 6music’s Roundtable the other day. The lyrics are incredible and you’ve got to hear it. The music video is pretty amazing too.



NOURI: My Music is Vulnerable, Honest, and Meaningful

NOURI is a Kurdish singer and songwriter whose journey began in a Syrian refugee camp, where she was born and lived until the age of three. Her career in the global music scene started in 2018 with her debut single, "Where Do We Go From Here," which gained international attention, hitting #1 on multiple charts and marking her as an artist to watch.

Her latest single, "Change In Your Name," is a gospel ballad that reached #4 on Billboard’s Gospel Digital Chart and amassed millions of streams. In the newly released music video, NOURI’s performance captures the emotional weight of the song’s message about faith and transformation.

In this short Q&A for shesaid.so, NOURI speaks about her connection to her roots and how music continues to be her form of expression and healing.

How have those early experiences at the Syrian refugee camp shaped your approach to songwriting and music?

I would say, more so now than ever. It's definitely shaped it in a way where it's a lot more honest and vulnerable. If you don't hear it in the lyrics, you definitely hear it in my voice. I feel like you can hear the experiences in my voice and the feeling that I'm able to give these songs. I'm very grateful to God. I wouldn't be here without God. Looking back at where I've come from, to the positions that God has put me in, I'm very, very grateful, and my songs definitely reflect that more now.

What’s the story behind your single“Change In Your Name”?

I wrote the song in December of 2023 at a very low point in my life. I felt very lost and alone, and it was me simply having a conversation with God, more like a prayer, if anything. And the song just simply happened. I wrote the song in two hours and it's definitely my favorite.

What's your favorite/least favorite thing about making music?

My least favorite is writer's block, because there's nothing worse than going to the studio or setting up to write a song and then nothing comes to you. There's got to be the worst. And then the best thing, I would say, is being able to be so creatively free. As musicians, as artists, as writers, you can go into the studio and literally write about anything, and I think that's pretty cool.

What's your favorite way to unwind when you're not making music?

I would say is to be out in nature. I love being at the beach. I love going for hikes. You know? I love going to the gym. But there's just something about being in nature that really helps me feel at peace and just to kind of forget everything and reset. So definitely nature.

If you had to describe your music using three words, what would they be?

Vulnerable. Honest. Meaningful.

3 things you can't live without in your bag.

My lip liner, my lip balm, and also my blush - I seriously, I can't leave the house without it. If you look at my bag, it's just kind of “On the Go” makeup. That's my that's my thing.

What are you listening to at the moment?

At the moment, I listen to a lot of worship music. I love listening to instrumentals, jazz music in the morning. As a musician, you would think I listened to different types of music, but I'm not. I think it gets a bit much for me, so I just try to keep it simple at the moment. Billie Eilish for sure!


Follow NOURI: Instagram | TikTok | Spotify

Desert Air Festival 2024 - Weekend GA Pass Giveaway

In partnership with Desert Air, shesaid.so is excited to offer this exclusive giveaway to our members.

Desert Air returns to Palm Springs, CA, from November 15th - 16th, after a three-year hiatus.

This year’s incredible lineup includes Kaytranada, Jamie xx, Shygirl, Joy Orbison, Mall Grab, and more, all performing across two stunning venues: Palm Springs Surf Club by day and Palm Springs Air Museum by night.

Eligibility Rules:

1. You must be a shesaid.so member 

2. You must be available to attend the festival in Palm Springs, USA, on November 15-16, 2024.

3. The winner will receive 2 General Admission passes (travel and accommodation not included).

Fill in the form HERE by October 31st at 11:59 PM PT

The winner of the passes will be contacted via the email they use for their submission.

Desert Air Festival

PALM SPRINGS AIR MUSEUM • NOVEMBER 15-16, 2024

Mastering Music Promotion: Social Media and Traditional Strategies for Artists

Music promotion has increasingly shifted toward platforms like TikTok, Instagram, and YouTube, which play a vital role in how artists connect with fans and grow their careers.

However, traditional promo strategies still hold value and can complement modern approaches. Successful social media promotion requires creativity, planning, and authenticity—simply posting “New Single Out Today” or just being present on these platforms isn’t enough. How you use them matters.

Below is a breakdown of both traditional and social media strategies to help artists stay ahead.


Top Tips for Social Media Success

1. Go Where the Audience Is

Different platforms attract different audiences. Understanding who you want to reach and where they spend their time is essential.

  • TikTok: With a predominantly young user base, TikTok is a must for artists looking to connect with Gen Z and millennials. Short-form content with a high chance of going viral can catapult an artist from obscurity to mainstream. Trends move fast here, so focus on engaging, creative content that resonates quickly.

  • Instagram: A great platform for more established artists to engage their audience visually. Utilize features like Reels, Stories, and Highlights to keep your profile fresh. Instagram also allows deeper interaction with fans through live streams and DMs, fostering a loyal community.

  • YouTube: YouTube offers both long-form music videos and short-form content via Shorts. It’s ideal for creating more in-depth connections with fans through behind-the-scenes content, official music videos, or live performances.

2. Build Engagement, Not Just Content

It’s not about posting for the sake of it. Each piece of content should have a purpose: to engage your audience. The key is interaction and making your fans feel involved in your journey.

  • Involve your audience: Ask questions, host polls, and seek input on everything from what songs to release to where to perform. Fans who feel part of the process are more likely to stick around.

  • Community first: Social media isn’t just a promotional tool; it’s a way to build a community. Artists like Billie Eilish and Taylor Swift use features like Instagram’s ‘Close Friends’ to offer exclusive content, giving their audience something special and creating an intimate bond.

  • Consistency is key: Post regularly, but ensure your updates are aligned with your brand. For example, Charli XCX’s strategic roll out of her album ‘brat’ was so succesful that her fans engaged with the story just as much as the music.

3. Go After Viral Moments, But Don’t Rely on Them

Going viral can be a game-changer, but it’s not a strategy to rely on. Focus on creating moments that encourage sharing.

  • Artists like Sabrina Carpenter and Tinashe have benefitted from viral moments like memes, but these weren’t forced. Create content that feels authentic and encourages organic sharing.

  • Encourage fans to create content around your music. Challenges, remixes, or even dance trends (as seen on TikTok) often lead to wider exposure without much direct effort from the artist.

4. Authenticity is Non-Negotiable

Fans today can spot inauthenticity from miles away. Staying true to your brand and values will help build trust with your audience.

  • Don’t just jump on trends because they’re popular. Align your content with your artistic identity. 

Example

Taylor Swift’s album, The Tortured Poets Department, has broken streaming records by focusing on fan engagement. The album became Spotify's most-streamed globally in a single day, surpassing 300 million streams, while the lead single, “Fortnight (feat. Post Malone),” set records as the most-streamed song in one day.

Key Strategies

  • The surprise album announcement at the Grammys generated excitement and curiosity.

  • Spotify's "poetry library" installation in Los Angeles created social media buzz and a tangible connection for fans.

  • There were exclusive updates on Spotify that rewarded engaged fans and encouraged sharing.

  • The album was pushed in various platforms including Spotify and Amazon Music showcasing a strong multi-platform approach.

  • Fans love seeing what goes on behind the scenes. Sharing snippets of songwriting sessions, studio work, or even daily life can make your content feel more genuine and relatable.

5. Measure What Works

If you’re not tracking what resonates with your audience, you’re missing out on valuable insights. All major platforms offer analytics, and they’re key to understanding what’s working and where to improve.

  • Metrics like likes, comments, shares, and watch time can give you a clear picture of what content is engaging your audience the most.

  • Understanding when your audience is most active can help you post at optimal times, boosting visibility without extra effort.

  • Know where your audience is. This can help with everything from planning tours to timing content releases around time zones.

6. Beyond Socials

Social media is crucial, but it shouldn’t be your only focus. A strong website and an email newsletter are still key pieces of a broader strategy.

  • A well-maintained website gives you full control over your content and brand. Include tour dates, music links, exclusive content, and an artist bio to keep fans engaged beyond social media.

  • Don’t rely solely on algorithms to get your content seen. An email list allows direct communication with your fans. Artists like Thao Nguyen use platforms like Substack to connect with their audience through essays, performances, and updates. The indie musician wrote a newsletter called For the Record to share her journey of creating her seventh album. In the newsletter, she gave subscribers a chance to read, hear, and watch her work in real time

  • Mix up your content with teasers, behind-the-scenes footage, livestreams, and more. Promote your single with different types of posts (e.g., music video snippets, album artwork, interactive Q&As).

  • Personal replies build a connection. Platforms like Twitter are perfect for interacting with fans, while Instagram Stories and TikTok can give them a peek into your day-to-day life.

  • Posting regularly without spamming your audience is important. Make sure your posts are snappy, varied, and visually appealing.

TikTok Focus

TikTok’s Influence on the Charts

TikTok continues to revolutionize music discovery, with the app serving as a launchpad for numerous artists like Tyla, Aliyah Bah (Aliyah’s Interlude), and FIFTY FIFTY in 2023 or Sabrina Carpenter, Tinashe and Lisa in 2024 . The platform’s potential to turn a song into a viral sensation has made it a must for emerging artists and established names alike.

"​​I've noticed that people's attention spans aren't that long anymore," Tyla told 2024 GRAMMYs host Trevor Noah for Interview magazine. "People like watching short videos, so with my music, I love creating small videos that I hope will trend. Because I've been on social media throughout my life… I use that to my advantage when promoting a song."

Tyla’s TV debut of Water

TikTok Best Practices:

  • Artists like Tyla have capitalized on viral challenges like the "Water" dance,  Aliyah Bah’s track “IT GIRL” took over TikTok with outfit transitions and lip syncs, Sabrina Carpenter with Espresso and Charli XCX with the ‘Apple’ dance. Think of how your music can spark its own trend or meme.

  • TikTok's power lies not just in random trends, but in influencer partnerships. Record labels and artists can collaborate with influencers, both large and micro, to help songs go viral. This strategy allows them to tap into different audiences and trends that resonate on the platform.

  • TikTok thrives on UGC. Marketers are increasingly using platforms like Pearpop and Preffy to create challenges that encourage users to generate content. This can be a great way to build organic interest around a song, tapping into the viral potential of user-driven trends.

  • TikTok’s culture of remixing songs (sped-up versions, mashups, etc.) can give older or less popular tracks a new lease on life. Including strategies to engage with remix artists or even commissioning remixes could be a powerful tool for artists looking to keep their tracks relevant.

  • Low-effort but high-impact, AR filters and effects can be used in TikTok campaigns to drive engagement. Incorporating these into promotional plans can help artists connect with fans in a playful, accessible way.

  • Not all successful campaigns rely on influencer power. General-interest content creators, like those posting slime videos or hydraulic press clips, can help a song break through in unconventional ways by simply using the track as background music.

  • While TikTok offers many opportunities, it can also be draining for artists, who are expected to be content creators on top of making music. It’s important to acknowledge the pressures artists face, balancing promo with their artistic endeavors.

  • Radio stations and streaming services are adapting to TikTok trends. Channels like SiriusXM’s TikTok Radio showcase how traditional outlets are integrating short-form video-driven songs into their programming. This section can discuss how TikTok-driven success is bolstered through radio and streaming playlists.

Traditional Promotion: Still Vital

Despite the rise of digital platforms, traditional promotion strategies remain crucial for long-term success. These tried-and-true methods, such as PR, radio airplay, and live performances, still play a vital role.

Traditional Promo Strategies Include:

  • PR and Press Kits: Press releases to industry publications and radio stations remain effective. Artists should also engage with local and national media to gain coverage for new releases.

  • Live Performances: Whether it’s small gigs or festivals, performing live is still a great way to connect with fans and build a dedicated following.

  • Email Newsletters: With social media outages (remember Facebook’s infamous 2021 crash?), email lists are a reliable way to maintain direct contact with your fanbase.

Cross-Promoting on Multiple Platforms

While TikTok may dominate music discovery, artists can’t rely solely on it. Balancing your efforts across platforms like Instagram, YouTube, Threads and X is essential. Each platform caters to slightly different audiences, offering unique ways to promote your music.

How to Approach Cross-Platform Promotion:

  • Tailor Content to Each Platform: What works on TikTok might not resonate the same way on Instagram or Twitter. For example, create Reels specific to Instagram rather than reposting TikToks with watermarks.

  • Connect with Other Artists: Build relationships with fellow musicians through shoutouts and collaborations online. Not only does this expand your reach, but it also fosters community support.

Influencers in Modern Music Marketing

Influencers are becoming key players in music promotion - just look at the influence that Aliyah Bah, Julia Fox, Gabriette and Rachel Sennott had. Influencers can introduce your music to their followers in a fun and authentic way. 

  • Work with influencers who genuinely align with your music and brand. Authenticity is key to a successful campaign.

  • Smaller influencers often have more engaged audiences and can provide a higher return on investment for your marketing efforts.

Analytics 

Staying on top of your analytics will help you refine your strategy. Monitor which posts resonate most, what times are optimal for engagement, and which platforms generate the best results. Don’t be afraid to switch up your approach based on data.

Tools like PUSH.fm, Linktree etc offer Smart Links and analytics to help you track engagement across multiple platforms, giving you the insights you need to continually improve.

Branding

Branding as a musician means telling the world a clear and cohesive story about who you are and what drives your music.  

Consistency in branding helps artists create a distinct presence online. This doesn’t just mean visually; it’s about maintaining a cohesive voice and message across all platforms. As an artist in 2024, your brand is your music, your visuals, and how you engage with your fans. Here’s how you can approach it:

  • Ensure your logo and artist name are clear, memorable, and used consistently across all platforms and promotional materials.

  • Define why you create music, how that translates into your sound, and what type of music you make. This "why" should resonate through your social media, visuals, and performances. Authenticity is key.

  • Identify what you’re passionate about, what you do best, and what drives your growth. Align these strengths with your brand and focus on areas where they overlap.

  • In two sentences, explain what makes you unique as an artist. This statement will guide decisions and help ensure consistency across your branding efforts.

  • Identify 3-5 values that reflect your identity and drive your creative decisions. These could include creativity, connection, or innovation.

  • Choose keywords to describe your brand’s tone of voice. These should be consistent across your communications, from social media to live performances.

  • Be open about your journey, inspirations, and what makes your music unique.


Join shesaid.so today and boost your career in music We are a global community of music industry professionals and creatives whose mission is to make our industry equitable for all through education, mentoring programs, events, curated job opportunities and editorial content.

