electronic music

shesaid.so Mix 045: Meli Rodriguez

The shesaid.so mix series aims to spotlight the diverse artists within our community. We’re committed to championing underrepresented voices from around the world, focusing on female, non-binary, trans and queer individuals. Our monthly mix series allows our contributing selectors to showcase their unique backgrounds and inspirations by creating exclusive, 30-minute live recorded soundscapes.

The shesaid.so mix series kicks off the year with Meli Rodriguez, the Costa Rica DJ/producer impressing dance music fans around the world with her eclectic sound and mix board wizardry. 

As the proud owner of inclusive dance music label Plz Stand Vibe, Meli Rodriguez is dedicated to spreading her native country’s ‘pura vida’ (pure life) through music releases, local events, and international bookings. The artist played Electric Zoo in New York City in 2022, and is playing this year’s BPM Festival in Costa Rica, which kicks off today. 


Before Rodriguez continues her international touring through Asia and South America, you check out her pulsating, vibey mix for shesaid.so and read our interview with her to learn more about the DJ's positive attitude and Costa Rican dance music culture. 

shesaid.so: Can you talk about your label, Plz Stand Vibe? 

MR: Plz Stand Vibe is about music, safe spaces, and community. From releasing records to throwing events, our main goal is to create connections in safe spaces through music. Our community is full of members from different walks of life who stay connected through our social media and networking groups. We support each others’ businesses, create spaces for upcoming DJs, and have emotional support groups for those who may be having a bad day and need some extra good vibes.

Before Plz Stand Vibe, I felt a little disconnected from the dancefloor, but because of the relationships we have built throughout our time together and the amazing people I have met who also have big dreams and aspirations, I feel like the dancefloor is now a huge family. I love getting to know people on an intimate level and wish all of us to share authentic connections with one another - not just as clubbers or partiers but as human beings who are all going through life in our own way. It’s been amazing to see people connect from vets to tour guides to truck drivers…all connected through the beautiful medium of music.

shesaid.so: Can you describe the dance music scene in Costa Rica?

MR: The scene in Costa Rica is a reflection of our country - Pura Vida, meaning “pure life.” There is so much energy on the dancefloor— whistling, screaming, cheering, etc. I had the honor of residency at the legendary Club Vertigo for four years where I truly got to experience the joy of playing for massive crowds. I remember all the international artists who would come play at our parties saying that the vibes here are immaculate. People here are so devoted to the scene and really just love to have fun. The vibe is infectious and it feels like everyone is in sync.

Also, thanks to platforms like TikTok, there is a new generation of music lovers that we can have the privilege of educating through our lens and perspective from what we’ve learned. I see older generations taking care of the younger ones, teaching them to be responsible and respectful, which is truly beautiful.

The scene has grown exponentially in the last five years with festivals like Envision, Labryinto, Ocaso, and BPM, which I’m really excited to play for the first time after telling myself three years ago that I would.

shesaid.so: You perform around the world - what’s your favorite place to play? 

MR: Outside of Costa Rica, South America is definitely my favorite. Places like Uruguay, Chile, and Argentina have SO much energy. The crowd is genuinely curious about you as a person. I remember many people walking up to me and asking me questions, truly wanting to know who I was. I always felt super welcomed with their great vibes.

Spain is another favorite. I got to live there for a few years and experience how the artists support each other, which really inspired me to come back to my country and do the same. 

shesaid.so: Who/what are some of your biggest influences/inspirations? 

When I was a kid around 10 years old, I saw the Brighton Beach Fat Boy Slim concert on video and immediately knew that’s what I wanted to do. I would stand in front of my computer and pretend I was playing to a huge crowd. I was visualizing and manifesting without even knowing it.

I remember Googling female DJs and there were no pictures at the time, so I printed out a male one and asked an artist to turn it into a female and paint it on my wall. Looking at it 20 years later, I am so grateful to be a woman in this field, surrounded by so many other great women who are making it happen. Some artists I would like to mention are Nicole Moudaber, J. Worra, and of course, Honey Dijon.

shesaid.so: What can we expect next from Meli Rodriguez? 

MR: I spent the last year healing and finding myself without putting pressure on my career and brand. I am now ready to start building a team, expanding my brand globally, and creating more communities of safe spaces. It's been almost 10 years since I started working in the music industry; I learned a lot and saw a lot, so now it is my time to put all of this experience together to create something I truly believe in with other great artists and creative minds. 

This mix is composed of a lot of music I’ve worked on over the past few years. It tells a story of the things that I’ve gone through and overcome as I try to find myself after experiencing hardship. Moving forward, I really want to focus on making new music by collaborating with national artists who specialize in other genres that I love like reggae, hip hop, and rap, so that I can blend in my Latin roots and truly find my own sound.

For 2023, I am planning on touring South America and Asia, and then hopefully settling down in California with my girlfriend. I also have plans to organize a festival in 2024…stay tuned and Plz Stand Vibe :)

I don’t know exactly what the future holds, but I see a lot of great things coming. I trust the universe to continue making this little 10-year-old girl’s dreams come true.

Celebrating Iranian Artistry

At shesaid.so, we are committed to providing a platform for individuals of different cultures and backgrounds in music to share their stories, experiences, and perspectives and to inspire and encourage others. shesaid.so stands in solidarity with the Iranian people in their fight for freedom, justice, and equality and want to use our community to continue spreading awareness of the current revolution in Iran. We hope to do this by shining a light on Iranian talent from our community and by sharing resources via organizations that are actively working to support human rights in Iran.

Maryam Mirbagheri

Maryam Mirbagheri, aka “Maryama”, is an award-winning Iranian American composer/performer/music producer currently residing in Los Angeles, California.

In recent years, Maryama has worked with well-known figures such as Deborah Lavine and Michaell Skloff and has risen to prominence by scoring the music for the short dramatic thriller Forbidden and The Gift, directed by notable Iranian Director Farbod Ardebili.

Her work has earned her much recognition; Her 2014 single In Zendegist and 2017 single Sufi were both nominated for a Hollywood Music Media Award, and she has won the Jazz Downbeat Award with ARC vocal jazz ensemble. Her 2017 debut album, Where the Mermaids Are (mixed and mastered by GRAMMY award-winning producers Marc Urselli and Scott Hull), won the California Video Music Award in 2018.

Mirbagheri is working with Universal Music Group and is a proud member of shesaid.so and She Is The Music.

Visit her official website HERE to learn more and to listen to Maryam Mirbagheri's works.


Obscenity State

Nilly Brook, known as Obscenity State, is an up-and-coming artist, musician, and producer who mesmerizes listeners with her innovative mix of electronica, grand sound design, melodious compositions, and entrancing dance beats. Born into a family fractured by the Iranian revolution, Nilly became highly conscious of the various forms of power abuse. In her quest for understanding, she studied art, global politics, animation, and music at Central Saint Martins, the School of Oriental and African Studies, and the London College of Music. This educational journey, combined with her own experiences, led to the creation of Obscenity State's captivating live audio-visual show, featuring abstract and subversive animations and the grandeur of light to engage and transport the audience into her unique world.

Nilly announced a brand new release with the arrival of her debut single 'Moke Lake', lifted from her debut EP due in January 2023.

"This is an energetic electronic dance track, explores self-discovery through the merging of sound and vision. The cascading melodic synthesis, expansive sound design and psychedelic, overlapping sequences hypnotically immerse you into my alternative world. Weaving throughout are the evocative chants of a Persian Avaz master, a female performer prohibited from singing in public since the revolution of ’79. Of Iranian heritage myself, stemming from a persecuted minority, I have built a digital world to reflect my sense of isolation and driving determination to confront revolutions past and present through the exploration of new identities."

Find out more about Obscenity State on her website.

Tania Atyabi

Photo credit: Graham Hudson.