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Red Bull Records' Morgan on Her Newest Project 'Emotional Gangster'

Morgan is one of the UK’s most exciting rising stars in Pop and R&B, with over 80 million combined streams, a dedicated online following, and a new label home at Red Bull Records. Her forthcoming project, titled Emotional Gangster, features a collaboration with dancehall heavyweight Byron Messia.

Morgan's journey started young—she began performing at just three years old, and by 18, she was touring the world as a vocalist for Rudimental. Her solo career took off with the release of ‘My Year,’ a sparkling pop debut, followed by the hit collaboration ‘Mulholland Drive’ with Ebenezer, which earned over 10 million streams. Her subsequent EP Alien was packed with golden-era pop influences and featured collaborations with Anne-Marie, Cadenza, Dyo, Preditah, and Rudimental.

At 17, she wrote ‘ADCT,’ which later climbed to the top of both TikTok Trending Sounds and the UK Top 50, racking up over 25 million streams. Morgan has also co-written and featured on major tracks like Rudimental & Digga D’s ‘Be the One’ and Sigma’s ‘Adrenaline Rush,’ which sampled Bittersweet Symphony. Recently, she’s expanded her reach by writing for top K-pop artists like NCT’s Jaehyun and will feature on Purple Disco Machine’s upcoming album PARADISE later this year.

Now, with two sold-out London headline shows under her belt and her first UK headline tour set to kick off at the end of the year, Morgan is one of the most emerging talents in the scene. Her latest single, ‘Wheel Up,’ a collaboration with Jamaican superstar Byron Messia, dropped on 25th September via her upcoming sophomore EP Emotional Gangster, out on 25th October.

In this Q&A, Morgan opens up about her new single “Wheel Up”, working with Byron Messia, and what fans can expect from her highly anticipated EP.

Your new EP Emotional Gangster is dropping soon. What is the story/inspiration behind it?

I'm so excited for this EP to drop - it's been a minute since I dropped my own music. The story behind it is pretty simple. Firstly, a lot of people, especially my friends, think that I am this super tough person - I have an extremely tough exterior (it might be the Aries in me - I have a lot of fire). However, I am hugely emotional and sensitive at heart. Secondly, I wanted to create a project that incorporates both sides of my personality whilst also highlighting the versatility in my sound and songwriting. I absolutely hate being put in a box.

“Wheel Up” feels like an homage to Jamaican sound system culture, but also taps into the UK rave scene. How do these two worlds connect for you, and where do you fit in?

I'm half Jamaican and  half British so the connection is plain and simple. I'm a proud product of dual heritage and you can hear those influences in my music. 

What is your top networking tip for connecting with the right people in music e.g. a manager or a record label?

Never rush into a working relationship. Take your time sussing people out and ensuring they have the best possible intentions. I built a relationship with my manager for at least a year before entering a business relationship with her. 

Tips for finding your creativity on a tough day

A producer once told me to keep on creating even when I feel creatively blocked as it helps you get all the s*** out - that stuck with me. I try to keep writing even if I'm not feeling inspired. Even if a session isn't how I have wanted it to go, I've still learnt something that day. 

What advice would you give to artists that are just starting out?

Perseverance and shamelessness are key! 

3 things you can't live without in your bag

You will never see me without a lip gloss or lip liner - it's my makeup staple. I always need my phone - especially when I am in sessions, my notes section is literally where you will find all my song ideas and lyrics. Lastly, my car keys - I literally drive everywhere and always seem to be in my car (it's become a running joke with my team... even every zoom meeting involves me in or next to my car).


Morgan will go on a tour this November, headlining five shows across the UK, including a date at London’s iconic Jazz Cafe. The dates are as follows and tickets are available HERE:

November 25: Glasgow @ The Poetry Club

November 26: Manchester @ YES

November 28: London @ Jazz Café

November 30: Birmingham @ The Sunflower Lounge

December 1: Bristol @ The Louisiana

shesaid.so ADE Guide 2024

We compiled a guide to ADE 2024, featuring a curated selection of our top talks, exhibitions, parties, podcasts, panels, interviews, and meetings. Scroll down to access our selected listings.

shesaid.do space at ADE 2024

shesaid.so is excited to renew its partnership with ADE this year, offering activities that include a mentoring program for mentors and mentees of all genders as part of ADE Lab, along with a shesaid.so Pro Talk and Mixer as part of the ADE Pro program on Thursday, October 17th, powered by Ballantine’s True Music Fund.

Head HERE for more information and to RSVP.


Conference

Wednesday, October 16

Talking facts: the insights you need to know about Africa

Date: Wed, Oct 16, 2024 12:15 - 13:00

Location: Felix Meritis (Teekenzaal 1) | Keizersgracht 324, Amsterdam

Speakers: Chelsea Odufu (Artist / Tech Afrique, US) / Dare Balogun (Vandelay Radio / METALLIC INC, GB) / Grace Ladoja (Homecoming, GB)

Interests: Strategies / Tech, Data & AI / Africa focus / ADE Pro / Panels & Talks

Presented by HOMECOMING
Africa’s music industry is experiencing an unprecedented rise, with local-first streaming platforms, diverse regional genres, and community-led movements shaping the landscape. This keynote speech aims to unpack the key trends, data insights, and opportunities driving this growth, providing a fresh perspective on Africa’s role in the global music ecosystem.

More Info


Beyond Streaming: Unlocking new revenue opportunities for artists

Date: Wed, Oct 16, 2024 11:15 - 12:00

Location: Felix Meritis (Teekenzaal 2) | Keizersgracht 324, Amsterdam

Interests: Opportunities / Streaming & Media / ADE Pro / Panels & Talks

Speakers: Aly Gillani (Bandcamp, GB) / Anjali Nazarenko (MassiveMusic, NL) / Becky Wixon (Songtradr, GB) / Myradh Cormican (Frame Artists, GB) / Scuba (DJ/Producer & Hotflush Recordings, GB)

In this panel, artists will gain insights into unlocking new revenue streams and diversify their income beyond traditional methods. Explore practical strategies for working with brands, from sonic branding to licensing and bespoke composition, as well as approaches to merchandising and creating digital experiences that engage fans. These insights will help artists enhance their creative freedom and deepen their cultural relevance while building a more sustainable career.

Hosted by Songtradr’s Head of Talent, Becky Wixon, this session features industry professionals with vast experience including DJ and producer Scuba

More Info


Spotify Huis

Date: Wedsnesday 16 October & Thursday 17 October
Opening hours: 12:00 to 20:00 o'clock

Address: Meet Berlage, Oudebrugsteeg 9, 1012 JN Amsterdam

Spotify is back at ADE this year, welcoming dance music industry players and artists with open arms! Join us at Spotify Huis, your sanctuary amidst the week’s hustle and bustle. The Spotify team will be around to connect, and refreshments will be on deck to keep you fueled for the week. Stop by for a quick hello, to grab a coffee, or attend our programming!

More Info


Marta Salogni

Ela Minus & Marta Salogni: The Collaborative Art of Mixing a Record

Date: Wed, Oct 16, 2024

Time: 13:30 - 14:15

Location: Felix Meritis (Husly Lounge) | Keizersgracht 324, Amsterdam

Interests: Strategies / DJ / Producer / Mix & Master / ADE Pro / Panels & Talks

Speakers: Carly Wilford (GB) / Ela Minus (Artist, CO) / Marta Salogni (Artist, IT)

Highly-revered Colombian electronic musician Ela Minus has worked on multiple projects with award-winning Italian engineer Marta Salogni. This talk will see Ela and Marta reflect upon the unique relationship that exists between the artist and the engineer as well as see them discuss how this particular bond has manifested itself in their collective artistic experience.

More Info


The New Era of Music Promotion: Viral Content, Fan Building, and Career Growth

Date: Wed, Oct 16, 2024

Time: 13:45 - 14:30

Location: Mappa (Soundbar) | Nes 59, Amsterdam

Interests: Strategies / Insider Knowledge / Marketing / Lab 〰 Industry / ADE Lab / Panels & Talks

Moderator: Mandy Salem-Aubry, Founder Mandy Salem-Aubry Music Services (GB/FR)
Panellists:
Eelko van Kooten (Founder Spinnin' Records/Collabhouse, NL), Galya Tityukova - Gallya (A & R/Label Manager/Artist/Set About Music, (BG)Ben Reid (VP at Triller, GB), Dan Carter (Carter Projects/Ex-TikTok, GB)

Artists now have unprecedented opportunities to grow their careers without the backing of a traditional label, from cultivating an online following to building a compelling live presence. This panel will reveal how to create viral content, expand reach, and monetise music, with fan engagement and social media presence more critical than ever. Learn the strategies shaping today’s thriving music careers, putting artists in control of their growth and future.

More Info


Aluna & Chris Lake

From Vocal Booth to Dance Floor with Aluna & Chris Lake

Date Wed, Oct 16, 2024

Time: TBA

Location: De Brakke Grond (Boom Box) | Nes 45, Amsterdam Interests: Lab 〰 Producer / ADE Lab / Panels & Talks

Speakers: Aluna (DJ, Producer), Chris Lake (DJ, Producer) & Moderator: Katie Thomas (Resident Advisor)

Acclaimed songwriter, vocalist and producer Aluna and globally successful DJ and producer Chris Lake will be taking you behind the scenes of their collaborative tracks, "More Baby" and “Beggin’” at ADE Lab. Known for their unique styles — Aluna’s soulful vocals and genre-blending influences, and Chris Lake’s innovative production and infectious beats — the collaboration proved to be a powerful fusion of both their signature styles.

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10 Association For Electronic Music: Annual General Meeting Conference

Date: Wed, Oct 16, 2024

Time: 17:00 - 18:45

Location” Andaz Amsterdam (Gallery/Studio 1) | Keizersgracht 440, Amsterdam

Interests: Strategies / ADE Pro / Networking events / Panels & Talks

Speakers: Finlay Johnson (AFEM, GB) / Georgia Taglietti (ICNAC / AFEM, ES) / Jay Ahern (Association for Electronic Music, US) / Rosaline Yuen (AFEM, )

Join for a comprehensive review of AFEM and its members' work over the past year and explore upcoming opportunities and challenges within the electronic music industry. Industry-leading speakers will provide insights on key topics—from AI to education—and offer actionable takeaways for professionals representing our 290 member companies across 41 countries. This “state of the union” will highlight the sector’s progress and future areas for growth.

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Thursday, October 17

shesaid.so at ADE

Time: 16:00 - 19:00

Location: Felix Meritis (Concertzaal) | Keizersgracht 324, Amsterdam

At ADE 2024, shesaid.so will host a Pro Talk on Thursday, October 17, marking 10 years since its inception as an online community designed to bring women of the music industry together and bring awareness to the disparity that still exists in the business today.

This year’s discussion, featuring shesaid.so founder Andreea Magdalina, Spotify's Phiona Okumu, and artist Aluna, will focus on the challenges of monopolization and the underrepresentation of non-traditional electronic music genres, markets, and identities.

In addition to the Pro Talk, our presence at ADE will include a Mixer and networking session powered by Ballantine's True Music Fund, offering an opportunity for global talent and industry professionals to connect and collaborate. The Mixer will feature a live performance by Tati au Miel, presented by MUTEK Montréal, FIBER Festival, and shesaid.so, as well as DJ sets by Aluna b2b Storm Mollison.

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Ellen Allien

Celebrating the UNESCO Status for Berlin Techno

Time: 14:00 - 14:45 L

Location: Felix Meritis (Koepelzaal) | Keizersgracht 324, Amsterdam

Interests: Featured Highlights / (Live) Events / Global Scenes / ADE Pro / Panels & Talks

Speakers: Dimitri Hegemann (Founder, Tresor), Ellen Alien (Artist)

Moderator:
Holly Dicker (Journalist, Author)

At the beginning of this year, the Berlin Techno scene was added to the intangible cultural heritage list in Germany by UNESCO, bestowing a unique status on a unique scene which has inspired people all over the world. The music and culture is part of the DNA of Berlin, with many of the clubs in the city having become institutions, and many of the local underground artists now being some of the biggest names in the industry. This panel is a tribute to the UNESCO status of Berlin Techno. Together with Dimitri Hegemann, founder of the renowned Berlin club Tresor, and legendary techno artist and label owner Ellen Allien, the speakers will discuss the importance of this movement on electronic music in general.

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Meet the Agents

Time: 14:45 - 16:00

Location: Pulitzer Amsterdam (Garden Room) | Keizersgracht 224, Amsterdam

Interests: Opportunities / Networking / Meet the professionals / ADE Pro / Networking events

Professionals: Brendan Long (WME), Evan Greenberg (CAA), Kal Jhugroo (CAA), Miguel Sánchez (Meanwhile), Hilde Spille (Paperclip), Dom Furber (Paxx Group), Simon Clarkson (Primary), Martje Kremers (Primary), Shanae Dennis (Wasserman), Brittany Miller (Wasserman), Oana Lazu (Oolith Artists), Max Baldauf (Oolith Artists), Katty Lange (Triangle Agency), Daniel Somló (Catharsis Booking), Ryan Saltzman (The Bullitt Agency), Sol Varó (The Bullitt Agency), Leonieke Smit (Liwyn Agency), Matt Caldwell (MCPR), Michael Müller (Triangle Agency)

Host: Renske van Kollenburg (Event Moderator, Consultant/ Counselor)

Introducing the Meet the Professionals series – a refined, targeted and focused networking experience situated right at the heart the newest ADE Pro location, the ADE Matchmaking Hub situated in the sumptuous Pulitzer Hotel. “Meet the Agents” allows Pro delegates to connect with a curated group of professionals to unlock unique opportunities that rarely happen in everyday business life.

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Louisahhh

Burnout Prevention & Creative Flourishing

Time: 15:00 - 15:45

Location: Felix Meritis | Keizersgracht 324, Amsterdam

Interests: Responsibilities / (Mental) Health / Social Impact / ADE Pro / Workshops

Speakers: Louisahhh (US), Lilia 'Dangermami' (NL), Tristan Hunt (GB)

Join us for a thought-provoking panel discussion titled "Burnout Prevention and Creativity", featuring three influential voices from the music industry: Lilia ‘Dangermami’ of Femme Bass Mafia and RSO Berlin, Tristan Hunt, and Louisahhh. This session will delve into the critical issues of diversity, inclusion, and burnout prevention within the music industry, providing actionable insights and practical tools for fostering a supportive and thriving environment.

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Workshop - Mercurial Tones

via shesaid.so Community

Alice (Mercurial Tones) and Oscar (Underdog) have put together a full-day workshop on techno production for ADE. They’ll be covering everything from track structure and sound design to creative workflows and social media tips.  It doesn't matter if you're just starting out or if you've been making tracks for years - the idea is for everyone to learn something new and maybe get inspired. You can sign up for just the morning session, the afternoon one, or stick around for the whole day. 

Morning session: (2 hours) - (TECHNO ARCHITECTURE)

Afternoon session: (3,5 hours) - (TECHNO CRAFT)

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Conservatorium Hotel x AlphaTheta/PioneerDJ — Open Deck Sessions

Date: 17-19 October

Location: Taiko Bar @ Conservatorium Hotel

Timings: 30-minute sets - 5 p.m. - 9 p.m.

Genres by Day:

  • Thursday: R&B & Hip-Hop

  • Friday: Disco & Funk

  • Saturday: Tech House, Afro House & Melodic House

Conservatorium Hotel and Alpha Theta/Pioneer DJ invite you to play during their exclusive Open Deck Sessions during ADE. This event offers a chance to showcase your skills during a 30-minute set within an intimate atmosphere while being among the first to discover the latest Pioneer DJ equipment, with a complimentary drink.

Book Your Time Slot Here


Easol - Creators In Session

Location: Rapha Clubhouse, Wolvenstraat 10

15:00 - Doors Open 

15:30 - 16:15  - Panel: The Rise Of Malta with 365 Group, Glitch and Defected

16:45 - 17:15 - Fireside Chat: TSHA 

17:45 - 18:30 - Panel: Curating Queer Spaces

19:00 - Event Finishes


Masterclasses for artists, experience creators and industry professional

Experience commerce platform Easol will host Creators in Session live at the Rapha Clubhouse in the heart of Amsterdam on Thursday, October 17th. As the world's electronic music community comes together, join Easol and host NIKS Black Artist Database ) for three masterclasses from some of the world's most innovative experience creators and trailblazing artists. 

There will be a fireside chat with Ninja Tune’s TSHA on her creative process and community building, and a discussion with creators from DefectedGlitch Festival, and 356 Entertainment on Malta’s rise as a key hub for electronic music. Easol also have a session on curating immersive spaces for the Queer community with Eloisa Blitzer ( Maricas ) and Marieke Samallo ( Milkshake Festival ). 

Throughout the day Easol will have drinks and a chance to connect with fellow creators from around the world. Their team of experience experts will also be on hand to discuss how anyone can grow your own festival business.

RSVP here


Friday, October 18

Empowering Underrepresented Voices in Dance Music

Time: 11:00 - 11:45

Location: Felix Meritis (Teekenzaal 1) | Keizersgracht 324, Amsterdam

Interests: Responsibilities / Social Impact / Inclusivity / ADE Pro / Panels & Talks Buy Tickets

Speakers: TBA | Moderator: Mayola Charles (Social Impact Lead for Global Creator Partnerships, Meta)

The global dance music scene has long been a place for unity and self-expression, yet diversity and representation in the industry still lag behind. In this dynamic panel, Mayola Charles will moderate a critical conversation on how to break down barriers and ensure that the dance music community reflects the diversity of its fans. Featuring influential leaders from Bridges For Music and Black Artist Database, this discussion will highlight the steps being taken to create space for underrepresented voices in electronic music, the impact of sustainability initiatives on inclusivity, and the importance of empowering artists from marginalized communities.

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Meet the Managers

Time: 14:45 - 16:00

Location: Pulitzer Amsterdam (Garden Room) | Keizersgracht 224, Amsterdam

Interests: Opportunities / Networking / Meet the professionals / Artist Management / ADE Pro / Networking events

Professionals: Ant Celestino (ONELOVE Music Group), Bas Jansen (Get Real! Management), Daouda Leonard (CreateSafe), Georgia Taglietti (ICNAC / AFEM), Harvey Tadman (Co-Founder - The Circuit Group, AYITA), James Sutcliffe (Chief Innovation Officer, The Circuit Group), Jeffrey Lens (Triumph Studio, NL), Maarten Puddy (VOWTA Management), Natalia San Juan (Femnoise / CS Artists), Nicholas Parasram (Co-Founder of Thin Ice Entertainment, Manager of Stryv, Investor) / Ralph Vonk (Opus Media Group), Reinier Dike (Talk to the Management), Sandra Perens (Tier Music / Tier Music Publishing), Tony Ciotola (Wonder Manage), Alex ter Horst (Neva Land Music), Hatim el Khatib (Artist Division), Valda Chošnau (WOW PROjektai), More TBA

Host: Renske van Kollenburg (Event Moderator, Consultant/ Counselor)

Introducing the Meet the Professionals series – a refined, targeted and focused networking experience situated right at the heart the newest ADE Pro location, the ADE Matchmaking Hub situated in the sumptuous Pulitzer Hotel. “Meet the Managers” allows Pro delegates to connect with a curated group of professionals to unlock unique opportunities that rarely happen in everyday business life.

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Jaguar

Black Electronic Music Association (BEMA)'s World

Time: 15:15 - 16:00

Location: Felix Meritis (Teekenzaal 2) | Keizersgracht 324, Amsterdam

Speakers: Jaguar (The Jaguar Foundation), Hannah Shogbola (Senior Agent, United Talent Agency)

Moderator:
Kenny Eshinlokun (Taboo)

Black Electronic Music Association (BEMA)'s World Presents:

A conversation with Jaguar, NIKS & Hannah Shogbola hosted by Helena Star, looking at the reasons and motivation behind the formation of the Black Electronic Music Association,. The speakers will also be going deep on the ways in which it intends to change the past, present and future of the Black electronic music industry, alongside revealing what its next steps will be. Expect passionate discussion and some very special guests!

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Nature as an Artist: Music is Reconnecting Us with the Natural World

Time: 15:15 - 16:00

Location: Felix Meritis (Shaffyzaal) | Keizersgracht 324, Amsterdam

Interests: Responsibilities / Labels & Publishing / Tech, Data & AI / Sustainability / Social Impact / ADE Pro / ADE Green / Panels & Talks

Speakers: Cathy Runciman (Earth Percent), Jinny Lyon (Biophonica & The Listening Planet), Madame Gandhi (virtual)

Moderator: Greg Cochrane

This year, NATURE has been credited as an artist on various music streaming platforms. This panel brings together artists and innovators exploring music's role in rebuilding our bond with nature, to ascertain how music can be used to conserve and restore our most precious ecosystems. It offers practical solutions and inspiring ideas to reconnect creativity with the natural world.

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Miss Monique

YouTube Masterclass ft. Miss Monique

Time: 15:45 - 16:30

Location: Felix Meritis (Teekenzaal 1) | Keizersgracht 324, Amsterdam

Interests: Opportunities / Insider Knowledge / ADE Pro / Panels & Talks

Speakers: Miss Monique (Artist), Artem Suprunenko (Creative), Eric Skuncke (YouTube)

Moderator:
Chloe Johnson (Chief Client Officer, Verifi Media)

Miss Monique's numbers on YouTube are well into the millions of views per video, and in this Masterclass edition of our Essential Insider Knowledge sessions, she and her creative and life partner Artem will be demonstrating how they make their videos, why they do what they do, what they don't do, and how you too can leverage the craft and expertise that makes Miss Monique a veritable Queen of the YouTube scene.

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10 Years On: Celebrating the Legacy of ‘The Godfather of House’ Frankie Knuckles

Time: 16:15 - 17:00

Location: Felix Meritis (Koepelzaal) | Keizersgracht 324, Amsterdam

Interests: Responsibilities / Social Impact / ADE Pro Buy Tickets

Speakers: Tedd Patterson (DJ/Producer), Cinthie (DJ/Producer and Label Owner), Frederick Dunson (Founder, President & Executive Director, the Frankie Knuckles Foundation), The Blessed Madonna (DJ & Producer)

Moderator: Maria May (Senior Music Agent / Head of Electronic – International, Creative Artists Agency)

The Frankie Knuckles Foundation and Defected Records present: Celebrating the legacy of ‘The Godfather of House’ Frankie Knuckles, 10 years on. What every DJ needs to know about the true origins of House & why heritage is still vital to dance music today.

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Amelie Lens x Charlotte de Witte

Amelie Lens x Charlotte de Witte

Time: 16:30 - 17:15

Location: Felix Meritis (Zuilenzaal) | Keizersgracht 324, Amsterdam

Interests: Featured Highlights / DJ / Producer / (Live) Events / ADE Pro / Panels & Talks

Speakers: Charlotte de Witte (Artist), Amelie Lens (Artist) | Moderator: TBA

Amelie Lens and Charlotte de Witte headline the ADE Pro Conference, exclusively opening up about their new-found partnership and future plans for the first time. The two cornerstones of today’s techno scene join forces for a string of unique, collaborative DJ sets, and take visitors of their ADE Pro panel on the journey leading up to this project with them.

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ōLITH Unveiled / Official ADE x ōLITH Mixer Session

Date: Fri, Oct 18, 2024

Time: 19:00 - 21:00

Location: Andaz Amsterdam (1st floor) | Keizersgracht 440, Amsterdam

Interests: Opportunities / Networking / ADE Pro / Networking events

Line-up: CHICH (LU) / Max Baldauf (ōLITH, LU) / Miss Nat-H-Lee (LU) / Nina Sadikaj (LU) / Oana Lazu (ōLITH, LU)

Join us for the exciting launch of ōLITH, a dynamic new booking agency built to connect artists with opportunities worldwide. This exclusive event offers you the chance to meet the team behind ōLITH and get an introduction to who we are and what we do. Whether you’re an artist, promoter, or industry professional, come discover how we can help elevate your career and make lasting connections. Let’s celebrate this milestone together!

RSVP LINK


Saturday, October 19

Tina Davis (President, EMPIRE)

Keynote Q&A: Tina Davis, president EMPIRE

Time: 11:45 - 12:30

Location: Felix Meritis (Shaffyzaal) | Keizersgracht 324, Amsterdam

Interests: Strategies / Opportunities / Labels & Publishing / ADE Pro / ADE Beats Buy Tickets

Speaker: Tina Davis (President, EMPIRE)

What should a truly global music industry look like for all involved? And how can the industry help to support and strenghten the position of artists and creatives worldwide? Accomplished record label executive Tina Davis is at the forefront of change in the modern music industry. As president of EMPIRE, she helms over a business model that disrupted the traditional industry approach towards distribution, advocating for artists to obtain master rights and strengthening their position – a unique approach attracting a range of artists over the past years, from Kendrick Lamar, Snoop Dogg and Migos to Larry June and Babyface Ray. EMPIRE also has a dedicated and successful global approach, with labels EMPIRE Latino and EMPIRE Africa gaining huge momentum in the past years.

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South-East Asian Creative Communities: More Than Ticking a Box

Time: 12:15 - 13:00

Location: Felix Meritis (Koepelzaal) | Keizersgracht 324, Amsterdam

Interests: Responsibilities / Social Impact / Global Scenes / Inclusivity / ADE Pro

Speakers: Sita Shah (Daytimers, Warm Street), Vindya (Daytimers, Structure, Twisted)

Tackling Tokenism:
South-East Asian Creative Communities
A talk which highlights the issues surrounding tokenism within the electronic dance music industry. Two UK-based artists will detail personal experiences and offer suggestions for how we can move forward from ticking boxes to truly nurturing the diversity in our musical world.

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Phiona Okumu (Head of Music Sub-Saharan Africa, Spotify)

Game Changers: Phiona Okumu

Time: 12:30 - 13:15

Location: Felix Meritis (Zuilenzaal) | Keizersgracht 324, Amsterdam

Interests: Global Scenes / ADE Pro / ADE Beats

Speaker: Phiona Okumu (Head of Music Sub-Saharan Africa, Spotify)

An interactive live conversation with Phiona Okumu, Head of Music (Sub-Saharan Africa) at Spotify, on 10 artists that have been crucial game changers to the music in her region and her industry, over the past decade. How did these artists inspire and influence the on-going enormous impact and success of music from Africa and the African diaspora in the past 10 years? And what are their crucial contributions to the artistic and economic evolution of the global music scene? Phiona Okumu discusses the 10 artists in her personal Pantheon and shares unique insights on urgent and thriving music, culture and industries shaping our modern day sound.

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Shiba Melissa Mazaza

Don't Call it Afrobeats: How to Empower the Continent Through Music

Location: Felix Meritis (Teekenzaal 2) | Keizersgracht 324, Amsterdam

Interests: Opportunities / Responsibilities / Social Impact / Global Scenes / Inclusivity / Africa focus / ADE Pro / Panels & Talks

Speakers: Shiba Melissa Mazaza (Music Journalist), more TBA

Presented by HOMECOMING
This panel brings together prominent journalists and media professionals, offering a deep dive into the relationship between journalism and African music. Panelists will explore the evolving landscape of African genres, the challenges of covering these genres in global media, and the role of journalism in promoting African music internationally. The session will touch on how journalists discover and research new African music, the barriers to getting African music recognized, and the critical impact of media on its global growth.

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Festival

Wednesday, October 16

Ela Minus

Floating Points & Ela Minus (Live)

Time: 18:00 - 22:00

Location: Melkweg | Lijnbaansgracht 234A, Amsterdam

Line-up: Ela Minus (CO) / Floating Points (GB)

Interests: Live Performances / Nighttime events / Live

On Wednesday, October 16th, Floating Points will bring a special live set to Melkweg on the opening night of ADE 2024. Support by Ela Minus (Live).

There seems to be nothing Sam Shepherd, better known as Floating Points, cannot do. The Londoner is blessed with excellent skills on the piano and behind the turntables, renowned for his forward-thinking DJ sets, but he has also earned his stripes as a genre-crossing producer. Since his first EP "Vacuum," a jazzy house record that remains popular in the DJ community 15 years later, he founded Eglo Records.

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ADE Opening Concert: 50 Years of J Dilla

Time: 18:30 - 20:30

Location: Melkweg | Lijnbaansgracht 234A, Amsterdam

Interests: Live Performances / Opening concerts / Contemporary / Hip-hop & Rap / Live

For the eighth year in a row, the world-renowned Metropole Orkest will kick off the Amsterdam Dance Event with an opening concert at Melkweg.

This year, in collaboration with multi-instrumentalist and composer Miguel Atwood-Ferguson, they present a special tribute to J Dilla, one of the most admired and influential hip-hop producers of the 2000s, who left a strong mark on contemporary electronic music with his inventive beats.