Tania is a DJ, model and digital marketer. She’s a regular on the London club circuit, UK festivals, and radio shows and has plenty of future projects in the works, including creating original music in her home studio. Tania is proficient in Farsi and usually travels to Iran yearly, but the pandemic and consequent civil unrest have hindered her from doing so for a while. Still, she has kept in contact with her family in Iran, who have been informing her of the hardships they have to deal with on a daily basis.

"Throughout my life, I have seen the impact of oppression against women first-hand, as most of my family out there are women. The basic freedoms that we take for granted on a daily basis are little to none in their lives, and there are generations of people who have never experienced any difference, as it's been four decades since the regime has had control over the country.

I believe we may, at last, be on the cusp of a revolution which is exciting but also extremely worrying. I think it's a critically important time for people outside of Iran to unite and show our support for not only women but also the LGBTQ+ community in Iran, who continue to suffer at the hands of the patriarchal regime. One of my DJ mixes (Eggs of Asia on AAJA Radio) is a show dedicated to Iranian people; please check that out as the second half of the show presents a beautiful curation of music produced by Iranian women and non-binary people." Tania Atyabi

Find Tania on Soundcloud and Instagram

SHIVARASA

Iranian-American producer, DJ, and sound healer Shivarasa (formerly known as Shiva) has been bridging the underground to the mainstream effortlessly, establishing a solid presence in a male-dominated industry. She infuses elements of global bass, electronic, Middle Eastern music, hip hop and ambient soundscapes into her work. 

Shivarasa has performed alongside some of the biggest names in the music world, including CeeLo Green, Nas and Damien Marley, Cypress Hill, and Snoop Dogg as well as for spiritual teachers such as Abraham Hicks, Panache Desai, Michael Beckwith, The Agape International Spiritual Center, Kyle Cease, Peter Diamandis, and XPRIZE.

Inspired by her own wellness journey and passion for personal evolution, Shiva has given birth to RETURN TO SOUND, a meditative bass experience. Bringing meditation music into a new era with bass as a backbone, Shiva takes you on a fully immersive sonic journey that inspires deep relaxation, trance states, and an opportunity to observe within. You can find out more about her work HERE.


Iran: Critical Situation

At shesaid.so we believe it is essential to give a platform to marginalized communities and to those fighting for their rights. We want to use our community to continue spreading awareness of the current revolution in Iran. We hope to do this by shining a light on Iranian talent from our community and by sharing resources via organizations that are actively working to support human rights in Iran.

In September 2022, Mahsa Jina Amini, a Kurdish/Iranian woman, was arrested by Iran’s morality police for her alleged noncompliance with the country’s Islamic dress code. Three days later, she died in police custody. Amini’s death sparked widespread protests over the last few months.

Thousands have been detained throughout the country for joining peaceful protests. At least six people connected to the protests have been sentenced to death on charges of moharebeh or “waging war against God”, or efsad-e fel-arz or “corruption on earth”. At the same time, a growing number of people, including Iranian celebrities and sports people who have expressed support for the protests, have been summoned or arrested.

"The rising number of deaths from protests in Iran, including those of two children at the weekend, and the hardening of the response by security forces, underline the critical situation in the country. We urge the authorities to address people’s demands for equality, dignity and rights – instead of using unnecessary or disproportionate force to suppress the protests. The lack of accountability for gross human rights violations in Iran remains persistent and is contributing to the growing grievances."

UN Human Rights Chief Volker Türk

Source: https://www.ohchr.org/en/press-briefing-notes/2022/11/iran-critical-situation

To support the people of Iran:

Donate to The Centre for Human Rights in Iran; an independent, not-for-profit organisation made up of researchers, activists and journalists: https://iranhumanrights.org/what_we_do/

Donate to The Abdorrahman Boroumand Centre for Human Rights in Iran, a platform for victims of human rights violations. Find out more:

https://www.iranrights.org/donate

Check more resources at https://mideastmatters.carrd.co/

shesaid.so Mix Series 044: Tara Brooks

The shesaid.so mix series aims to spotlight the diverse artists within our community. We’re committed to championing underrepresented voices from around the world, focusing on female, non-binary, trans and queer individuals. Our monthly mix series allows our contributing selectors to showcase their unique backgrounds and inspirations by creating exclusive, 30-minute live recorded soundscapes.

The shesaid.so mix series continues this month with Los Angeles DJ/producer Tara Brooks, whose spiritual connection to dance music, and vibrant, genre-blending style have helped her carve out a distinct space within a male-dominated industry. 

Tara Brooks has brought her eclectic sets ranging from hypnotic techno to dark disco to venues and festivals across the world. In addition to a residency at Desert Hearts, the DJ has played BPM Festival (Mexico), Katerblau (Berlin), Sisyphos (Berlin), Blue Marlin (Ibiza), Acid Sundays (Ibiza), The Brooklyn Mirage (New York), Flash (Washington D.C.), DNSOF (Miami), Lightning in a Bottle (Central Valley), Sound (Los Angeles), and PublicWorks (San Francisco).

Following her recently released remixes for John Digweed’s Quatro III project, she’s revving up towards a jam-packed 2023, which will include a collaborative EP with Hannes Bieger, a handful of other original songs, and shows around the globe in Costa Rica, Tulum, Australia, and more. 

Catch out our interview with Tara below. 

Tell us the story of how you fell in love with music.

My whole family shares a strong love and passion for music— it's what brought my parents together. I grew up on my mom’s Beatles records, classic rock, indie folk, and ambient new age sounds! I then found my way into 90s alternative rock, west coast hip hop, reggae rock, R&B/soul and, of course, after my first rave it was all uphill from there!

How has your community, background or upbringing influenced your sound?

Being from Los Angeles and having divorced parents from a young age, I was always moving and having to adapt to new environments. It wasn’t until I found the Southern California rave scene that I felt truly connected to anything. I was exposed to a fusion of genres, from San Francisco, Chicago, and New York house and funk to electro, progressive, techno, and old school tribal. From Doc Martin & Dj Dan, to Sasha & John Digweed, I was always inspired by interesting sounds that emotionally connected me. 

Who or where do you draw inspiration from?

Today I draw inspiration from all over the map, including the way the ocean makes me feel. I always leave Detroit blown away and ready to push my boundaries. During the pandemic it gave me a chance to open some old and new doors to different genres —breakbeats, electro, drum and bass, electronica, acid— and continue to define my sounds. Having a passion for so many genres has taken my supporters and I on one hell of a journey!

Is there a theme to your mix? What can listeners expect to hear?

I would love to hear how everyone describes my mix! To me it's a fun, mini adventure. It's uplifting, ethereal, soulful, funky, groovy, a lil' trippy, and made to make you feel good wherever you are or whatever you’re doing. Also featuring my latest remix for Rob Garza and another unreleased remix for Lee Coombs (:

What are you currently working on, and what are you looking forward to in 2022? 

I just released 3 remixes on Bedrock’s latest Quattro album for John Digweed. Coming up, I have an EP collaboration with Hannes Bieger featuring Cari Golden, a remix for Lee Coombs, future collaborations with Rob Garza (Thievery Corporation), and seven new original tunes that are almost ready to blast off. 2023 starts off with a bang in Tulum, San Francisco, New York, Arizona, Seattle, Costa Rica, and rescheduling my tour in Australia. For those that don’t know, I started surfing during the pandemic lockdown and it changed my life. DJing in surf destinations is a huge priority, while sharing and motivating the music industry to get in the water. While my mental health has suffered tremendously over the years, I’ve found such healing through the ocean. I have to help others through this beautiful and healing passion.