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ōLITH x ADE - Agency Showcase

Time: 23:00-05:00

Location: Bar Rouge

Lineup: KaterUnser, Miss Oana, Miss Nat-H-Lee, Viels, Chich

ōLITH, a boutique booking agency based in Europe, with a roster consisting of well established and emerging artists, we want to introduce new sounds to the scene and deliver high-quality showcases in respected venues around the world. Experience the fusion of avant-garde aesthetics, captivating visuals, and dark soundscapes, carrying you to an uncharted dimension.

More info & Tix


Thursday, October 17

HE.SHE.THEY x ADE boatparty

Time: 15:00 - 21:00

Location: Docks 1 | De Ruyterkade 14, Amsterdam

Interests: Boat Parties / House

Lineup: Eats Everything, SYREETA b2b Cinthie, BELLA

The first of ten boat parties during ADE week this year! This time, ADE is teaming up with HE.SHE.THEY. for their inaugural boat party. Known for hosting events around the globe, including festival stage takeovers at the likes of Coachella, Glastonbury and Lost Village, as well as sold out shows at Amsterdam’s Shelter and Dockyard, through to their third Ibiza season at Amnesia in 2024, HE.SHE.THEY. are now ready to bring their vibrant energy to the Amsterdam waters.

HE.SHE.THEY. is a renowned UK record label, event series, and clothing line that celebrates inclusivity, focusing on parties for EVERYONE with a shared love of house and techno.

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House of 10 with TSHA & Elkka

Time: 00:00 - 00:00

Location: W Amsterdam | Spuistraat 175, Amsterdam

Interests: Nighttime events

After successful editions in Bodrum, Mykonos, and Ibiza, House of 10 lands in Amsterdam for an unforgettable experience where music and refinement come together. House of 10 will take place over five days during ADE at W Amsterdam, featuring a stellar lineup.

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Charlotte de Witte - All Night Long

Time: 22:00 - 05:00

Location: Theater Amsterdam (KNTXT Turbo Club) | Danzigerkade 5, Amsterdam

Interests: All night long / Audiovisual / Nighttime events / Unique venues / Techno

NTXT's temporary club is back for this year’s Amsterdam Dance Event. Shifting your night to the next gear. Bigger, better and stronger than ever. Fueled by KNTXT. Join the label by Charlotte de Witte in the heart of Amsterdam for an unforgettable time. Thursday October 17th - KNTXT presents “Charlotte de Witte - All Night Long”. For the opening night, label boss Charlotte de Witte will play an exclusive all-nighter.

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Monstercat x Blacklist

Time: 23:00 - 07:00

Location: Melkweg | Lijnbaansgracht 234A, Amsterdam

Interests: Bass / Drum & Bass

Line-up :Arcando (NL) / Careline / Crankdat / Dillon Francis (US) / Dirtyphonics (FR) / Gladde Paling (NL) / Going Quantum (CA) / Hayve / Jessica Audiffred (MX) / Kayzo / Kompany / REAPER / RZRKT / Weird Genius / Whipped Cream (CA)

In 2024, Monstercat returns to Melkweg with an incredible lineup for their annual ADE gathering. Each year, the ADE Monstercat Showcase grows bigger and better, and this year is no exception. Monstercat will join forces with Germany's biggest bass festival – Blacklist! Just like last year, they'll take over both the Max and OZ rooms at Melkweg for one massive night with a phenomenal lineup.

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Friday, October 18

FEMME HOUSE and Her Dancefloor Present: Beyond Performative Action: Tangible Steps Toward Equity in Dance Music (PANEL & HAPPY HOUR)

Time: 14:30 - 17:00

Location: W Amsterdam (Panel: Great Rooms, 1st Floor // Happy Hour: W Lounge, 6th Floor) | Spuistraat 175, Amsterdam

Interests: Networking events / Panels & Talks

In the vibrant world of dance music, conversations about equity are increasingly common, but translating these discussions into real, impactful change remains a challenge. Join us for a dynamic panel that dives into actionable ways to build meaningful bridges to parity in dance music.

Panelists include:

Andy George [Lost Village]
DJ Lady D [Artist/Producer/DJ]
Honeyluv [Artist/Producer/DJ]
Mayola Charles [Meta]
Megan Venzin [DJ Mag]

In conversation with FEMME HOUSE's LP Giobbi (Co-Founder) and Emily Bass (Executive Director), panelists will share their insights and experiences on creating lasting change. From establishing mentorship programs and equitable booking practices to advocating for inclusive representation and fair pay, this session will explore practical steps and innovative solutions that are making a difference.

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Karima el Fillali

Diaspora Radio: Abadir & Hogir / Karima el Fillali / DJ Shahmaran

Time: 23:00 - 03:00

Location: Bimhuis | Piet Heinkade 1, Amsterdam

Interests: Live Performances / Elektro / Live / Progressive

Line-up: ABADIR (EG) / Hogir Göregen (TR) / Karima el Fillali (NL)

For the Friday night of Amsterdam Dance Event, BIMHUIS and The Rest is Noise present a special collaboration with Diaspora Radio: a nightly program that explores the boundaries between tradition and experimentation in electronic music; between dance floor and concert hall.

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Dasha Rush Presents ‘Hunger To Create’ with Spekki Webu & Matti Vilho and Van Ânh

Time: 20:00 - 01:00

Location: Nxt Museum | Asterweg 22, Amsterdam

Interests: Audiovisual / Live Performances / Visual spectacles / Ambient / Live / Techno

Line-up: Dasha Rush (RU) / Matti Vilho (FI) / Spekki Webu (NL) / Vân Anh (NL)

Step into an experiment of art and sound. For ADE 2024, Nxt Museum presents ‘Hunger To Create’ — the event concept of sound artist and techno icon Dasha Rush — for a unique audiovisual showcase, combining live electronic experimentation and mind-bending immersive visuals. Against Nxt Museum’s monumental projection surface, experience two live audiovisual shows: Dasha Rush presents “Hypothetically Personal” A/V show for its Amsterdam première. Spekki Webu and Matti Vilho invite you to explore the depths of your subconsciousness with an all-new audiovisual live experience: ‘Signal Transmutations’.

The evening begins and ends with DJ sets from Amsterdam DJ, Vân Anh. Supported by ADE Arts & Culture

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FURTHER X Homeless Homies 2024

Time: 12:00 - 22:00

Location: RADION | Louwesweg 1, Amsterdam

Interests: Club nights / Daytime events

Line up: Afra , Anja Schneider, Azucy , Bailey Ibbs, BBANDIT, Ben Sims, Cleric De Sluwe, Vos, DJ Bone, DJ Hyperactive, DJ Love UK, DJ MELL, G Dr. Rubinstein , Dubfire, Elli Acula, Ellis A, Estella Boersma, HAAi, Hiroko Yamamura, Jack Fresia, Jantjevandebuurt, KiNK, Mella Dee, Michel de Hey, Monty Luke, Mr Andy, Partok, R.M.K (Fossil Archive), Remco Beekwilder, Rene Wise, ROD, Roman Flügel, Sandrien, Shaleen, Shinedoe, Stella Zekri, T.Linder, Thisa, Veroon, Wata Igarashi, Will Clarke, Yeti Mind Tricks

DJ Bone curates his annual Homeless Homies charity event at RADION, with a staggering selection of names playing incredible music for a great cause.

“ Excited to announce our 2024 HH fundraiser October 18 during ADE! Another chance to use our talents to do some good with ALL proceeds going to help the unhoused. I can honestly say that this years’ lineup will be our best yet! Tickets are live so get yours now to support our efforts to help our homies. Thank you for the amazing support”.

- DJ Bone

Info & Tix


DGTL ADE: Outlier by Bonobo

Date: Fri, Oct 18, 2024

Time: 23:00 - 07:00

Location: NDSM Warehouse | NDSM-Plein 85, Amsterdam

Interests: Large venues / Disco / House / Tech-house

Line-up: Bonobo (GB) / DJ Tennis (IT) / Jennifer Loveless (AU) / John Talabot (ES) / Josey Rebelle (GB) / Lola Edo (NL) / Naim Abu (NL) / Sally C (GB) / TSHA (GB) / Young Marco (NL)

Get ready to party on Friday night as the incredible Bonobo brings his renowned Outlier series to the NDSM Warehouse. With performances by DJ Tennis, Jennifer Loveless, TSHA, Young Marco, and more, expect energy to be at an all-time high throughout the night. Tickets are now available. Note: tickets for this show will be sent to the buyers on October 11.

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PIV Warehouse

Date: Fri, Oct 18, 2024

Time: 23:00 - 05:00

Location: Warehouse Elementenstraat | Elementenstraat 25, Amsterdam

Interests: Audiovisual / Club nights / House

Line-up: CARISTA (NL) / Demi Riquísimo (GB) / Dennis Ferrer (US) / Fleur Shore (GB) / Honeyluv (US) / Hot Since 82 (GB) / Locklead (NL) / Marlie (GB) / Marsolo (NL) / Matisa (IT) / Prospa (GB)

On the Friday of ADE, you can find us at Amsterdam's favorite warehouse on Elementenstraat, the perfect industrial space to showcase the PIV sound accompanied by an abundance of visuals and effects. Expect industry legends and the coolest up-and-coming talent for what promises to be one of the highlights of our ADE.

Info & Tix


Jeff Mills presents: Tomorrow Comes The Harvest

Time: 20:00

Location: Paradiso (Main Hall) | Weteringschans 6-8, Amsterdam

Interests: Live Performances / Afrobeats / Techno

Line-up: Jean-Phi Dary (FR) / Jeff Mills (US) / Prabhu Edouard (IN)

The symbiotic musical collaboration Tomorrow Comes The Harvest was initiated by Nigerian drummer Tony Allen - one of the pioneers of the Afrobeat genre - and Detroit techno veteran Jeff Mills. Together with keyboardist Jean Phi Dary, the three found each other in a tradition of reaching higher levels of consciousness through music. The three toured internationally until Tony Allen passed away in 2020.

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Dave Clarke Presents

Date Fri, Oct 18, 2024

Time: 23:00 - 05:00 Location Melkweg | Lijnbaansgracht 234A, Amsterdam

Interests: Club nights / Elektro / Techno

Line-up: Adriana Lopez (CO) / Brutuzz (NL) / CURSES (US) / Dave Clarke (GB) / DJ Mell G (DE) / DJ Stingray 313 (US) / Len Faki (DE) / Lizz V (NL) / Miss Kittin (FR) / Octave One (US) / Paula Temple (GB) / Zanias (AU)

Grit your teeth as the nineteenth ADE-edition of Dave Clarke Presents is upon us. For years, he has been curating the sharpest line-ups in both rooms at Melkweg without any compromise. This year he brings the prolific Len Faki to the festival's longest-running techno night, one of the most passionate and versatile techno DJs in the business and known for his stripped-down funkiness and raw sound. On top we see the return of Paula Temple for another whip of her relentless beats and detroit live-legends Octave One with their soulful groove. Add a dose of gritty electro and wave spearheaded by the iconic KITTIN, DJ Stingray 313 and a live show by Curses. A brutalist club night with punk attitude that combines the best of the past and the future.

More Info


Saturday, October 19

Amaeo x Discotexas x Marginalia - ADE Showcase (Boatparty)

Time: 22:30 - 04:30

Location: Eivissa Event Ship | 55, Danzigerkade, Minervahaven, Westpoort, Amsterdam, Noord-Holland, Nederland, 1013 AP, Nederland, Amsterdam

Interests: (Live) Events / Boats / Contemporary / Disco

Line up: ELIF, GPU PanicMoullinexSKALATheologosXinobi, MANTi , Latteo

The much anticipated Amaeo x Discotexas x Marginalia ADE Showcase is hosting an unmissable boat party on Saturday, October 19th that will offer a unique chance to dance on the gorgeous canals of Amsterdam during this year's ADE. It runs from 10:30 pm to 4:30 am and the three way showcase event features an impressive lineup of Amaeo, Discotexas and Marginalia labels heads

More Info & Tix


Hospitality

Time: 23:30 - 05:00

Location: Melkweg | Lijnbaansgracht 234A, Amsterdam

Interests: Club nights / Drum & Bass

Line-up: Anaïs (BE) / Arcturius (NL) / Degs (GB) / Dynamite (GB) / Fred V (GB) / Kid Hops (US) / Metrik (GB) / Nu:Tone (GB) / Unglued (GB)

Hospitality is the global events arm of the UK drum & bass label Hospital Records. They're preparing for another night showcasing artists in contemporary drum & bass this year. Bringing together giants on the line up to party with you all!

More Info


Sunday, October 20

Indo Warehouse Brings South Asian Fusion to ADE 2024 with a Spectacular Showcase at Melkweg

Location: Melkweg, Amsterdam

Date: Sunday, October 20

Time: 8 PM

LINEUP: KAHANI, Kunal Merchant. ANVAYA. Special guest ANYASA

The NYC-based record label and experiential series, Indo Warehouse, returns to Amsterdam Dance Event (ADE) after a successful debut last year. Known for their unique fusion of South Asian culture, house, and techno, the collective will be hosting their official label showcase at the iconic Melkweg on Sunday, October 20th, 2024. This electrifying night promises to be one of ADE's most unforgettable events.

The showcase will feature KAHANI, Kunal Merchant, ANVAYA, and special guest ANYASA. Audiences can expect an immersive experience that highlights Indo Warehouse's passion for cultural fusion, infectious rhythms, and authentic South Asian-inspired sounds.

With sold-out shows in major cities from Brooklyn Mirage in NYC to Outernet London. This past year saw them complete their debut tour across Africa, merging South Asian heritage with the rich musical culture of Africa. They have quickly established themselves as a boundary-pushing movement in electronic music, capturing the essence of cultural convergence on the dance floor.

Don’t miss this exceptional chance to experience one of the most culturally dynamic showcases at ADE 2024. 

Instagram: https://www.instagram.com/indo.warehouse/

Website: https://indo-warehouse.com/

Tickets are now available: ADE Tickets


Filah Lah Lah on Creating the First Ever Visual Album by a South African R&B/Soul Artist

Emerging R&B and Soul artist Filah Lah Lah dropped her debut album On Air in May. Shortly after, she released the first-ever visual album by a South African R&B/Soul female artist, performing all 18 tracks in a 36-minute film that invites listeners on a journey of self-discovery, blending soulful melodies, introspective lyrics, and striking visuals.

Filah Lah Lah’s musical journey is rooted in her childhood, heavily influenced by her father’s love for Jazz, Funk, and Rhythm and Blues. Exposed to legends like Nina Simone, Miles Davis, Marvin Gaye, and Smokey Robinson, Filah has developed a distinctive sound.

In this Q&A, we caught up with Filah Lah Lah to dive into the creative process of her debut album On Air.


What’s the story behind your debut album "On Air"? 

On Air is really an archival ode to media. Media had a huge influence on my wanting to be an artist and I wanted to explore that in an artistic way. 

What influences your sound? 

My parents’ love for Jazz and Funk had a huge influence. I’m a student of black music in general and that’s definitely because of my parents and the love they had for it. I wanted to emulate that love.

We love that "On Air" has a visual film! What was the creative process behind?

The sonics were already giving movie to be honest. We just followed suit visually and it all just made sense.

If you could play only one song from “On Air” forever, which one would it be? 

Vaughn’s Song for sure. It took me a while to write a song about my late brother and I i’m still feel like Vaughn’s song doesn’t articulate those feelings in the best way but it’s close and I know he’d be proud of it.

What’s your best networking tip? 

Don’t worry too much about how you’re being perceived. Image may be everything but when you’re so concerned about it I think it can take away from the essence of who you really are. I’m a yapping oversharer who likes to make people laugh and honestly that’s been one of my greatest networking tools - within reason of course.


For more information on Filah Lah Lah

Instagram | Twitter | Tik-Tok | Apple Music | Spotify


shesaid.so at ADE 2024

shesaid.so is excited to renew its partnership with ADE this year, offering activities that include a mentoring program for mentors and mentees of all genders as part of ADE Lab, along with a shesaid.so Pro Talk and Mixer as part of the ADE Pro program on Thursday, October 17th, powered by Ballantine’s True Music Fund.

At ADE 2024, shesaid.so will host a Pro Talk on Thursday, October 17, marking 10 years since its inception as an online community designed to bring women of the music industry together and bring awareness to the disparity that still exists in the business today.

This year’s discussion, featuring shesaid.so founder Andreea Magdalina, Spotify's Phiona Okumu, and artist Aluna, will focus on the challenges of monopolization and the underrepresentation of non-traditional electronic music genres, markets, and identities.

In addition to the Pro Talk, our presence at ADE will include a Mixer and networking session powered by Ballantine's True Music Fund, offering an opportunity for global talent and industry professionals to connect and collaborate. The Mixer will feature a live performance by Tati au Miel, presented by MUTEK Montréal, FIBER Festival, and shesaid.so, as well as DJ sets by Aluna b2b Storm Mollison.

Please note you will need an ADE Pro pass to access the shesaid.so panel and Mixer taking place at Felix Meritis. If you are a shesaid.so ALICE, NINA or ALLIES member please reach out to us to unlock your discount on ADE Pro passes.

The we.grow at ADE mentoring program will focus on supporting music industry professionals as part of ADE Lab 2024. The program will feature a total of 5  mentors and 5 mentees. Mentors will be curated from the shesaid.so community and announced on September 20th. 

shesaid.so has been working with ADE since 2017 with a focus on programming around diversity and inclusion in the music industry and a mentoring program that paired senior-level members from the shesaid.so community with mentees selected by ADE Lab. Since then, our team started shifting their focus towards programming that investigates the music business and educates its community on topics that are designed with shesaid.so’s core values at heart: diversity & inclusion, collaboration, and transparency.


shesaid.so @ ADE part of the ADE Pro Program

ADE Pro Talk

Day: Thursday, 17th October 

Time: 16:00-16:45  

Location: Concertzaal room, Felix Meritis

Title: 10 years of shesaid.so & nurturing micro-communities in global markets

Description: Join shesaid.so as it reflects on 10 years since launching its online community that aimed to bring women of the music industry together and bring awareness to the disparity that still exists in the business today. This talk aims to shed light on monopolization and the lack of support across non-traditional electronic music genres, markets or identities. How can we ensure that these values that built the business in the first place continue to represent the future of electronic music?

Speakers: Phiona Okumu, Aluna, Andreea Magdalina


shesaid.so Mixer at ADE powered by Ballantine’s True Music Fund

“Rêverie” Live AV performance by Tati au Miel presented by MUTEK Montréal & FIBER Festival

DJ sets by Aluna b2b Storm Mollison 

Day: Thursday, 17th October 

Time: 17:00-19:00 

Location: Concertzaal room, Felix Meritis

Head HERE for more info & to RSVP


we.grow at ADE Mentoring Program

we.grow at ADE 2024 is a mentorship program presented by ADE Lab and shesaid.so, a global music community of women, gender nonconforming people and allies of all genders whose aim is to create an equitable music industry for all through education, events, mentorship,  networking and job opportunities.

In 2024, the program will focus on supporting music industry professionals as part of ADE Lab 2024. The program will feature a total of 5  mentors and 5 mentees and mentors will be curated from the shesaid.so community.

For more info about the we.grow at ADE Mentoring Program, including the full list of Mentors, head HERE.


10 years of shesaid.so Mixer - Powered by Ballantine's True Music Fund

As part of our 10th anniversary, shesaid.so is hosting a Mixer and networking session at ADE 2024 - powered by Ballantine’s True Music Fund.

Join us to connect with other industry professionals and artists, plus a live AV performance by Tati au Miel and DJ sets by Aluna and Storm Mollison of Noir Fever.

Tati's performance, titled ‘Rêverie,’ is an immersive live audiovisual performance presented by the leading festival for live electronic music, MUTEK Montréal, the Amsterdam-based platform for digital art and experimental music, FIBER Festival.

Over the past decade, shesaid.so has supported women and gender-nonconforming individuals at various stages of their careers. Today, the community has grown to more than 20,000 members and nearly 20 chapters worldwide, with a mission to connect and support its members through events, mentoring programs, business opportunities, and educational content.

shesaid.so is excited to renew its partnership with ADE this year, offering activities that include a mentoring program for mentors and mentees of all genders as part of ADE Lab, along with a shesaid.so Pro Talk as part of the ADE Pro program on Thursday, October 17th, powered by Ballantine’s True Music.

** Please note you will need an ADE Pro pass to access the shesaid.so panel and Mixer taking place at Felix Meritis.

** If you are a shesaid.so ALICE, NINA or ALLIES member please reach out to us to unlock your discount on ADE Pro passes.


Photo Credit - Brandon Bowen

MUTEK Montréal, FIBER Festival & shesaid.so present: Tati au Miel (Live AV)

Date: Thursday October 17

Time: 17:00 - 17:30

Location: Felix Merites | Room: Concertzaal Room

Part of: ADE Pro Conference

Presenting partners: MUTEK Montréal (CA), FIBER Festival (NL), shesaid.so (INTL)

Tati au Miel, a multi-disciplinary artist born and raised in Montreal, presents Rêverie, a new live performance that invites the audience into a state of daydreaming or being lost in thought. This guiding concept encourages reflections on the duality between the physical and virtual, the organic and artificial, and the enigmatic dimensions of life. The performance features an interplay of live instrumentation, including bells, flutes, sensors, distorted vocals, and electronic soundscapes.

RSVP Link for updates


MUTEK Montréal (CA)

MUTEK is a leading international festival, and festival-network, for live electronic music and digital creativity. MUTEK Montréal, founded in 2000, is one of North America's rare showcases for such innovations. After 25 years, the festival has been expanded to Mexico, Spain, Japan, Argentina, Chile, and many more countries. MUTEK continues to present and support perpetual mutations and variations of contemporary digital creativity, with eyes and ears always on the future. It magnifies Montreal and its environment as a creative soul, with local talent constantly interacting with exceptional artists from all over the world. In addition to a multi-day program of immersive installations, performances and club-focused live sets, there is a broad professionals program MUTEK Forum, the artist development program MUTEK Market, and future-oriented initiatives like the Future Festivals Summit.

https://montreal.mutek.org

FIBER Festival (NL)

FIBER Festival is an Amsterdam-based meeting place for digital art, daring conversations and experimental electronic music & performance art. It was founded in 2011, with its first edition at the now-defunct club TrouwAmsterdam. Each year the festival invites a curious audience to explore a multi-sensory programme that explores the changing relationships we have with advanced and intelligent technologies and the natural environment. Through a selection of live concerts, exhibitions, audiovisual performances, artist talks and commissioned works, FIBER explores and presents new developments in sound, visual art and club culture.

https://www.fiber-space.nl/


DJ sets by Aluna b2b Storm Mollison

Date: Thursday October 17

Time: 17:00 - 19:00

Location: Felix Merites | Room: Concertzaal Room

Part of: ADE Pro Conference

Photo Credit - Maya Fuhri

Aluna (previously of the platinum-selling duo AlunaGeorge) has sold out shows around the world, amassed billions of streams, and saw her critically acclaimed 2023 album MYCELiUM notch her first Billboard No. 1 as a solo artist with the song “Running Blind,” topping the US Dance Radio charts. Born to a Jamaican father and Indian Mother, Aluna champions Black and queer voices both behind the scenes and on the stage. The genesis of her record label Noir Fever began following Aluna’s 2020-penned open letter to the dance music industry, rightfully making waves and headlines, calling out the lack of Black representation across the industry as a whole.


Storm Mollison, known for her dynamic sets blending Chicago house, disco, UK garage, and 140 breaks, has made a mark on the UK and European festival circuits, performing at Glastonbury, Lost Village, and Junction 2. Her debut EP Dirty Dance received widespread support, and her recent track "Touch Down (Feel The Rush)" with Mella Dee highlights her versatility as a producer and vocalist.



Member Spotlight: Abbey Road's Award-Winning Mastering Engineer Cicely Balston

Cicely Balston is one of London’s top mastering engineers, having established herself as a leading figure in the industry since 2013. Known for her expertise across digital and vinyl formats, she has worked with a wide range of artists and genres, including David Bowie, Nubya Garcia, Eric B. & Rakim, Usher, Simply Red, Ludovico Einaudi, and Porcupine Tree. Her talent was recognized last year when she won the Music Producers Guild's Mastering Engineer of the Year award, after being shortlisted in 2021.

Cicely's portfolio also includes an impressive range of soundtracks for film and TV, such as Harry Escott’s BAFTA-winning score for Roadkill, Self Esteem’s score for the National Theatre’s Prima Facie, and Roger Goula’s All That Breathes, which won Best Documentary at both Sundance and Cannes. Recently, she’s worked on albums for Palace, girli, Witch Fever, David Gray, and Max Richter, showcasing her versatility in working with both legendary artists and up-and-coming talent.

In this Q&A, Cicely talks about her experiences in music mastering, sharing insights into her work with various artists and her time at Abbey Road Studios.

How did you begin your career in the music industry?

I always played instruments growing up, and although I loved playing I never particularly wanted to be a performer. I remember getting interested in what was going on in the background of recordings - looking at the CD liner notes and seeing all these names and roles being listed. While I was studying (I went to Surrey University and did their Tonmeister degree) I did a placement year and was able to work at a few different studios/music companies, one of which was a really lovely mastering studio/record label called Gearbox Records and it all went from there really! 

Describe a day in your life as a mastering engineer. 

I like to get in earlyish (to give me a bit of time before the emails start kicking off), I work out what I need to do for the day, write myself a list (which gets added to if things come in) and then get to it! The job changes with every project, but if I’m starting an album I get all the mixes in, take a listen through and work out where I’m going to start, what kind of sound I think I want to be going for and check if there’s anything I need to ask about on the mixes. And then usually the day will be a blend of new projects to master, either with or without the artists or producer present, cutting vinyl master lacquers, tweaks/changes on projects I’ve already started and general admin/chatting to my colleagues/drinking coffee etc

What drew you to mastering other roles in music production?

I really like the balance between technical (knowledge of formats and equipment etc) and creative in mastering - it’s amazing how much you can sculpt the sound even when just working from a mixed stereo WAV. I also love being part of the final stages of the creative process and really helping people to realise their creative vision and getting them on their way to their music being out in the world.

You’ve had the opportunity to work on high-profile projects, such as remastering David Bowie’s back catalog. Can you share one of your favorite moments in your career?

That particular project was amazing start to finish, but within that one I think listening to the original half inch tape masters of Let’s Dance, which was the album I knew best before starting the project, is something I’ll never forget! More recently I won the Music Producer’s Guild ‘Mastering Engineer of the Year’ in 2023 and walking up to collect the award having heard my name announced was an incredible feeling and a huge career highlight. 

3 essential things you always carry with you in your bag

Earplugs! I have moulded ones from ACS and I cannot recommend them highly enough, I wear them at gigs, in pubs, on the tube - both for hearing protection but also if I’m getting a bit overwhelmed. Headphones - I have some Sonos headphones that I like, or smaller Fairphone ones for out and about. And I generally have some lip balm somewhere on my person - long hours in air conditioned rooms leaves me needing it! 

One piece of advice you'd give your younger self

I’d tell myself to work hard, but to feel more confident to do what’s right for you - sometimes turning down an opportunity that isn’t quite right actually leaves space for opportunities that fit you better to come in. 

What are you listening to at the moment?

Right now I’m in a guitar band renaissance which is involving a lot of Green Day, anything by Illuminati Hotties and there’s a new EP from Charly Bliss that I’ve been playing on repeat.



we.grow at ADE: Mentorship Program presented by shesaid.so and ADE Lab

We are excited to renew our partnership with ADE this year with activities that include the we.grow mentoring program supporting music industry professionals as part of ADE Lab 2024 on October 17, 2024.

we.grow at ADE is a mentorship program presented by ADE Lab and shesaid.so, a global music community of women, gender nonconforming people and allies of all genders whose aim is to create an equitable music industry for all through education, events, mentorship,  networking and job opportunities.

In 2024, the program will focus on supporting music industry professionals, featuring a total of 5 mentors and 5 mentees selected from the shesaid.so community.

Previous shesaid.so mentors came from companies such as Coachella Music Festival, Warner Music, Armada Music, Universal Music Group, YouTube Music, Meta, WME, CAA, Atlantic Records, M&C Saatchi Sport and Entertainment, Believe and more.


Mentee Sign-Up!

To sign up to the mentoring program as a mentee, click HERE.


Mentees can apply to take part until Sunday, September 29.

** Please note that to participate, you will need to be in Amsterdam during ADE Thursday (17th October).

** Application deadline is September 29 and mentees must have a Lab ticket in order to apply.

Open to all genders, with priority given to people from underrepresented communities and disadvantaged backgrounds.


we.grow at ADE - Mentors

  1. Connie Chow - Marketing Strategy Director - Dance/Electronic, FUGA

  2. Elisa Luengo - Music Programmer, Dekmantel

  3. Jessica Wilson - COO, Seven20 

  4. Phiona Okumu - Head of Sub-Saharan Music, Spotify 

  5. Sam Mobarek - Head of Major Recordings (Warner Records) & Founder of Mob Creative


Mentor/Mentee Commitment

  • Read through & apply the information from the mentoring guidelines we share with you prior to their engagement

  • Attend shesaid.so events if logistically possible

  • Spend at least 1h together throughout your ADE attendance and 1h after ADE (2h in total between October 17th and December 31st, 2024)


About we.grow @ ADE

shesaid.so has been working with ADE since 2017 with a focus on programming around diversity and inclusion in the music industry. 