Find Tara Brooks on Instagram


 

 

Artist Spotlight: PortraitXO

The shesaid.so Artist Spotlight is a monthly series where we highlight new artists from our global community that you should keep an eye on. If you’re interested in submitting yourself or your artist please contact us at hello@shesaid.so

Photo Credit Dan Gorelick

Rania, aka, PortraitXO, is a singer-songwriter, and visual artist, most known for her hybrid music and installation art. In December 2019, she was awarded the AI Mozart prize at Beats & Bits – the world’s first Artificial Intelligence music competition, and in March 2020 she had an artist residency with Sonar+D x Factory Berlin. This year she releases her debut AI album ‘Wire’ from NFT to vinyl on December 9th after premiering it at SXSW as an official artist. As well as all this, Portrait XO plays an active role in many communities, and is the creative director of SOUND OBSESSED, a hybrid arts community working at the intersection of art, sound, science and emerging technologies. We were lucky enough to have Portrait XO perform at our shesaid.so space (in partnership with ZORA) during Amsterdam Dance Event, and wanted to share some of her insights with you. 


shesaid.so: Tell us more about your artist journey and how your sound has developed to where it is today? 

My musical journey started from a young age when I learned classical piano and violin from 4-15 years old playing in recitals,  orchestras, and conservatories in LA.  I decided to stop when my piano instructor wanted to start preparing me for Juilliard and increase classes & practice hours per week.  I never felt called to pursue a career as a classical pianist.  At around 6 yrs old I fell in love with jazz one day when I was with my mom walking past a restaurant and an old lady was playing jazz piano.  My mom never allowed me to learn what I wanted because she was so strict about me learning classical music.  Since then, my relationship with music has been complicated.  It took me a while to figure my own journey from learning how to write and produce my own music to eventually taking vocal lessons.  I consider myself a late bloomer with my artistic journey because I never felt fully satisfied just expressing through music.  In school, I excelled at creative writing, drawing, painting, and music.  Because I didn’t have any role models to guide me, I tried my best to use my intuition to guide my decisions of what I wanted to do in life. Bjork and Radiohead were such big inspirations for me and they set the bar so high in my head that I wished to one day be able to express myself as fully as they do.  I used to do behind the scenes work in the music industry to get a feel for how everything worked from being a session musician to teaching private piano lessons and co-producing and co-writing with other music producers and artists.  Now looking back, I was desperate to break free from form all throughout my youth.  I got jaded pretty quickly from the pop music industry in LA from the way I was treated back then and never felt connected as deeply to the music I was hearing and writing until I discovered trip hop in the 90’s.  I became obsessed with UK music and moved to London from 2006-2015.  It was the most expensive decision I ever made but was worth everything because it was such an eye-opener for me and I grew so much more in ways I never would’ve otherwise.  Not through school, not through my peers or other influences around me.  I grew not just artistically but I learned a lot more about myself and my identity crises I didn’t know I was having while deprogramming how I was socially conditioned that was toxic while perceiving my past from the other side of the world. 

PortraitXO

The dissonance and hardship I felt growing up in E. LA from the systemic racism to generational trauma that is so deeply rooted in the entertainment industry became crystal clear after I moved away.  It’s not to say that I didn’t like any of the music I heard growing up in LA, I just felt a deeper pull to the UK because I fell in love with electronic music production that moved me so deeply.  I became obsessed with hunting for sounds I’ve never heard. 

The darker and quirkier the sounds were, I felt parts of me releasing through sound – traumatic parts of my past that were trying to seek catharsis for healing.  I never knew music could do that.  And it’s such a paradox, how music can be so healing and powerful at the same time, the artistic journey can be so challenging sometimes.  Making music and sound is such an intricate journey for me.  The more complex my feelings are that I want to articulate, the longer I have to take sometimes to play with sounds until I feel they align with whatever it is I’m trying to express.  Whatever I can’t articulate with words or imagery, I turn to sound.  Music helps me communicate what can’t be spoken, written, or drawn, but felt only through sound.  

I hit a creative depression at some point because I wasn’t happy with anything I was creating while living back in LA between 2015-2018.  I was always into looking for new tools and instruments for inspiration to help me break out of ruts.  Around 2015, I met CJ Carr (½ of Dadabots) and since then my life has never been the same.  He was knee deep in his AI for music research and started talking to me about the future of AI and music.  It was so abstract to me at the time, I couldn’t imagine what anything AI generated could sound like.  I was in LA from 2015-2018 before I moved to Berlin and for 1 yr I decided to write as much as I could.  I wrote over 200 songs in a year and was happy with maybe 5% of it.  When CJ and I collaborated during our artist residency at Factory Berlin x Sonar+D from 2019-2020, we decided to use 1 hr of my recorded vocals as the training dataset for our first AI audio experiment.  I handpicked recordings of my singing from unreleased music I liked and whatever I had released up to that point.  In 2 ½ days, CJ trained this recording of my voice into his custom AI SampleRNN model and generated 10 hours of new audio for me to play with.  I had no idea what to expect and allowed myself to surrender completely to these strange outputs that led to discovering a process I fell in love we call ‘neural vocal duet’ – a co-creation of writing lyrics and melodies with my AI ‘other’ voice.  This is what gave birth to my AI audiovisual album ‘WIRE’ that is releasing this December.  It was originally supposed to release in 2020 but after the pandemic hit, I lost energy and decided to pause everything.  I got introduced to Thomas Haferlach who started pollinations.ai and ended up spending most of my lockdowns experimenting with these exciting new open source AI models that helped me create all the visuals I now perform live with, and music videos that will be releasing soon.  My obsession with human-machine collaboration that started from being a music gear junkie from instruments to plugins has grown even deeper with the unlimited potential of AI tools opening new forms of expression.  While I don’t feel like I need AI to be a better artist or producer, I always love discovering new tools that push my boundaries and enhance the way I craft my work.  It’s important that I keep evolving and continue trying new approaches to stay inspired and allow curiosity to lead me to new places I never imagined.  

shesaid.so: When did you start connecting visuals to your music?  

I’ve always been inspired by visuals in some way.  Sometimes while I write music, I write to a scene in my head, or a movie that has a soundtrack or theme I love.  And these scenes are based on personal stories of me and people I’ve encountered who left emotional experiences that trigger me to write about them.  My artist name is actually derived from finding my creative process similar to a portrait painter.  As painters use a canvas, paint, and brush to make a portrait of their subject, it’s the same way I approach songwriting and music making.  When I have finished pieces of music, I immediately need to have visuals that match the music to help complete the storytelling.  I’m also pretty introverted onstage as I am offstage and fell in and out of love with performing because I never enjoyed having bright spotlights on my face onstage.  Since I started performing with visuals, I’ve fallen back in love with performing again.  Visuals to me are just as important as the music.  And I really need the visuals to enhance the music, if they don’t match I don’t feel satisfied.  I want my art and music to be the focus of my performances and give people immersive concerts where they can experience what feels like a journey of many movements.  

shesaid.so: Why did you make the decision to move to Berlin, and how have you found living and creating from there?

I have a tendency to fall in love with people’s stories I admire.  I love David Bowie’s legacy as a creator who was so immersed in expressing himself in so many ways.  I remember falling even more in love with his artistic journey when I went to his exhibition at V&A in London.  The way he expressed himself through fashion, acting, and music was so inspiring.  His period living in Berlin was really intriguing.   I also loved the collaboration he did with Ty Roberts who created the software for Bowie to randomize new words called ‘Verbasizer’.  After I moved out of London, I was interested in Berlin and a small handful of my friends who already lived here convinced me to move.  It was an easy decision for me because 2015-2018 in LA was my second shot of testing myself to see if I can imagine living there again and I felt more drawn to Europe’s way of living and socializing that make me feel more connected.  I also need to be in places that help me feel creatively inspired.  I love that in Berlin no one cares who you are or what you’ve done or been in the past.  You can find the most avant-garde art experiments to higher end produced work and I love experiencing it all.  There’s no paparazzi culture in Europe that influences the way people create their art and music.  There’s way less focus on commercial success which I think is a crucial headspace to be in to create authentically.  I love the public discourse in Europe about art in general, how much is considered in the process of creating.  

AI Self-Portrait

shesaid.so: What do you think are some of the misconceptions people may have about Web3 and creativity? 