In 2019 we took our partnership to the next level and introduced she.grows at ADE - a mini-mentoring program that paired 10 senior-level members from the shesaid.so community with mentees selected by ADE University. The scheme included an open call, mentor/mentee matching & training, workshops, networking and a DJ showcase

In 2022 we worked together with ADE to bring back the mentoring program, curate talks as part of ADE Pro, and introduce a shesaid.so space as part of the ADE Lab track powered by Zora and hosted at Lynk & Co’s flagship Amsterdam Club.

In 2023 the program focused on 4 areas of the music business, reflecting the tracks that attendees will be able to engage in as part of ADE Lab 2023:  Artists, Producers, Mixed Media and Music Professionals. The program featured a total of 20 mentors and 20 mentees, with 5 mentor-mentee pairs per each of the four Lab areas.


Our goal is to create an inclusive environment where our global community attending ADE can connect with one another and other industry professionals, in addition to learning.  

Easol's Lisa Simpson: Supporting Creators and Transforming the Experience Industry

Lisa Simpson began her journey in the music industry as Co-Founder of the snow sports and music festival Rise Festival in Europe. Frustrated by the myriad of IT tools they had to use to manage Rise, Lisa and her Co-Founder Ben created Easol as an ‘Experience-Commerce’ platform. Easol is designed to put the technology, ownership, and possibilities in the creator’s hands, from bookings, to payments, marketing, and more.

Describe a day in your life as Co-Founder of Easol.

My day typically starts around 7 a.m. I wake up, make a coffee, and maybe light some incense or a candle. I love starting the day with a journaling practice called Morning Pages, where I write three pages of whatever comes to mind. It helps clear my thoughts and prepares me for the day ahead. After that, I take a walk to our office in Hackney, London—our Easol House! We’re lucky to have such a great space to come to every day to work in with our amazing team.

My job as Chief Brand Officer is incredibly varied, which I love. I get to work with all the teams at Easol, whether it's brainstorming with the marketing team on a new campaign, finding creative ways to launch a feature with our product team, or sharing stories to champion our global community of Experience Creators.

I try to squeeze in a quick gym session at lunch, then afternoons often involve meetings with different Creators, reviewing design concepts , maybe even working on a new podcast. Evenings are for winding down—I love yoga, then early to bed and repeat!

How did your early experiences in the festival industry influence the development of Easol?

Before Easol, my husband and Co-Founder Ben and I started a snow sports and music festival called Rise in the French ski resort of Les Deux Alpes.

In the early days, growing the festival was challenging because we had to use six or seven different platforms to manage everything—one for the website, another for ticketing, payments, accommodation, transfers, equipment hire and more. This created what we describe as a "Frankenstein" of tools, stitched together under the hood. It was messy for us as the Creator and even worse for our customers, who had to navigate multiple channels to book everything. These challenges really highlighted the need for a better solution, which led us to building Easol’s all-in-one platform for your experience business. We wanted to empower Experience Creators by giving them control over every aspect of their business in one place.

Why did you believe there was a need for a platform like Easol in the experience industry?

When we were using so many different platforms to run our festival, we realized that these platforms were taking control over crucial aspects of our business—everything from our brand and the journey for our customers online, to our data, payments, and supporting our customers often, they even used our data to promote rival events! 

We got increasingly frustrated and felt like we were losing control of our own business, and we knew something had to change. We believed there was a need for a platform that would allow Experience Creators to run and sell their business in one place, where they could have full ownership and take back control over every aspect of their business,

What was the biggest hurdle you overcame when transitioning from running a festival to launching a tech platform?

Transitioning from running events and building real-life businesses to starting a technology SaaS business was a massive learning curve for us. However, in 2018, we were fortunate to be backed by Y Combinator, which is an accelerator programme for early stage start-ups in San Francisco and the first investors in businesses like AirBnb, Stripe, and Dropbox. We spent six months living and working together as a Founding team in Palo Alto in Silicon Valley, where we learned how to be laser-focused on the problem we were trying to solve, the importance of talking to your customers, understanding their needs, and how to build and launch your product. It was a critical stage to set Easol on the path to success. 

Tips for staying grounded on a tough day.

One of the values we created at Easol is about finding a constant rhythm of ‘Play, Push, Pause’. The goal is to find a balance in the middle—creating a rhythm where you find enjoyment your work, know when to push harder, and understand when and how to pause. The goal of being in this ‘equilibrium’ of the rhythm is how we can really learn to thrive. 

For me, I like to find ways to change the energy if I’m having a tough day . If I’m frustrated or receive challenging news, I’ll go outside, put on some music, get up from my desk and talk to somebody about their weekend, or light incense or a candle to change the atmosphere or the energy around me.

One piece of advice you'd give your younger self.

Looking back, I think I was too focused on where I would end up and long-term goals, rather than enjoying the moment and appreciating that I really was enjoying the work I was doing and the people I was working with. My advice to my younger self would be to trust yourself, find things you love doing in the moment, and don’t worry about the end game. Focus on finding people you want to work with, who energize, motivate, and inspire you, whilst doing something you really love.

What are you listening to at the moment?

Anything by Sault particularly the no.11 album . Childish Gambino’s new album is also on heavy rotation. And I’ve been listening to Barry Can’t Swim for working out which I can recommend!


Connect with Lisa Simpson on Instagram & LinkedIn

Check out Easol


shesaid.so panel at Beyond the Music global music conference in partnership with Musicians'​ Union

Join shesaid.so at Beyond The Music global music conference in partnership with Musicians'​ Union.

We are hosting a panel titled "Misogyny In Music: The Truth" with guest speakers; Zelda Perkins (Can’t Buy My Silence), Jen Smith (CIISA) and artist Ni Maxine , moderated by Dr Diljeet Bhachu, FHEA FRSA (Musicians’ Union) on Thursday 10th October at 15:15—16:30 pm BST.

Description: The previous government’s Women & Equalities Committee "Misogyny In Music" report underlined how ingrained misogynistic culture is in the music industry, and the rejection of the recommendations revealed a worrying lack of seriousness, understanding and responsibility towards half of this industry’s workers. In a drive to rewrite the cultural boundaries of the music business by truly understanding the difficulties women face, Beyond The Music gives the stage to those who want to share their experiences, gathering experts to discuss and shape the brand-new voluntary regulation.

Date: Thursday 10th October

Time: 15:15—16:30 pm BST

Location: Aviva Studios, Manchester

shesaid.so Members get a 20% discount on Delegate Passes; find the discount code at the Community Hub.

Delegate Tickets HERE & Beyond the Music Information & Listings

We are thrilled to welcome the team of shesaid.so Finland!

shesaid.so Finland is a platform for underrepresented professionals in the Finnish music industry. Known for its diverse musical heritage, from classical to heavy metal, Finland now hosts this chapter to strengthen international connections. It aims to create an inclusive and supportive environment for women, non-binary individuals, and allies in the Finnish music scene.

The chapter’s founders, Lilli Keh and Maiju Talvisto, are committed to creating a space where equality and cultural diversity are at the forefront of the industry’s evolution.

“The purpose of the Finland chapter is not only to drive progress within our local music scene but also to significantly support international initiatives and share networks. We aim to be a supportive force for professionals and their teams, bringing to Finland a chapter where equality and the promotion of cultural diversity are central,” say Keh and Talvisto.

The shesaid.so Finland chapter is dedicated to empowering its members through a variety of initiatives. These include a range of events designed to facilitate learning, connection, and inspiration as well as curated panels and workshops.

shesaid.so Finland aims to support emerging artists and create opportunities for members to engage in discussions about gender inequality and cultural diversity in the music industry. For professionals in Finland's music scene, joining shesaid.so Finland provides a chance to participate in a global initiative driving change in these areas.

Meet the Founders

The launch of shesaid.so Finland is spearheaded by two accomplished professionals who have made significant contributions to the industry:

Maiju Talvisto

Maiju Talvisto is a seasoned live music professional with over 15 years of experience in the music festival scene focusing on artist administration, production, and hospitality. Her leadership at Flow Festival Helsinki has been instrumental in elevating artist relations processes, and she has been a key figure in advocating for safer working conditions for women and minorities backstage.

Maiju’s dedication to promoting a socially sustainable music industry has solidified her reputation as a trusted expert and advisor, with her recent contribution to Yourope’s 3F Diversity & Inclusion Toolset. Her debut book, At the backstage - The Artist Producer’s Handbook, published in 2022, has become an essential resource in the industry. Maiju has received several honors, including Professional of the Year in Arts (2019) and Production Manager of the Year in 2019 and 2022.


Lilli Keh

Lilli Keh is a professional in the entertainment industry, known for her expertise in artist management and marketing. Her strategic insights have helped shape the careers of artists like OLGA, F, Malla, and Slani. Lilli’s recognition as a Nordic Music Biz Top 20 Under 30 and Manager of the Year in 2023 underscores her influence in the Finnish entertainment scene. She is committed to promoting cultural diversity and fostering global collaboration, making her a vital figure in shaping an inclusive and dynamic cultural landscape in Finland.


Want to get involved?

Under One Roof: Alice Woods' Mission to Make Manchester's Dance Scene Inclusive for All

Under One Roof is on a mission to democratize Manchester's dance music scene by creating an inclusive rave experience for everyone.

Founded by Alice Woods (founder and resident of of long running female-led Manchester techno party Meat Free and shesaid.so alumn), Under one Roof is designed as a safe, welcoming, and vibrant space, it caters specifically to adults with disabilities, alongside their friends, families, and carers, who are always welcome free of charge.

Over the past eight years, Under One Roof has fostered a community that not only invites disabled clubbers onto the dancefloor but also champions disabled DJs and performers, ensuring representation both in the booth and beyond.

How did the idea for Under One Roof come about?

It basically came about after a few years of running Meat Free, I'd felt so grateful for the new community I‘d found in Manchester through dance music (after having moved here on a whim from Belfast) that I wanted to find some way of giving back, by way of widening out the inclusive dancefloor that we'd worked hard to create through Meat Free.

I knew there were still so many people in the city that did not have access to the music scene, although at that stage I didn't know how or why I could reach them. I then saw online a party somewhere else in England that was for people with disabilities and it felt like a perfect thing to replicate here in Manchester so Under one Roof was created.

I was very lucky that from the get-go, local self-advocacy organisation Manchester People First were willing to work with me on it and have been an integral part of it ever since. I couldn't have done it without their help, and especially at the very start when I had zero experience or clue what I was doing! 

Can you share some of the key experiences and feedback you've received from disabled clubbers who have attended your events?

I had, like so many of us, always taken clubbing for granted - never really even considering wheelchair access to a space let alone the social environment. Under One Roof has been a continuous learning curve as well as a huge wake-up call - it has always shocked and saddened me when I hear that someone has never been to a club or dance music event before, and they may be in their 40s - especially as it's such a formative part if growing up for so many of us. 

Whilst it's amazing to be able to be part of this first clubbing experience for people - it does highlight a major problem in the scene too. That being said, it is truly such a special, fun and authentically joyous experience that I feel so lucky to be there, and the feedback I always get from DJs is that it's one of their favourite parties they have played - no phones on the dancefloor, no egos and the most enthusiastic and energetic crowd who dance from start to finish.

Photo Credit: Mia Nowells

What role do you see the Under One Roof community playing in the future of Manchester’s music and nightlife scene?

I hope more than anything, people with disabilities can feel more welcome and comfortable in more mainstream events and that Under One Roof can offer a stepping stone to that. I'm also striving to find ways to create a more cohesive network of events and organisations across the city (and beyond) so that people with disabilities can easily find accessible events and know where to look for that information - this is something I'm working on with ticketing outlet Skiddle, so keep your eyes peeled! 

What are your future plans for Under One Roof?

Honestly I'd love for it to have no need to exist, in an ideal world all electronic music spaces would be open, accessible, safe and welcoming to everyone. But in the short term, I am constantly on the lookout for more funding - to fund DJ workshops, and create more opportunities for our djs and dancers to enjoy and participate in the kinds of experiences that the rest of us take for granted.


Next Under One Roof Event

Thursday 5th September w/ Aletha (The Warehouse Project) & The Fat Britney
1800 - 2100
YES, 38 Charles Street
Manchester
M17DB

https://skiddle.com/e/39320832 

25 Years of MUTEK

MUTEK Festival - the international celebration of electronic music and digital creativity - celebrates its 25th anniversary edition from August 20 to 25, 2024. Artists and music lovers from all over the world will gather in Tio'tia:ke / Mooniyang / Montréal for six days of immersion in sound and visual art.

Since its creation in 2000, MUTEK and its multiple venues have been the stage for the debuts of numerous artists, many of whom are now major figures in electronic music. In 2023, over 46,000 people enjoyed a rich and diverse selection of music, all of it free.

This year, the festival will put forth almost 80 live performances in several emblematic spaces in the heart of the city, bringing digital art to public spaces and offering Montrealers and tourists a unique, sensory experience through a journey of around twenty unique installations.

From August 15 to 29, 2024, the Village Numérique will be presented free of charge between 6 p.m. and 11 p.m. in the Quartier des Spectacles, enabling everyone to discover this innovative, immersive art form.

In addition, more than 90 international experts in AI, XR, sustainability, music, architecture and video games will come together to explore the impact of technology on our lives. This edition of MUTEK’s Forum will take place from 20 to 23 August at the Monument-National and the Society for Arts and Technology (SAT), with over 60 conferences, workshops and laboratories.

Music programmer and event management expert Marie-Laure Saidani reflects on MUTEK's 25th anniversary in this special feature. With nearly 20 years of industry experience, Marie-Laure has been a co-programmer for MUTEK since 2020, contributing to the festival's esteemed reputation.

What are some special events planned to celebrate MUTEK's 25th anniversary?

MUTEK has been promoting electronic music and digital arts for 25 years. Its uniqueness lies in the predominantly live musical performances (as opposed to DJ sets). MUTEK's strength is in offering exclusive line-ups in North America, setting it apart from other festivals. However, this specificity can be a limitation, as most people do not recognize the names. Fortunately, our audience trusts us.