I think a lot of people feel put off by ‘crypto bros’ and see NFTs and web 3.0 stuff as temporary hype that’s dying out.  Also because there’s a type of large scale generative art that happened in the first big wave of NFTs that made people associate NFTs not as ‘real art’ but more as visual symbols to be part of this crypto art movement and communities.  There’s still some negative feelings being thrown at people doing any kind of creative work on chain.  I mean, it’s all just software that functions differently to ‘web 2.0’ because the fundamental basis of the technology makes everything transparent, shared, and visible.  All these tools on chain open a lot of interesting questions which aren't really yes or no to do anything in Web 3.0, but in what context does it make sense to do things on chain that we can’t do in Web 2.0.  Like social media I think makes so much sense to be decentralised e.g. LensProtocol.  I love what arpeggi.io is doing - a DAW in Web 3.0 which opens an interesting new way to share stems, create, and share music.  I get triggered when anyone refers to me as a ‘NFT artist’ or ‘Web 3.0’ artist. 

Technology doesn’t define me, I use a lot of different tools for creation from piano, painting, to synths, 3D art, and AI.  It’s so weird that we even have this terminology ‘NFT artist’.  When we started transacting using paypal to buy and sell goods, if you were doing this with art, we never called ourselves ‘paypal artist’ so it’s weird to me.  Like if I was to make music primarily with synths, I’d never call myself a ‘synth artist’.  I’m an artist who makes music and art with a lot of different mediums.

As for Web 3.0, I’m enjoying experimenting and exploring what we can do with new tools that are opening up.  I love going to hackathons and having conversations with people in cryptography to better understand the limitations and possibilities of new technology.  I teamed up with someone new at ETHBerlin recently and won a little award from one of the sponsors - LensProtocol.  We’re about to kick off a little game there soon.  I love learning about emerging technologies as they happen, it’s inspiring to witness and be involved in early experiments because continuous experimentation is what keeps me inspired to create in new ways.  I never want to be pigeonholed or feel boxed into any set ways of creating.  I think it’s good to stay curious and keep our brains active.  

Portrait XO and Richie Hawtin at the ADE 2022 shesaid.so official space

As part of Refraction Festival DAO, SOUND OBSESSED received some grant funding to build a sonic innovation archive which I’m excited about.  We’ve been working with a developer and will be launching the first collection on November 18th using ZORA.  This archive will feature innovative works in and for sound featuring sound artists, musicians, scientists, and robotics engineers.  I’m really excited about creating a new space that will celebrate these exciting movements at this intersection of art, music, science, and technology.  What started as my personal collection of the most inspiring people I’ve met throughout my journey, I’m excited that there will be a home now where I hope will serve to be a way to celebrate the painful and inspiring process of innovation, and also involve more people to be part of the journey to learn about interesting alternative ways to create.  I hope this to be the beginning of what will eventually become a book and expand to involve more people I have yet to meet.  There will be 2 parts of this sonic innovation archive that celebrates the innovators who build new tools, and the validators who create with these new tools and/or integrate them with other tools/their workflow in interesting ways.  

shesaid.so: For musicians interested in collaborating with AI, whether for visuals or sound, are there some tools which you could recommend for them getting started, which are fairly accessible?

Yes, I have 2 published documents on my website https://portraitxo.space/AI-Song-Contest-2021 and https://portraitxo.space/EXPRESS-MINE that feature my workflow, links to tools, and audio examples people are free to download and use however they’d like.  I just ask people to share how they integrate any of my material cause I’m always curious if they do get used and how.  There’s also Dubler by Vochlea that has a smart AI calibration system that allows your voice to be calibrated to their software allowing you to compose from your voice straight to MIDI real-time that works really well.  There’s an amazing new real-time AI audio synthesis plugin for Ableton my friend Moisés Horta Valenzuela created that is releasing soon that’s been really fun.  I’m really into creating instruments from my own datasets so if anyone wants to try a similar approach, the 2 links I provided is how I first experimented creating my own instruments without knowing how to code and using google colab notebooks.  A few months ago, google released a DDSP-VST that now allows people to create their own instrument and do real-time tone transfer with a plugin: https://magenta.tensorflow.org/ddsp-vst.  Examples: https://sites.research.google/tonetransfer.  I haven’t played with a lot of the MIDI related AI stuff mainly because I love working with raw audio.  I love the glitches and morphing that happens.  

shesaid.so: Who are some of the creatives inspiring you at the moment?

Bjork continues to be an inspiration, the level of details that goes into everything she does from what she wears to how she writes and performs.  I just love how she builds entire worlds around her music.  I also love James Blake, FKA Twigs, Joy Orbison, Max Cooper, Floating Points, and have been listening to Jon Hopkins and Aphex Twin a lot again recently.  

shesaid.so: Your work really brings together the worlds of art and technology. Did you always have a brain that was drawn to science and creativity, or has one come more naturally to you?

Photo Credit Factory Berlin

I wasn’t good at all science classes, but somehow I excelled in physiology.  When it came to drawing internal and external human anatomy, I always created really detailed drawings and I was able to hold everything I learned because it was all so fascinating.  I couldn’t get my head around chemistry because it was just too abstract for me.  But the way our human bodies work is so interesting.  I think if I didn’t do music, I would’ve pursued physiology or neuroscience.  My music artist friend Simonne Jones who happens to have a scientific background phrased it once so elegantly, ‘science is art, and art is science’.  I wasn’t always so scientific as a music artist, but the more I became involved and interested in science, the better it helped me create sonically and visually.  I’ve found that the better I understand how things work (the science of how everything works), I can break everything down and get really granular.  I think I’ve become more detailed with how I work because understanding how scientists work with doubt has helped me approach doubt and my own processes in helpful ways that pull me out of getting into existential crises when I feel a creative block like most artists do.  I’m constantly on a search to discover where humanity lies between art and technology.  Scientific methods help me with my ongoing research in different fields of interest, art helps me translate new discoveries, and technology helps me create experiences that translate science into art.  Music is the glue that binds everything and translates emotions and unexplainable aspects of life.  And when you break everything down to its core, everything has a frequency - colors, sounds, flavors, smells, feelings, thoughts, energies, temperature, and even our memories - frequencies beyond sound.

shesaid.so: We’re nearing the end of 2022 which has been a busy year for you! What are you excited about bringing to life next year?

I’m excited about new projects for next year, a lot of new collaborations have been building and forming this year.  I’m looking forward to spending this winter creating new work inspired by everything I’ve soaked up from this year.  It’s been so intense to go from 0 to 1000 but I’ve loved it all so much.  It’s been such an isolating few years for me so connecting with people IRL has brought me back to life.  I can’t wait to release new work next year and would like to tour more.  New things I want to create keep getting added to my ever growing to do list, but I’m really excited I get to collaborate with some really amazing artists and scientists that will be releasing/launching next year.  

shesaid.so: shesaid.so is a community guided by intersectionality. In your opinion, how could the music industry do better in terms of inclusivity? 

Mindfulness and staying curious instead of assuming would be a great place to start all conversations.  Educating each other about the challenges of being part of the industry and helping each other grow in ways that’s emotionally supportive is something I wish I had when I was figuring things out.  I have my own set of traumas from the industry and I stepped away from the music industry for a while to heal and build myself up again.  Having open spaces that allow hardships to be expressed and feel heard and supported is a really great thing to have.  I hope these types of activations continue to be present at events and festivals to be openly talked about.  Having public discourse about really difficult topics is a great way to let people know that they aren’t alone. 

shesaid.so: How have communities played a role in your development as an artist?

While I never felt like I was part of any big community, I have a small pool of people that are like family to me.  I don’t know where I’d be without them and they are my community.  I have ADHD and am constantly working nonstop.  Sometimes I don’t know when or how to stop taking on new work, especially if they’re really exciting and fun.  Because I take on a lot of work, I don’t have a lot of time to spend with a large amount of people on a regular basis.  I divide my time working alone intensely, collaborating with other artists/producers, or on the road at events/festivals.  I have a small community of artists, mentors, and friends who are my backbone to get through really difficult times.  I try my best to give back to communities in whatever ways I can when I have time for it because I think accessibility to new tools is important, especially to groups of communities that would even know about how to access new tools when they emerge.    

shesaid.so: what do you think are the successful ingredients to build a strong community? 

Being able to hold space for each other in times of need.  Being able to feel seen, heard, and supported.  Having shared values.  Manifesto and code of conduct that everyone respects e.g. no homophobia, no sexism, etc.  

Portrait XO at SXSW 2022

shesaid.so: And finally, could you share a few bullet-point top tips for artists just starting out? What would you have loved to hear?

You don’t need the validation of everyone.  Find someone who can be your mentor to guide parts of your journey.  Not everyone will look after your best interest so build a strong community even if it’s just a small number of like-minded friends who are also aiming for similar goals and support each other.  Create goals not plans because plans will always change and learn how to reward every effort instead of seeking gratification from awards, prizes, fame, and anything that’s out of your control.  Filter out opinions because everyone has an opinion.  Be selective with who you ask for constructive feedback when you need it, and ask for it from the right people that are relevant to what you feel will help you.  Getting constructive feedback is very different to asking a random person if they like your work or not.  It’s more valuable to get feedback that’s helpful from someone who is more experienced at what you want to achieve to understand what you can improve/better, and what you’re doing really well in.  But even more experienced people are often times changing and evolving.  It’s a long journey, so staying focused on processes that keep you excited is crucial. 

Journal every part of your journey and celebrate every time you grow and expand and make growth your prime way to feel fulfilled.  If you don’t feel like you’re growing, ask why, and get really granular with understanding what you need help with to move forward.  Journaling is not only the best form of therapy, but it’ll help keep track of your own progress so you can mentally reward your efforts. 

When you do what you love consistently and keep sharing, things do happen over time.  But when the time to go happens, I don’t think anything can really prepare you for the extreme propelling movements that can be really overwhelming.  So having supportive people and mental work like meditating and journaling can help feel grounded when things feel shaky.  The higher the exciting times can lead to feeling really ungrounded after with massive comedowns.  Sit in testing times to feel the ground and breathe, stay in the mental state of gratitude for all the challenges and ask what are the lessons from them.  Accept that what works for you now will and most likely change; continuously evolving and changing is exciting.  And the timeline of when and how things take shape is unpredictable, so learning how to be patient is also vital.  When there are moments of frustration because something isn’t working out the way you thought you wanted, surrender your thoughts into writing and let it all go.  There are always new opportunities and life does support your dreams, just not the way you ever imagined or expect them to happen.  


Check out Portrait XO’s NFT to Vinyl campaign here:

https://marketplace.twlvxtwlv.com/campaign/PortraitXO

Official promo video for Portrait XO’s NFT to Vinyl campaign

Stay up to date with PortraitXO through her social handles, bandcamp and via the following discord channels:

www.portraitxo.space

instagram.com/portraitxo

twitter.com/portraitxo

shesaid.so Mix 043: Venessa Michaels

The shesaid.so mix series aims to spotlight the diverse artists within our community. We’re committed to championing underrepresented voices from around the world, focusing on female, non-binary, trans and queer individuals. Our monthly mix series allows our contributing selectors to showcase their unique backgrounds and inspirations by creating exclusive, 30-minute live recorded soundscapes. 

The shesaid.so Mix series continues this month with Venessa Michaels, the Los Angeles-based producer who's become known for her self-coined ‘2090’ genre: a retro-futuristic sound blending various forms of club music with Y2K-inspired hip-hop and pop. 

The genre-blending producer has collaborated with big names such as J.Worra, Lil Texas, and Kaleena Zanders; toured with NIKI, Raury, 6lack, Party Favor, and Krewella; performed at festivals such as Coachella, Splash House, and Camp Flog Gnaw; and created the theme song for the DreamWorks Netflix show KIPO and the Age of Wonderbeasts

Venessa Michaels is gearing up to release her debut album, Sent From Saturn, a full-length project that will see the artist evolving in real time. With a lavish mix of various dance and pop genres, the new album promises to showcase Michaels’ versatile skill set and eclectic aesthetic sensibilities. 

We caught up with the producer ahead of her newest single, “Needed U” - a breakbeat and tech-house heater dropping this Friday, November 18. 

Tell us the story of how you fell in love with music.

Venessa Michaels: My Mom and Grandma provided me many opportunities to fall in love with something creative. I entered piano lessons at, like, 2 years old, and was apparently patient enough to learn even at that age. That led to eventually taking classical guitar lessons and I fell deeply in love with the instrument. I’ve always been obsessed with music, and so that was the passion that I chose - or maybe it chose me.  My mom was the first person to suggest DJing as something I should try.  At first I was like “NoOoOO I don't wanna be a DJ,” and then I gave it a shot. Obviously it stayed with me, and probably will till I'm 100 years old.  

How has your community, background or upbringing influenced your sound?

Venessa Michaels: I grew up in San Diego and was very heavily influenced by West Coast music & whatever I heard on the radio. I have very specific memories of listening to No Doubt, Sublime, ODB, Mariah Carey, The Offspring, Timbaland, Missy, Aaliyah etc. I really LOVED that era’s music. I would burn CDs all the time. Then I got to experience some Northern California influence when I went to school at UC Santa Cruz - with Mac Dre, Too Short, E-40, etc.  That music contained so much hype - and it was soooo fun.

I mean, I’ve absorbed a large variety of influences. I’m also a DJ, so my influences ALSO include the dance world.  Like everyone knows the A Trak remix of Heads Will Roll. That song was so iconic and it definitely got me interested in uptempo dance music. It's safe to say I love all types of music & am grateful to have heard so much of it.  I know it has influenced my songwriting, producing, and everything else. 

Who or where do you draw inspiration from?

Venessa Michaels: My friends are all really talented people. I am so inspired by their drive and passion, and it only comes back around.  

Is there a theme to your mix? What can listeners expect to hear?

Venessa Michaels: This mix is for the house heads! Enjoy.

What are you currently working on, and what are you looking forward to in 2022? 

Venessa Michaels: I’m getting ready to release my debut album, Sent From Saturn, in the new year. I also created a new sample pack with LANDR called "Club Basics" using their Chromatic plug-in; I’m working on producing more of these. I’m really looking forward to all these releases - I took a year off dropping anything  original, and this will be the first time I drop a full length project. 

shesaid.so Mix 042: Ms. Mada

The shesaid.so mix series aims to spotlight the diverse artists within our community. We’re committed to championing underrepresented voices from around the world, focusing on female, non-binary, trans and queer individuals. Our monthly mix series allows our contributing selectors to showcase their unique backgrounds and inspirations by creating exclusive, 30-minute live recorded soundscapes.

The shesaid.so Mix series continues this month with Ms. Mada, the Filipino-born, Miami-raised DJ virtuoso whose residency at Miami’s vaunted Club Space has made her an internationally sought-after selector.

Ms. Mada’s taste blends the Latin American influence of her childhood neighborhood, R&B/hip-hop classics heard on the radio, and local electronic music genres such as Miami Bass and Miami Freestyle - a combination that invokes a diverse map of the DJ’s vibrant Miami upbringing, This dynamic, home-sprung sound has led to performances at American festivals such as Ultra Music Festival, EDC, III Points (where she played a Boiler Room set), Splash House, Hard Summer, and Time Warp, as well as international festivals such as EXIT (Serbia), BPM (Mexico), and BAUM (Columbia).

Ms. Mada has solidified her place in the soundscape of Miami, opening and closing for many of today’s biggest names in electronic music. We caught up with the DJ ahead of her debut at the club night series The Warehouse Project in Manchester, UK.

Tell us the story of how you fell in love with music.

I can say that my earliest memory of actually falling in love with music was listening to Aaliyah - “Are You That Somebody”. I became obsessed with this song. Wanting to learn the lyrics so I could sing along whenever it spontaneously came on the radio. I wasn’t able to buy the single either because I didn’t know how or where to look, so I had to sit by my stereo with my empty cassette tape and hit record when I heard the intro coming on. This was right around the time I started to become more interested in listening to Hip-Hop and R&B right before I was exposed to dance music.