I remember a Reddit comment about one of our line-ups: "Are these made up names?" But, some of these artists are now performing at more mainstream festivals, for example, Honey Dijon, who played in 2018, just went on a stadium tour, or Overmono, who performed at our 20th edition and was at Osheaga this year.

To celebrate this anniversary edition, we have planned several large-scale international projects for the Experience stage (outdoors and free): Mathew Jonson, Maara, Bored Lord, Piezo, Marie Davidson, Waajeed, James K, Siete Catorce, Virginia, in addition to some artists performing live indoors and doing DJ sets outside.

Regarding digital arts, one of our special projects for this 25th anniversary is the free presentation of 23 works in public spaces for three weeks in the Quartier des spectacles. It's not the first time we've organized an exhibition, but it's the first of this scale. Its little name? Le Village Numérique. 

How has the festival managed to attract such a diverse lineup?

MUTEK aims to be a platform for multiple voices in the electronic music field. Participating in MUTEK can be an exciting moment in artists' careers. On the one hand, because MUTEK is internationally recognized for this genre of music, and on the other hand, because it can open the door to other opportunities, whether for dates in other countries or for artistic collaborations. And finally, everyone wants to come to Montreal!

The programming of our festival is built around several axes. At least 50% of our line-up are Canadian projects; artists from or living in the region (now called Canada). Some come from our “call for projects” launched every November, while others are selected following direct conversations with artists we follow. Those international projects we have been following for a long time, those we have fallen in love with in the past year during our outreach, and those suggested by our international partners (MUTEK is also based in Buenos Aires, Santiago, Mexico City, Tokyo, Barcelona, and Dubai).

MUTEKLIVE261 - Ellxandra

World Premiere at MUTEK Montréal | Édition 23 Play 2 on August 26, 2022

It is no secret that the music industry, and particularly electronic music, is dominated by men. Gender parity is always desired, never achieved, but we are often in the parity zone for performances. Over the past ten years, we made significant changes that are visible in our programming.

Presenting live performances adds an extra difficulty, requiring time to produce music, visuals, and scenography, as well as knowledge and access to instruments and equipment. The luxury of touring remains another obstacle.

For women and those identifying as women, barriers are omnipresent. We participate in the European gender parity program, Keychange. We have hosted several cohorts, whether artists or innovators. We also created the AMPLIFY D.A.I program for women or those identifying as women or non-binary in digital art and electronic music.

This project, set up and funded by the British Council, CAM, CCA, CALQ, Summer Set House Studios, MUTEK Montreal, Buenos Aires, and many other partners, lasted from 2018 to 2023, ending due to lack of funds. Each annual cohort benefited from mentoring, training, and one or two international dates, which helped create a strong and supportive network. Thanks to Patti Schmidt (Programmer from 2008 to 2019) for giving momentum to this movement.

Diversity is a cross-cutting issue, to be considered on stage and behind the scenes. The barriers faced by women are even more pronounced for women and non-binary BIPOC individuals. How can we break down these barriers and create a safe space for these artists to express themselves at MUTEK? Our entire team is aware of this context. We benefit from constructive feedback from our audience, artists, and engaged guests, which allows us to question ourselves and move forward. 

This year, we have the privilege of collaborating with Feminae Nox, a collective that promotes equity for women and BIPOC individuals who are non-binary in music and nightlife. In addition to co-presenting the Nocturne 4 dome, Feminae Nox is organizing a panel at the Forum on Friday titled “Electronic Music is Black Music - Reclaiming and Tracing Electronic Music’s Roots, Present and Future” and a workshop titled “Passion to Profession: Building a Global Brand in the Music Industry.”

Photo Credit: Bruno Destombes (MUTEK 21)

How has MUTEK influenced the local music and arts community in Montréal over the past 25 years?

MUTEK has always been a playground for artists. Many local artists (meaning artists living in Canada) have presented, and continue to present, their first-ever live performances at MUTEK. This requires a great deal of trust in the context (will the production means be efficient? Will the audience be receptive?). It's a risky endeavor. We can never thank them enough for giving us the opportunity to present them at the festival.

During MUTEK week, an entire local and international community gathers in Montreal to celebrate electronic music through performances, panels, conferences, and workshops. This stimulates creativity!

Networking is very important in music, as it can lead to new ideas, collaborations, and most importantly, sharing a collective experience.

In 2020, we launched an initiative to support Canadian artists in developing their careers: MUTEK Market. Each year, we support about twenty artists with training and workshops, and we organize meetings with festival programmers so they can promote themselves. These artists perform at the festival.

This year, we introduced a new initiative, MUTEK Incubator. This program supports 10 artists who wish to professionalize themselves through training and mentorship. Although these artists are not performing at the festival this year, they may well have the opportunity to do so in the near future! 

Eris Drew DJ set | Photo Credit: Frédérique Ménard-Aubin

What are some of your favorite moments from your time with the festival?

I have way too many fond memories of MUTEK. Before working there, it was my favorite festival, both personally and professionally. I'm talking about it in the past tense not because I don't love it anymore, but because I can't enjoy it the same way. Haha.

In the early days of MUTEK, what I loved most (sarcasm intended): there were no lines for the women's restrooms, while there was a long queue for the men! Now, there are lines everywhere, partly because the audience has diversified, but also because the restrooms are no longer gendered.

I used to love going to the AVision program at the Monument National back then. These programs, where performances combine visual scenography and sound, were (and still are) the only ones at the festival with seated places. I could alternately take naps, marvel, not understand anything, and leave wondering what had happened.

Musically : Gangpol & Mit (2007), Underground Resistance (2008), Ricardo Villalobos & ZIP (2009), Ikonika (2010), Emptyset (2011), Jeff Mills (2012), RAMZi (2013), Marie Davidson (2014), Andy Stott (2015), Aïsha devi (2016), Surgeon & Lady Starlight (2018), fuse* presents Dökk (2019) , Being capable of producing shows (2020), Phèdre (2021), Tarta Relena (2022), Deena Abdelwahed (2023)

Can you share some highlights from your time programming MUTEK?

Programming a festival involves dealing with cancellations and travel-related complications: flight delays, missed connections, lost luggage, visa delays... It's ten days of a rollercoaster.

I particularly remember the Thursday night at MTelus in 2022. The lineup included MUE, Marina Herlop, Bendik Giske, SMERZ, and Caterina Barbieri. Marina Herlop was then supposed to go on tour in the United States and needed a visa that was taking a long time to arrive. Her entire team arrived in Montreal in dribs and drabs on the morning of the concert, except for her. She was in transit to Toronto.

Caterina Barbieri | Photo Credit: BRUNODESTOM

We had to modify the soundcheck schedule every hour to allow her to do one. But her flight from Toronto to Montreal was delayed due to a thunderstorm. So we reorganized everything: the venue was already open and the shows had started, but we changed the entire running order. The other artists were very generous and agreed to change their schedules. Finally, Marina arrived in Montreal and at MTelus. The concert took place. It was a very emotional moment for the artists, the programming team, and especially the production team!

From a development perspective, the Keychange and Amplify DAI projects remain among my best memories. These programs aim to promote the place of women, people who identify as women, and non-binary genders in music and digital art. The meetings, discussions, and performances that resulted will remain etched in my memory. I could probably elaborate on this point with many other anecdotes, but we could talk about that around a coffee !

What are you most excited for attendees to experience at this year's edition?

I can't wait to reconnect with the audience and the artists for a week and feel that ultra-creative and effervescent atmosphere that's unique to any festival.

I'm really looking forward to seeing many local artists: G L O W Z I, who is presenting a new live show; ÈBONY, who is releasing an album on the day of their performance; CHXMERAS, West Coast artists who released an album this year titled "Terminal City"; Jacques Greene, who is presenting the premiere of his live set with Nosaj Thing; the new AV live set for the dome by Sinjin Hawke and Zora Jones; Tati au miel's performance, who is also preparing an exhibition for the fall; Dj Hermano and OJPB, who will present "Club Merengue"; CLOUD BODIES, a dance performance designed for the dome; and Liliane Chlela, who will present her new album "Anatomy of a Jerk."

I could spend hours telling you everything I'm looking forward to. I can't wait to see it all, but I have to restrain myself because it's impossible to see everything (we share the events with my colleagues). The image of MUTEK may seem austere, but it's much more fun than you might think.

Do you have any artist recommendations for the audience to check out at the new venue New City Gas?

A stellar lineup in a unique venue, still relatively unknown to our audience. A former factory and EDM temple in Montreal, this place is also a superb concert hall. Last year, the reaction from the public and the NCG was very positive, so we decided to come back with an even more ambitious proposal.

Patrick Watson will present an experimental show, in the same vein as what he proposed in 2020. Kara-Lis Coverdale, whom we have been following for years, and Colin Stetson, a saxophonist with whom we have long wanted to collaborate, will also be part of this program.


Monica Mirabile: This Is A Performance School

Photo Credit: Max Lakner

Monica Mirabile (b. Clearwater, Florida in 1988) is a performance artist living in NYC. She is a choreographer, painter, movement director, coach and educator.

Monica often works with musicians and has choreographed and movement directed live tours and music videos for SOPHIE, Mitski, Yaeji, Kenya Grace, Zsela, Zia Anger & Maggie Rogers. Her performance work has been in the Guggenheim, The Whitney, Performance Space New York, The Broad Museum, PS1, Miami Art Basel, HAU Berlin, NADA, Performa and the Queens Museum among others.

Mirabile is also one half of the performance duo Fluct, co-founded Otion Front Studio in 2014, co-founded THIS IS A PERFORMANCE school in 2023 and is the Director of Open Movement at Performance Space New York in the East Village.

What moments or experiences influenced the beginning of your career as an artist?

I always feel like i'm at the beginning. Way back when I was 4/5 years old, I was brought to a crab shack in Florida with my family. Brown craft paper was spread over the table so that when they dump the crabs the mess is contained. They set out crayons to draw on the table and my mom looked at me and drew a portrait of me. I was so excited and I told her I wanted to draw like that and I honestly decided right then that I wanted to be an artist. She gave me a sketchbook that week and I've never been without one since. That was destiny or something sacred I suppose, though my sketchbooks are mostly choreography notes, performance ideas and spells now. I actually just organized a surprise birthday party for my mom and we all wrote her 66 things we love about her. I wrote “i love that you drew a picture of me when i was little that inspired me so much that it became my career”.

How has your experience founding Otion Front Studio shaped your approach to connecting artistic communities in Brooklyn, New York?

Otion Front Studio grew out of many previous collective approaches earlier in my life. Before, Otion there were several girl gangs, an anarcho experimental dance collective and a diy theater in Baltimore, always co organized.

When I moved to NY with Sigrid Lauren after the birth of Fluct, the same things moved me, maybe it was the desire for an alternative without rigid structure or hierarchy.  I had known at that point that I cared about processing information through movement. I loved “rehearsals” being these potent gestation spaces with slippage between making sense and nonsense.

FlucT [Photo Credit: Yael Malka]

My Dads girlfriend, Donna, had given me $5k after she won a malpractice lawsuit. She won that lawsuit after losing the ability to walk. I'm so honored to have known her, she’s been gone now for 9 years. Her gift is maybe a testament to what I love about this kind of work, something where transformation can occur. I’m really just so grateful to all of the people who have come together to become friends and make this kind of work together.

Today, we're still there. It’s actually 10 years old this year. Fostering something for this long has allowed me to see that collectivity and support is amoebic in nature, it grows and changes over time. Today, I use Otion to hold rehearsals with the musicians and clients I'm working with and it continues to have this enchanted spirit in the walls as the community grows.

What was behind the creation of FlucT, and how does it continue to influence your artistic vision?

Fluct was born out of a need and a deep frustration. Sigrid and I were connected by our experiences of being young women under patriarchal capitalism- we were driven to exorcise and soothe in a playful creative processing with our bodies. We were bound up with each other's liberation in knowing that the ugly was beautiful, that support existed and that sometimes you could find the antidote in the problem. It will always influence my artistic vision. I found things in our practice that allowed me to be free and curious and ignorant- knowing answers were sometimes dangerous and that this was a kind of meditative bliss mixed with all that hurt. 

How has your experience directing live tours and videos for musicians such as SOPHIE, Mitski, and Yaeji influenced your artistic approach and collaborations within the music industry?

Working in collaboration is very dna, there is a helix that is unique to each artist and situation. I get really excited to see the material that spins off of a musician. Its body and emotion, lyrics, textures and of course sound. Every live tour is the caldron of depth that comes from an impulsive practice merged with what it took to make the album. Which is often a lot of emotion, desire, practical stress and yearning.

Monica Mirabile on stage with SOPHIE

When i'm working with an artist, I like to listen and shape what is there into something ritualistic or actually felt rather than develop something precomposed. With Mitski, it was about the light… I wanted the light to be a character in her show and i was so drawn to it, inspired by the lyrics.

We had a lot of fun letting fun mean engaging with the work. I got to work closely with her lighting designer Andy Watson and my favorite moment became a reality when she waltzes with the light in Heaven. Sophie became a friend and hired me and Sigrid to choreograph her first live tour after she transitioned. I felt that we were guiding each other through a new textural experience in that tour, that transformation was very visceral and palpable. I really could go on and on about the details in every experience ive had with the people ive worked with, i like to think about it. As far as being in the music industry, I wouldn't say that the music industry makes it easy, logistics are complicated, but I know what I need to make the environment conducive for this work, so it gets a little easier every time.

Can you explain more about the concept of authority in your work and how it manifests across different mediums?

Maybe the best way to answer is that i've always asked some version of the question, ‘Is it god or am I dog?’( which is also the title of a Fluct piece from 2018). It means, Is it that the conditions of my life are precomposed by an authority outside of my control or am i being controlled? Have I become obedient to the conditions? What has authority? Is it the culture, the government, the system, the spirit of chance? the god of me? What authority do I have to control what? What am I obedient to? It’s a riddle. There are many interpretations. This question shows up in everything I do. But in my life I've studied the way we absorb information without consent and I recognize how our bodies and behavior are affected by holding onto this information. Currently I know it is both god and dog in the act of processing movement. 

Monica Mirabile with Eartheater [Photo Credit: Kat Nijmedden]

What was the creative process like for your immersive performance "GUIDANCE" on March 1st, 2024, at your painting exhibition at Albert Projects, especially regarding your collaboration with Eartheater?

I've been interested in near death experiences for awhile, I've listened to thousands of stories.The soundtrack is made up of these stories, sound clips of my family and music including Eartheater. After a 15 year hiatus, I started painting again after my dad died in 2020. The painting show at Albert Projects was titled Guidance ,the process of making these paintings felt like being guided, often adding shadow and light to let something be revealed.