How has your community, background or upbringing influenced your sound?

I grew up as a Filipina in a predominantly Latin community, so I was exposed to all sorts of Latin American music— salsa, merengue, bachata, vallenato, cumbia, etc. Then there was everything else on the radio with Miami bass, freestyle, and the usual Hip-hop/R&B radio hits of the time being played in between. I always tell this story of how the turning point for me diving headfirst into electronic music was when my neighbor handed me a George Acosta CD when I was about 10 years old. However, I also think growing up in Miami was so enriching that without me even realizing at the time, the music of my adolescence would lay my foundation and eventually pave my way towards electronic music.

Who or where do you draw inspiration from?

I don’t have a particular source, but I will say that my DJ contemporaries turned friends inspire me a lot. Most of my friends are artists in their own right and we all share different tastes, but the way I can just nerd out with them about music is one of my favorite things.

Is there a theme to your mix? What can listeners expect to hear?

There’s no real theme to my mix except for the very last two tracks. I had to include some Miami staples. You’ll hear tracks by Austin Ato, Sweely, Moglis, MADVILLA, Planet Soul, and a classic that I consider as one of the soundtracks of my youth. (:

What are you currently working on, and what are you looking forward to in 2022?

Currently, I’m trying to get around to mastering my own tracks for release. I’ve been traveling on and off almost every week since July, but I’m not complaining. I’m really fortunate. As of right now, I’m really excited to check this one off my bucket list. My debut at Warehouse Project in Manchester for Music ON on November 18.

shesaid.so Mix 041: Marie Nyx

The shesaid.so mix series aims to spotlight the diverse artists within our community. We’re committed to championing underrepresented voices from around the world, focusing on female, non-binary, trans and queer individuals. Our monthly mix series allows our contributing selectors to showcase their unique backgrounds and inspirations by creating exclusive, 30-minute live recorded soundscapes.

The shesaid.so Mix series continues this month with Marie Nyx, the Los Angeles-based producer/DJ who infuses her hypnotic, synth-heavy techno soundscapes with influences ranging from post punk, new wave, and indie. 

Lauded by DJ Mag as one of their “Six Acts Popping Off,” Marie Nyx has an unmatched ability to adapt to the wants and needs of any dance floor without sacrificing her infectious, apparitional style. Her revered abilities have led her to playing shows with names such as Camea, Pleasurekraft, Dubfire, and Nastia, and at events such as Mixlab Lab LA, where she’s showcased her distinct and grooving sound. 

 Marie Nyx also co-founded the Delusional Records imprint with Maude Vôs. Together they foster a label environment that seeks to revive dance music culture by releasing timeless, hard-ware driven pieces of work created by an inclusive roster of artists, who are primarily LGBTQIA+, BIPOC, and female. The label has been featured in SPIN Magazine, Insomniac Radio, EDM Maniac, and more. 

Marie Nyx releases her own music as well through the label, and will be dropping a remix for LA DJ/producer Etari this October. We caught up with the producer ahead of that release and the Delusional Records label takeover at Arrival on October 7. 

Tell us the story of how you fell in love with music.

I have been in love with music since I can remember. I grew up in a musical family and it has always been a huge part of my life. When I was young I played piano, sang in school choir for a few years, and took guitar lessons as a teenager. I then took a hiatus from playing instruments and singing because I got really into going to live shows after I was taken to my first big festival. Live shows lead me into the rave scene and eventually introduced me to festival communities where I found my niche in DJing and production.

How has your community, background or upbringing influenced your sound?

My sound is a raw, eclectic blend of electronic music ranging from techno, Detroit electro, experimental electronica, and a sprinkle of EBM/darkwave. Growing up, my musical palette was influenced by my older sister who introduced me to indie/alternative rock, shoegaze, synthwave, and post-punk. I then found artists such as The Faint, Crystal Castles, and Digitalism, which piqued my interested in a more electronic sound. I did not have much of a community until I found electronic music. The rave and festival communities accepted me with open arms, and it was the first time I felt free to express myself without feeling judged. It felt like home, and I knew that one day I wanted to cultivate my own community in electronic music in hopes that future generations would feel seen like I did. 

Who or where do you draw inspiration from?

I draw inspiration most from my friends and collaborators. The energy of collaboration lights my creative fire whether it be a b2b DJ set or working in the studio. I also feel very inspired after going to a warehouse party, event, or festival and catching sets by artists on the lineup that I look up to. 

Is there a theme to your mix? What can listeners expect to hear?

Since shesaid.so aims to spotlight underrepresented artists in the community with a focus on female, non-binary, trans, and queer individuals, I decided to create a mix of tracks written or produced by some of my favorite female and non-binary artists. The mix opens with an experimental electronica track then builds into breaks, electro, EBM, and techno. There is also a strong presence of femme vocals throughout the mix. 

What are you currently working on, and what are you looking forward to in 2022? 

I have just finished a remix for LA DJ/producer Etari that I’ve included in the mix. It will be out on all platforms at the end of October via Delusional Records. I am also working on my next forthcoming EP. I look forward to my next performance at a desert festival called Arrival alongside Midnight Vices, Cassie Raptor, TDJ, and more on October 7th. My partner, Maude Vôs, and I will host a Delusional Records showcase at the festival featuring Lindsey Herbert, Etari, and Materielle.

Tracklist:

Smoke and Honey- M-0ther

Nyctinasty- Abby Echiverri

Teeth- LCY

iele- Maude Vôs

Ascending- Etari (Marie Nyx Remix)

Take the Wheel Miss Sweetie- Maara

Vertigo- MYKI (Roza Terenzi Remix)

Transmutation- Rein, Djedrotronic (Unklevon Remix)

Asteria- Marie Nyx

Extinction- Zanias

shesaid.so Mix 039: Maddy O'Neal

The shesaid.so mix series aims to spotlight the diverse artists within our community. We’re committed to championing underrepresented voices from around the world, focusing on female, non-binary, trans and queer individuals. Our monthly mix series allows our contributing selectors to showcase their unique backgrounds and inspirations by creating exclusive, 30-minute live recorded soundscapes.

The shesaid.so Mix series continues this month with Maddy O’Neal, the Denver-based bass maestro who's making waves with her genre-hopping blend of glistening, melodic electro-soul, funky grooves and shrewd synth design.

The self-taught DJ and producer is one of the hardest working artists in dance music, having performed 90+ shows a year for the past five years. Flexing her diverse musical background during live shows where she incorporates original compositions, intricate drum pad performances, and immersive narratives, O’Neal has taken center stage at festivals like Electric Forest, Summer Camp, North Coast, and Camp Bisco.

A true leader in the male-dominated bass community, O’Neal is gearing up to release a forthcoming album that will contain a balance of sounds, tones, themes, and images - a consistently shifting experience that reflects Maddy’s out-of-the-box, genre-blending creative process. We caught up with the creative polymath ahead of a stacked summer tour schedule that’ll see her debut at Lollapalooza and Lost Lands and return to Same Same But Different and Secret Dreams.

Tell us the story of how you fell in love with music.

O'Neal: From as long as I can remember, I have been surrounded by music and curious about how to dive deeper into the creation and communities I saw it connecting. I would tag along to shows with my older brother and pick his brain on what he was listening to constantly. My love for music has been an ever-evolving relationship, but I thank my upbringing for having it be constant in my childhood.

How has your community, background or upbringing influenced your sound?

O'Neal: My dad was a big dead head, and my brother was in indie rock bands in St. Louis, where I grew up. I wasn't really fully introduced to what was going on in the electronic music world until moving to Boulder, CO, for college in 2008. Outside of DJ Shadow, Jamie xx, Animal Collective and whatever feed I was getting from my brother, I didn’t know about this entire underground world of electronic music. I was introduced to the whole world I am in now in such a golden era when Skrillex was just getting his start, and people like Big G, Griz, Pretty Lights etc., were all rising out of Boulder itself. It was a major inspiration to be so close to it all.

Who or where do you draw inspiration from?

O'Neal: I draw inspiration from sooo many things— people, places, experiences— but mostly from other art. When I experience someone else’s art and passion for it, whether it be another song, a painting, writing etc. it really lights a fire in me. Pretty rad to experience humans just creating things and expressing themselves in all forms. It’s all I want to do and be a part of.

Is there a theme to your mix? What can listeners expect to hear?

O'Neal: I started releasing house mixes over quarantine in 2020 when I was doing a lot of live streams and diving deep into all types of music. When I was asked to do this mix for “She Said So” I just immediately felt like boss bitch vibes…. So I kinda put together of a playlist of songs that made me feel like a boss and let ‘er rip.

What are you currently working on, and what are you looking forward to in 2022?

O'Neal: I am finishing up my next full-length LP as we speak. It’s in the final mixing stages, and I’m SO incredibly proud of this body of work. I have put so much work into this album, learning new things, challenging myself, expanding my toolbox and really feeling the creative flow freely like never before. I’ll be releasing two more singles in July and August, leading up to the full release in September. We’ll be announcing a bunch of exciting fall dates as well. :-) I can’t wait to debut all this new music this fall!

Artist Spotlight #9: Lau.ra

Alternative Power List winner, Lau.ra is one of the rising stars of house music. Based in the UK, her dominant basslines and infectious melodies saw her awarded ‘Self Producing Artist of The Year’ by the UK MPG last month (an accolade previously won by Four Tet and Jon Hopkins). Growing up in a small town in the midlands she talks to shesaid.so about finding a home in dance music, juggling parenting, support from the BBC and putting in the graft.


shesaid.so: Tell us more about your artist journey and how your sound has developed to where it is today?

Lau.ra: I’ve been a self-producing artist from day 1 but I entered the music industry making pop music as growing up in a small town in the midlands the only successful women I’d ever seen in the music industry were pop stars so I naturally gravitated towards that world. I was in my mid-twenties before I met other women producers and women in technical roles in the industry. I remember that Mandy Parnell, the mastering engineer in fact, was the first woman I worked with who was successfully dominating and taking up a lot of space in her field. I found that very inspiring. It’s only in the last few years that I’ve realised my home is in dance and electronic music. Feeling supported and celebrated as a self-producing artist in this scene has been a game changer for me. I’m no longer met with confusing looks when I tell people in the industry that it’s me producing all the tunes, instead people are impressed and excited by it. I feel believed, finally! Thank fuck.

shesaid.so: 2022 has been such an exciting year for you so far! What have been your personal highlights?

Lau.ra: Playing Radio 1’s Big Weekend recently was a real buzz and in fact all the BBC radio support that DJs have shown my music this year has been unreal. I started the year DJing at Circoloco at DC-10, Ibiza on New Years Day — the absolute best way to kick off the year. I think that lit a rocket up my ass for the rest of the year ahead. And then just recently I won a UK MPG award for ‘Self Producing Artist of The Year’ — an accolade previously won by Four Tet and Jon Hopkins. To win that award knowing it’s voted for by peers and alongside the absolute best in the UK music industry feels very validating.

shesaid.so: On your Reprezent takeover you spoke about the barriers you faced getting into music production. Could you share how you’ve overcome some of those?

Lau.ra: I’ve just quietly kept on going. Actually not even that quietly most of the time. The beats have gotten bigger and better and I’ve just grafted away. Mastered my craft but still learning all the time. I’ve just put the hours in and surrounded myself with people who absolutely know my truth and story and will speak up if they hear anyone twisting that or making assumptions that aren’t true.

shesaid.so: We have a brilliant, active, parenthood committee. As a parent, are there ways you’d like the music industry to evolve to support parents more?

Lau.ra: Visibility is important and goes a long way to making people feel supported. It’s been refreshing seeing some other women in the scene share their parenting journeys and open up a little more about the challenges that come with young children and a career in music. It’s only very recently (post pandemic?) that I feel people have been talking about this. Up until the past few years it’s still been very taboo or just not done. Or maybe I just wasn’t looking for it? Not sure.

Following Annie Mac, Anna Lunoe, Logic1000 and Jamz Supernova have been very inspiring to me and made me believe that I could do this. More support for self-employed parents in the industry would be great.

One thing that’s become apparent since becoming a mum is that blocks of creative time are going to be very hard to come by during these early years. I barely manage to record an hour’s live mix without being interrupted! Perhaps a fund where parents could use the money to cover childcare costs and book themselves into a residential studio for a week? That would be dreamy. When your babies are small you don’t want to be seperated from them but equally there is a pull to ‘get back to it’ and a need to be creative and keep those juices flowing so you don’t touch out and lose yourself completely. A fund or support that might enable parents to do both these things alongside each other in those early days would be brilliant.

shesaid.so: shesaid.so is a community guided by intersectionality. In your opinion, how could the music industry do better in terms of inclusivity?

Lau.ra: I’m seeing more women and gender minorities coming through and rising the ranks but still very few black people taking up the space they deserve. Both on the artist side but particularly on the technical side and executive roles in the industry. I don’t think I’ve ever had a label or publishing meeting with a black woman sitting on the other side of the table, which is absurd when dance music is black music. House/Techno/Garage/DnB, all of it comes from black culture and creators, we owe everything to the black and queer scenes that the sounds evolved from.

shesaid.so: Has community played a role in your evolution as a creative?

Lau.ra: To some extent. I produce and create most of my music alone or remotely from the artists that I work with and my studio is at my house so I don’t get to experience community in my work environment but it plays a big role in everything else. Artist communities like The FAC and PRSFoundation have been so important to me as I’ve been navigating my way through and carving a career for myself in music. Also Instagram! I have some fans that have followed me from day one, from project to project and grown up with me. Even though we aren’t close IRL there’s a sense of community that’s very supportive knowing some people have chosen to take an interest and stick with you as you’ve been developing and evolving as an artist over the years.

shesaid.so: And finally, could you share three bullet-point top tips for artists just starting out? What would you have loved to hear?

Lau.ra:

“Keep going. If you can afford to ride out the lows and it’s still bringing you joy. Keep going.”

Trust your gut, if it feels too good to be true it usually is. Don’t be afraid to ask stupid questions. A lot of people in the music industry rely on artists not asking the obvious questions. Transparency is everything. A few awkward moments may save you a lot of money/sanity.

Don’t over-promise and under-deliver. It’s frustrating for everyone. Better to be the person that says they’ll have something done in a couple of weeks and deliver it in one rather than be the person everyone needs to chase. This is not always easy or possible, as I’ve discovered since becoming a parent. But it’s always something to aim for!

Keep up to date with Lau.ra via her website and Instagram.

Click here for more information about how to become a shesaid.so member or ally.

shesaid.so Mix 038: RYL0

The shesaid.so mix series aims to spotlight the diverse artists within our community. We’re committed to championing underrepresented voices from around the world, focusing on female, non-binary, trans and queer individuals. Our monthly mix series allows our contributing selectors to showcase their unique backgrounds and inspirations by creating exclusive, 30-minute live recorded soundscapes.

The shesaid.so mix series continues this month with the LA-based artist RYL0, one of the most exciting voices coming out of the hyperpop scene.

The artist’s combination of infectious vocal melodies, bombastic electronic production, and strikingly candid online presence has led to inclusions on Spotify’s New Music Friday, Fresh Finds, and Hyperpop playlists; on lineups alongside the likes of Arca, Kero Kero Bonito, Alice Longyu Gao, and Umru; and on the stages of infamous hyperpop events such as Heav3n, Subculture, and New York’s sksksks party.