Eartheater and I have been friends for over a decade and have collaborated many times. In the performance she guided with her movement, voice and light.

The performance was a kind of ritual in more ways than I can say right now, but I had been searching for the light. In the performance, Eartheater finds me in the dark with the light. At one point she puts the light in my mouth and I swallow it, it lets me move and then Alex helps me through the struggle of my body before holding me. It was a testament of growth and support for both of us.

Do you have any dream collaborations in mind, either within the realm of visual arts or music, that you aspire to pursue in the future?

Honestly, I do but i dont know who they are yet, i feel very let god about connections. I know i want to do more scaled up performances and it seems more and more my performances are involving my paintings.

Could you walk us through a typical day in your life as an artist and choreographer?

Photo Credit: Max Lakner

I’m not sure that i have a typical day. I wake up, i try to eat healthy, right now im focusing on a healthy liver, the seat of vitality. I sometimes do yoga. I often meditate and then i go to my studio, whether its my painting studio or movement studio depends on what i’m working on.

Right now I am writing a new performance so a lot of my time is spent in meditation and writing. Soon I will contact performers and start to workshop in the studio, it will be playful at first and then it will begin to take form.

This coming Saturday i am movement directing a music video for an artist named Yatta in Forest Hills. We have had lunches and zoom calls to set the scene. I’ll arrive on Saturday and we will create compositions before each shot and rehearse in the margins. ill work with the artist, the band, the director and the DP to bring the dream to life. The days change and i love that.

How do you stay grounded and focused on a tough day?

On a tough day, I meditate. I let go and i go in. To ground, Ill do a body scan where i  identify sensations in my body and let myself explore there. I have a practice i call ‘unblocking’ that allows me to guide myself through these sensations and land in a pretty psychedelic impulse. I also guide others, you can find it on my website. Tough days are annoying but in retrospect they always have something to tell us, like “walk a little further” ( which is also what my girlfriend tells me).

What is the most valuable piece of advice you have for artists aspiring to work in your field?

Nobody can do what you do. I think we often dont recognize when our insecurities are sneaky telling us to conform, especially with social media giving so much input all of the time. Truthfully, you are made up of very unique experiences that inform your body language and that is not replicable, it’s like a fingerprint. If you are listening to your body, you'll find what feels right, trust it. Sometimes people need that thing only you have to offer. Continue fighting for liberation.

What are your aspirations or goals for the future of your artistic career?

To continue listening.


** Interview by ninakeh for shesaid.so

Monica Mirabile’s New Projects:

“Viscous” Painting show at Current in Baltimore, MD 

Opening July 27th. Closing August 17th.

THIS IS A PERFORMANCE school 

Sept 7-14th in Lincolnville Maine. Register online.

Open Movement  October 6th - June 15th 

Every Sunday 12-6pm at Performance Space New York in East Village, New York 

Paradise Container, A new performance by Mara Mckevitt and Monica Mirabile

January 2026 at Pioneer Works - more soon.

Website & More Links


Win a 12 Month Roundhouse Creative Studios Membership

We're teaming up with Roundhouse to give away a 12-month Roundhouse Creative Studios membership to produce, record and practice for an entire year.

A Roundhouse Creative Studios membership gets you access to DJ rooms, midi suites, music production rooms, band rehearsal spaces, and a recording studio – all for just £1 to £15 an hour! Plus, members can borrow equipment from the Tech Store at no extra cost – everything from musical instruments and mics to cameras and lights.

Benefit from supportive youth workers and skilled technicians ready to help with any tech issues. Receive one-to-one advice on professional and artistic development and be the first to know about their workshops and courses. Roundhouse also hosts regular events, social gatherings, and life skills sessions for members throughout the year.  

If you're aged 13 to 25 and live in the UK or Ireland, enter our competition for a chance to win an annual membership to the Roundhouse Creative Studios.

Head to our Instagram page to access the competition

Check the description below for more info on how to enter. 

TO ENTER:

  • Like our post

  • Follow @shesaid.so & @roundhouseldn 

  • TAG a friend who you think would benefit from this offer. They MUST follow the same steps to be eligible for an entry.  

Terms & Conditions

  • The competition is open to UK and Ireland residents aged between 13 and 25 only. Roundhouse Studios are located in London, NW1 8EH.  

  • You must complete steps 1 AND 2 to enter. Step 3 is optional.

  • The closing date for entries is 23:59 on Sunday 18th of August.

  • The prize is one 12-month 13-25 membership, as listed above. 

  • The promoter’s decision is final. 

  • The prize is non-transferable, and no cash alternative will be offered. 

  • The competition is in no way sponsored, endorsed, administered by, or associated with Instagram.

  • The Winner will be picked at random and announced via shesaid.so on Instagram.

Good Luck!

Highlighting the Opportunities Within South Asian Music

South Asian Heritage Month (SAHM) is an annual celebration that runs from July 18 to August 17, honoring the rich cultures, histories, and contributions of people with roots in South Asian countries, including India, Pakistan, Bangladesh, Sri Lanka, Afghanistan, Nepal, Bhutan, and the Maldives.

Launched in 2020, SAHM aims to foster understanding and appreciation of the diverse heritage that connects the South Asian diaspora to the UK. This feature looks at how South Asian music is flourishing and reaching new audiences, with many positive shifts currently happening within the UK South Asian music ecosystem. These shifts are being driven by global trends and pioneering work being done in the UK.

In this interview, music diversity specialist, Sania Haq, explains more about these positive developments, including her involvement with pioneering South Asian organisations such as BollyCo and Going South. Sania Haq also discusses the wider importance of South Asian representation within music, in relation to inclusivity and dismantling cultural stereotypes.

Sania, your work spans over a decade within the music industry. What are some key insights from your research that have significantly impacted the industry?

For almost a decade now, I’ve specialised in music research, working on some of the industry’s flagship studies for trade bodies, labels, and platforms such as Spotify, YouTube, and SoundCloud. One of my proudest achievements is helping the industry better understand the importance and value of global music markets and diverse listeners.

In around 2015, when I was Head of Research at AudienceNet, I began gathering data on people’s interest in music in different languages and global sounds. I noticed this insight was missing and believed it would encourage the industry to explore global music more. 

A few years later, we started to see more industry interest in global music markets. For example, the Middle East and North Africa, and Sub-Saharan Africa emerged as the fastest-growing regions by some margin. I have supported the industry in gaining a deeper understanding of key new markets, such as Saudi Arabia, the UAE, Nigeria, India, and Indonesia. This research has helped drive a more inclusive approach in the industry, recognizing the richness and potential of diverse musical landscapes.

What inspired you to create the Bye to Stereotypes platform, and what are some notable successes you've achieved so far?

I set up Bye to Stereotypes as a way to integrate my work in research, training, and strategy. While I have a deep passion for research and everything I do is data-driven, I wanted to focus more on actionable outcomes. 

I've always been passionate about using data to create social impact, and it has been a real privilege to support international organizations in applying United Nations guidelines on leveraging data to achieve gender equality and address societal inequalities, particularly those affecting marginalized communities.

In the music industry, I've had the opportunity to write, speak, and work closely with organizations to drive change in relation to diversity. This includes being part of the team behind this year’s dedicated South Asian space at Glastonbury.

What are some common stereotypes about South Asian music and artists that you aim to dispel through your work?

Stereotypes about South Asian music have often hindered its recognition and respect within the wider industry, in the UK and beyond. When discussing South Asian music, people often resort to referencing stereotypes like "light bulb" dance moves, which can lead to underconfidence within communities and a feeling of needing to hide one's love for the genre. However, there is a shifting tide. Artists like Diljit Dosanjh, who authentically represent South Asian music, are breaking through mainstream barriers, as evidenced by his performance at Coachella. Diljit’s success is inspiring people to embrace South Asian music more openly. At BollyCo and through my work with organizations like Going South, we're actively working to dispel these stereotypes.

Congratulations on being part of the development of the first major South Asian space ‘Arrivals’ (in collaboration with Dialled In, Daytimers and Going South) at Glastonbury 2024. Can you share what inspired this initiative and how you envision it influencing the future of South Asian music in mainstream festivals?

Over the last few years, I’ve been supporting the team at Going South, spearheaded by legendary DJ Bobby Friction, to highlight the need for greater South Asian representation at mainstream festivals. Given that South Asians comprise around 9% of the population, it is surprising that they are not more prominently featured at festivals, either as artists or attendees.

South Asian music is currently experiencing a surge in popularity and being embraced by global festivals, exemplified by Diljit Dosanjh's performance at Coachella. Thus, increasing South Asian representation at festivals isn't solely a Diversity, Equity & Inclusion initiative; it can also enhance the global profile of these festivals and attract a broader audience.

Credit: Photo by David Fisher/Shutterstock (12794063gk)Joy Crookes42nd BRIT Awards, Arrivals, The O2 Arena, London, UK - 08 Feb 2022 David Fisher/Shutterstock

While South Asian Melas have long been a part of the UK's music ecosystem, these events are often free or very affordable (e.g. £20). Consequently, both South Asian and non-South Asian audiences may not value South Asian artists to the same extent as more mainstream acts. When South Asian artists begin to feature more prominently in mainstream settings such as festivals or awards shows, it will positively influence audience perceptions and encourage greater investment of time and money in supporting these artists. This, in turn, will help South Asian music from the UK diaspora to thrive.

“Glastonbury 2024 represents an important milestone, with Going South collaborating with culture collectives Dialled In and Daytimers to create the Arrivals space.” (Sania Haq)

“There have been waves of south Asian takeovers [at Glastonbury] before, where artists would come and perform on existing spaces and stages, but this space is created entirely by us. We’ve never been given 360-degree scope like this before.” (Ahsan-Elahi Shujaat, director of events at Dialled In Guardian, June 2024)

I hope it is just the beginning of a broader movement to integrate South Asian music into the mainstream festival circuit. I’m looking forward to supporting the industry to make this a reality.

Despite the recent successes, South Asian diaspora artists still face challenges such as lack of exposure and support. What do you think are the most crucial steps that need to be taken to overcome these obstacles and sustain the momentum?

South Asian diaspora artists face a number of unique challenges:

South Asian audiences are spoilt for choice—they have access to the best music coming out of their countries of origin as well as the best of Western music. As a diaspora artist, you are competing with both Bollywood hits and global icons like Taylor Swift. No matter how talented you are, it is hard to cut through all that noise to reach audiences.

We lack in-depth data on South Asian music audiences in the UK, which is something I’m working to improve. For now, we can get an understanding of some of the challenges and opportunities for South Asian artists by looking at streaming data, ticket sales, and social media trends.

Broadly, we see that awareness and exposure are significant challenges for diaspora artists. For example, they are rarely seen in mainstream settings. This leads to less awareness and, sadly, less consideration among potential audiences.

Diljit Dosanjh: Born to Shine/G.O.A.T. | The Tonight Show Starring Jimmy Fallon (Jun 18, 2024)

Thankfully, we are seeing some success for artists from the global diaspora, such as AP Dhillon and Karan Aujla. However, these artists tend to have grown up in South Asia and then moved to Western countries later in life. They are therefore able to straddle cultures and have a broader audience that is likely to be aware of and interested in them (i.e. diaspora audiences plus over a billion people in South Asia).

While artists born and brought up outside South Asia do still have the opportunity to appeal globally, as an industry, we need to help them better navigate very specific challenges for diaspora artists.

To sustain the momentum and overcome these obstacles, we need to:

  • Increase Representation: Ensure that South Asian artists are featured in mainstream settings, from festivals to award shows.

  • Enhance Visibility: Use data from surveys, streaming, ticket sales, and social media to understand audience preferences and trends, then use this insight to promote diaspora artists more effectively.

  • Audience Engagement Support: Provide resources and support to help artists born and raised outside South Asia to better connect with both Western and South Asian audiences.

  • Community Engagement: Foster strong community support and grassroots movements to build a dedicated fanbase.

By addressing these areas, we can create a more supportive environment for South Asian diaspora artists, giving them a fairer opportunity to achieve success.

BollyCo

Can you tell us more about BollyCo and the collaborations it has been involved in?

BollyCo is a London-based, South Asian-focused dance, content, and events company. Established in 2013, it is female-founded and led by choreographer, producer, host, and entrepreneur Nileeka Bose. I’ve been working with Nileeka since she launched BollyCo, and focus on our brand and partnerships management.

The company’s mission is to be a place where "music meets dance," supporting the music industry and brands through dance-related services and content.We’ve had the pleasure of working with a broad range of South Asian and non-South Asian artists, including DJ Snake, Steven Wilson, Badshah, Stefflon Don, and Sidhu Moose Wala.

Our creative direction and choreography have also been featured in globally recognized productions such as Marvel Studios' The Eternals and Universal Pictures' Polite Society, as well as landmark shows like the BBC Proms at the Royal Albert Hall and the Queen's Platinum Jubilee Concert. We also curate our own shows under the brand "BollyCo Live," supporting diaspora artists and also bringing global South Asian talent to the UK. 

We've collaborated with major brands like Adidas, Burberry, Deliveroo, Peloton, and Samsung, advising on and curating events and campaigns that celebrate South Asia’s rich and diverse heritage.

With our social media platforms reaching an average of 1 million viewers each month, BollyCo has become a vibrant space for celebrating, embracing, and expressing South Asian identity. Our commitment to uplifting South Asian culture with respect and reverence has made us a trusted partner for brands and artists who care as deeply about these audiences as we do.

What do you see as the most promising opportunities for South Asian music to continue its rise globally?

South Asian music is thriving and connecting with audiences both in the region and within the diaspora, largely driven by the rapid spread of streaming and trends through social media. Unlike a few years ago, when the strategy for global success focused on trying to "cross over" to engage broader, non-South Asian audiences, the current focus is on creating authentic music.

Diljit Dosanjh exemplifies this success. He sings in Punjabi, dresses traditionally, and speaks little English, yet he finds himself on global platforms such as Coachella and the Jimmy Fallon show. His success shows that the wider industry is also starting to see the commercial value of cultural authenticity.

However, supporting artists from the diaspora still presents challenges. They are not finding it easy to benefit from the global rise of South Asian music due to their unique circumstances. The UK music ecosystem needs to support these artists more effectively by raising awareness of their work and providing guidance on navigating their specific challenges. With this support, diaspora artists can add significant value to the UK music industry, including the potential to reach massive audiences across South Asia.


Connect with Sania Haq

Bye To Stereotypes Website | LinkedIn | Instagram

Connect with Nileeka Bose

Bolly Co London Website | Instagram