Through these ventures, RYL0 is paving new ground: she is a walking supernova of forward-thinking pop ideas and, as one of the few Black women in hyperpop, a pioneer for what kind of artists can be the face of this space. Following the May release of her, I’m the Worst!! mixtape, we caught up with the singer-songwriter and producer ahead of her opening performance for PC Music’s Namasenda on June 23.

Tell us the story of how you fell in love with music.

I don’t know if there’s one specific story as to when or how I fell in love with music in general. I just remember always loving it and listening to a lot of things growing up. I had a lot of alone time on my hands as an only child, so I was constantly consuming music and really digging for new finds from a very early age. When it comes to making music, I definitely remember always wanting to be a rock star, à la Hayley Williams. I didn’t even know I could really sing until about fifth grade, though. I auditioned for the school musical just to try something new, and I didn’t even tell my parents until afterward. From then on, I was hooked on musical theater and fell in love with performing. But even then, I didn’t feel the need to make music of my own until I really got into electronic music years later.

How has your community, background or upbringing influenced your sound?

I didn’t grow up with a strong sense of community, really. I always felt like I didn’t fit in anywhere because my tastes never aligned with those of my peers. I was also quieter as an over imaginative weird kid, so it was hard to fully express myself at times. The first time I felt like I really found a community of my own was when I got into EDM in middle school. I loved how free the music felt, honestly. Especially hearing stuff like Scary Monsters and Nice Sprites… obviously a game changer. I became a full PLUR kandi kid shortly after I got into the scene– going to raves and getting my friends into it too. At the time, I found a real sense of myself through the rave community, and it’s definitely the reason I am where I am today. Getting into EDM over a decade ago brought me to making electronic music today in the form of hyperpop.

Who or where do you draw inspiration from?

I think I’m constantly inspired by anything innovative that leaves an impression on me. I’ve realized recently that I’m a super impressionable person in general, so it really depends on what catches my attention at any particular moment in my life. Recently, I’ve been diving into the catalog of Ed Banger Records and that definitely inspired my approach to my mix! I’m also completely inspired by the work of trailblazer, Charli XCX and artists of PC Music. That can also totally be heard in my mix (and my music at large). I’m inspired by the concept of being innovative in general. I love it when people break rules and push the boundaries of a more traditional approach to artistry.

Is there a theme to your mix? What can listeners expect to hear?

I have a lot of fun when making mixes because I don’t do it super often, and that makes me more inclined to go absolutely crazy with it. I think the general theme of all of my mixes is a lightly chaotic multi-genre collection of eclectic mashups, combining all my tastes and flipping all my favorites on their heads. I’ve been describing my style as “RYL0-core” because I think I can pretty much guarantee I’m always going to try to make the most insane mix you never knew you needed to hear. It's just the right amount of absolute nonsense, and sometimes shouldn’t work at all. I always find a way to get my ideas to translate, though, so that’s what you can expect to hear.

What are you currently working on, and what are you looking forward to in 2022?

My second mixtape I’m the Worst !! came out in May, so for the past few months I was focused on finishing that up. Now that it’s wrapped, I’ve been working with new producers and honing in on my craft as a songwriter. I’ve been doing a lot of sessions with different people, trying to find what the next project might sound like. In the meantime, I’m just enjoying being able to perform a bunch. I went on a mini-tour in March and have been playing some pretty big parties like Heav3n and Subculture (both LA based). Looking forward to playing a few more shows this summer and have a few more releases that I’ll be featured on dropping in upcoming months!

Check out RYL0 on IG

Artist Spotlight #8: Miso Extra

For this month’s artist spotlight, we caught up with English-Japanese artist, Miso Extra off the back of her performance at Brighton, UK’s ‘Great Escape’ festival.


Having released her first single in 2021, Miso Extra has generated lots of buzz around her explorative sound. Following up with the release of her EP ‘Great Taste’ in 2022, she continued to give listeners a reason to believe and go with her into the Misoverse. Here she talks to shesaid.so about her evolution, and things she would have loved to hear when starting out.

shesaidso: Tell us more about your artist journey and how your sound has developed to where it is today?

Miso Extra: It has taken me a long while to give myself permission to embrace my creativity.

Miso Extra has helped me to better channel the thoughts I don’t always have the courage to voice in my day to day life. I personally feel ideas always sound that much better in song.

shesaidso: You showcased your vocal creativity on your Debut EP ‘Great Taste’. Were you always confident using your voice?

Miso Extra: My confidence has ebbed and flowed over the years but with the loving support of friends and family I’ve been finding my feet.

I’m embracing my own unique vocal style and champion that it is my instrument of choice.

shesaidso: You released Great Taste in March? How did that moment feel for you as an artist?

Miso Extra: It was a huge sigh of relief and felt like a step in the right direction for me creatively as I had never originally intended to release the project. Thank goodness I did!

shesaidso: How do you identify collaborators to work with?

Miso Extra: I try to let it happen organically but from the outset I tend to gravitate towards people who seem to have a good vibe about them and that reply to my DM’s aha

shesaid.so: shesaid.so is a community guided by intersectionality. In your opinion, how could the music industry do better in terms of inclusivity?

Miso Extra: There is always progress to be made as that is an infinite process. By trying to make the next day better than the last in any small or big way is always a good start.

shesaid.so: Has community played a role in your evolution as a creative?

Miso Extra: Totally crucial! No one person is responsible for raising me. The good, bad and the divine are what made me who I am today and will continue to help evolve me.

shesaid.so: And finally, could you share three bullet-point top tips for artists just starting out? What would you have loved to hear?

1. No better time than the present

2. Own being you

3. Help is out there you’ve just got to keep seeking the right people

Keep up to date with Miso Extra here and on Instagram

Find out more about how to become a shesaid.so member or Ally.

shesaid.so Mix Series 034: LP Giobbi

The shesaid.so mix series aims to spotlight the diverse artists within our community. We are committed to championing underrepresented voices from around the world, focusing on female, non-binary, trans and queer individuals. Our monthly mix series allows our contributors to showcase their unique backgrounds and inspirations by creating exclusive, 30-minute live recorded soundscapes.

At the end of this month, Leah Chisolm, better known as LP Giobbi, kicks off a tour of North America. A musical experience which will deliver electrifying house nights, supported by FEMME HOUSE workshops at every stop. She’ll be joined by UK talent Bklava as they visit Los Angeles, Chicago and Philadelphia amongst others. Ahead of this, LP Giobbi (Austin, TX) delivers this month’s SSSO mix. We caught up with the artist to find out the inspiration behind her mix and what’s influenced her sound.

Tell us the story of how you fell in love with music.

I was raised by music lovers and music appreciators, so it was just always around me in abundance. I begged my parents for piano lessons when I was in 2nd grade and they found me the most amazing teacher/human/creator ever! I studied with her all the way until I graduated high school and left home. She cultivated creativity and joy of music beyond anything else!

How has your community, background or upbringing influenced your sound?

I was raised by Deadheads so jam bands were what I grew up on. Psychedelic house music is my favorite and very much influenced my upbringing. I sampled a Grateful Dead guitar loop 2 minutes into the mix ;-)

Who or where do you draw inspiration from?

Anything that is fun or joyful I draw inspiration from!

Is there a theme to your mix? What can listeners expect to hear?

I built the mix around The Weeknd’s “Take My Breath” breakdown where it drops into that synthy Daft Punk style arp. The second I heard it I knew I wanted to loop it and throw it into a mix so I picked tracks in the same key that would vibe with that particular part and then flowed from there. This mix is a bit headier. Stuff I would play at the after after after.

What are you currently working on, and what are you looking forward to in 2022?

About to head out on our first ever Femme House (my non profit that teaches women and gender expansive folks how to produce music) Tour! Doing free in person workshops in each city during the day, teaching Intro to Ableton, and then all female / gender expansive lineups at night! And I’ll be releasing a longer body of work this year and playing more shows than I ever have. Super excited to play in Ibiza, Croatia and Brazil all for the first time this year!

Femme House Tour Info

LP Giobbi Website

LP Giobbi Instagram

LP Giobbi Facebook